SOUND ON SOUND
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During a fleeting visit to SOS headquarters, Paul White managed to soften up DOD/Digitech's Product Development Manager, Randy Thorderson, with a tasty curry before pumping him for info about products and future developments.
Over three years, Towering Inferno (led by core duo Andy Sanders and Richard Wolfson) engaged the services of over 50 performers to produce their self-financed opus Kaddish — described by Brian Eno as " the most frightening record i have ever heard!" peter jones charts the development of this ambitious project.
London's famous Turnkey music store was recently completely redesigned to offer instant hands-on access to virtually every major product in stock. SOS checked out the new facilities.
Mark J. Prendergast catches up with ace remixer/musician William Orbit to learn of his newfound passion for classical music.
Buying your first synthesizer can expose you to apparently meaningless technical specifications, conflicting advice, and overwhelming technical jargon. Confused? You won't be, after reading Derek Johnson & Debbie Poyser's plain English guide to making the right choices.
Martin Russ continues his look at computer busses and reports back from the recent Apple Expo show.
There's more to gating than just getting rid of unwanted noise: the humble noise gate is capable of truly creative studio trickery. David Mellor reveals some of the unusual uses for your Drawmer DS201, but if you don't own a DS201, don't despair: these tips can be adapted for most good quality gates.
Following the demise of the Windows MIDI Mapper under Windows '95, Brian Heywood considers ways of setting up alternative MIDI patch maps on your PC, and looks back on his personal favourite products of 1995...
Having come a long way from its humble beginnings in the early n-n-n-n-nineteen eighties, sampling is now an integral part of music making. Paul White explains what samplers do and how they can be used.
A true understanding of any piece of studio gear only comes after using it for months, or even years. 1995's Reader Survey suggested that more features would be welcome from people with such 'Long-term' gear experiences, so, in the first part of this occasional series, Janet Harniman-Cook reveals the truth about her PC sequencing and digital recording setup.
Paul Overaa goes behind the scenes at Tangent Music and discovers a rather unusual Amiga connection...
With new sounds, a new operating system and a lower price, the QS6 looks set to attract its fair share of admirers. Rob Brady tickles the ivories...
Noise reduction comes in various guises, with Dolby alone offering five different systems. Paul White explains the difference between Dolby, dbx and a bag on your head...
The information superhighway, the 'Net, you name it, the hype just goes on and on... Ofir Gal finds out how music-making Atari users can join in the fast lane.
Can these two low-cost back-electret mics really deliver studio-quality performance? Paul White finds out.
Having led the way in the '80s sampling revolution, Emu have turned their attention to the '90s discipline of hard disk recording with the Darwin digital recorder. Paul Ward checks out the new species on the block...
Part 2: Gordon Reid concludes his review of Korg's new family of workstations.
This unconventional sequencer program aims to let musicians work like musicians rather than computer programmers, and has already met with an enthusiastic response in its original Mac version. Paul Nagle hand-picks his virtual musicians and gets jamming.