SOUND ON SOUND
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LA Audio have taken the best bits from their mic preamps, compressors and equalisers to create a dedicated, single channel mic/line processor. Paul White patches it in.
Paul White tests a new British power amplifier to see if it sounds as good as it looks.
Could this be the most diminutive general MIDI module on the market? Derek Johnson finds out whether small is beautiful...
We've all heard of a modular mixing desks - &mdash but perhaps not where all the modules are rackmounting and can be mixed and matched to form a custom console, or used alone. Hugh Robjohns makes all the right connections.
Eight true stereo simultaneous effects for £300? In the battle to squeeze the best possible performance from budget digital processors, this charming new multi-effects unit has some serious power nestling in its coils. Paul Farrer 'snakes' a look at the Addverb 3 and jumps out of his skin with delight...
Spirit's new baby monitors incorporate some of the design principles used in pro monitors costing many times the price. But have too many corners been cut to keep the price so low? Paul White finds out.
More and more people are choosing digital recording systems, which is creating a spin-off market for valve processors designed to lend a more comfortable warmth to the resulting recordings. Hugh Robjohns looks at an SPL unit being touted as the ideal partner for eight tracks of digital.
A synth's filter plays a major part in defining its sound, and creates the particular character of the best-loved vintage analogue models. Courtesy of its different filter cartridges, the ATC1 aims to be able to change its sound to suit your needs. Paul Nagle plugs in.
The Alesis QS line gets a flagship, with a weighted keyboard, controller features, and an extended sound set. Helmsman Martin Russ finds out whether she's seaworthy...
The TL Audio Indigo range keeps on expanding, with cost-effective hybrid valve/solid state processors emerging for every studio purpose. Paul White discovers that Indigo can be a very warm colour...
Almost a decade since the release of their classic EMT10, Yamaha have returned To the piano module market, spinning off some of the technology used in their top-end digital pianos and using it in an inexpensive half-rack expander format. Dave Crombie tickles the virtual ivories...
Paul Wiffen, a ferocious advocate of hardware sequencers for many years, takes a look at Yamaha's new flagship sequencer and finds himself reminiscing about the way things were (and could be again).
After much high-profile production work in the 1980s, David Lord retreated from the stress of the pop world to concentrate on chosen projects which would exercise his considerable composing and arranging talents. Paul Tingen runs him to earth at Terra Incognita studios, for a long-overdue update.
TV music composer David Lowe tells Paul White how a British Airways World commercial took him halfway around the world — and back...
Within just a few years, the Mackie brand has come from almost nowhere to a prominent position in the project studio mixer market. Now the company are looking to the future and deciding where they can next apply the Mackie philosophy. Paul White takes a busman's holiday to Seattle and looks behind the scenes in R&D.
Richard Buskin talks to top engineer Jon Jacobs and learns about his partnership with legendary man-behind-the-board, Geoff Emerick, and the novel techniques they employed during the making of the latest album by Elvis Costello and The Attractions.
Debbie Poyser and Derek Johnson fold up the cybermap, put the virtual surfboards back into storage, and conclude their musician's guide to the internet.
A well respected studio favourite for several years, Audio Technica's cardioid AT4033 has now been slightly updated. Paul White reassures himself that the warm 4033 sound remains unchanged...
'Manager' speaks with forked tongue, says Rehearsal Studio co-owner Nicholee Smith.
One of the PC's plus points is its adaptability to a variety of tasks depending on the extra hardware installed in it — and the soundcard used can make or break it as a musical tool. In this two-part series, Brian Heywood takes a look at the various types of soundcard available.