SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Paul White gets the first ART eight-channel Pro Gate to land in the UK &mdash and discovers that behind the hi-tech facade, it's a bit of a Harley-Davidson.
Just as spinal Tap have amplifiers that go up to 11, Audio Technica have six-packs that go up to seven — as Paul White discovers after counting them twice!
Inside the GX700 lies a heart of gold: Roland's innovative physical modelling technology. Paul White straps on his guitar and puts this advanced multi-effects unit to work.
With the addition of digital audio, version 4.0 of this popular, PC-based sequencing package isn't so much a cake as a chocolate gateau. Janet Harniman-Cook takes a walk in the Black Forest...
Paul White discovers that Dynaudio's new nearfield monitors show economy of scale, not performance.
With its advanced arpeggiator and innovative real-time control, the Cyber 6 is the master keyboard that reconciles computer sequencing with live extemporisation. Could it be that Quasimidi have found the keyboardist's Holy Grail? Paul Ward hangs up his air guitar...
The latest and largest addition to Roland's XP family is a strapping workstation with a monster sequencer and masses of programming muscle. Paul Nagle puts it through a complete workout...
Paul White checks out a couple of all-valve front ends to see whether eliminating solid-state circuitry really makes a difference.
A major upgrade of this PC program makes it appeal to amateurs and professionals alike — but also provides some exciting pointers to the future of desktop audio. Dennis Miller takes a quantum leap in the dark...
What can you do if you've been tempted by the automation facilities offered by digital desks like Yamaha's 02R, but your finances just won't stretch that far? In the first of two reviews of affordable automation systems in this issue, Paul White considers the Soundtracs option for those who already own an IBM-compatible PC...
The CBX-K1XG looks suspiciously toy-like, but conceals a versatile GM sound source and a host of MIDI controller functions behind its simple exterior. Derek Johnson nearly loses it down the back of the sofa...
When a musical giant like Yamaha start putting their name to daughter boards, you know something's up. Yet the DB50XG harnesses your PC soundcard's processing power as never before. Panicos Georghiades and Gabriel Jacobs dig the new breed...
Alesis made their name with their reverbs, but really came of age with the revolutionary ADAT digital multitrack. Paul White talks to the company's founder and President Keith Barr about the impact of ADAT, and the future of technology in music.
An 'Unplugged' session is going to require a very different studio from a techno track bursting with MIDI bells and whistles. Beyond that, choosing a recording studio is down to that elusive spiritual ingredient, 'the vibe'. David Mellor investigates pop psychology...
Though hard disk recording offers possibilities far beyond those achievable with magnetic tape, it often sports a vastly more complex user interface, which can alienate the tape-based faithful. But Akai's new 16-track hard disk recorder seeks to meet the tape heads halfway, David Mellor plays ambassador...
You might expect Bjork's eclectic repertoire and capricious temperament to make the task of arranging and sequencing her live shows a nightmare. As Paul Tingen discovers, however, for Guy Sigsworth, that's half the fun...
In spite of his success producing Saint Etienne, Ian Catt hasn't left his roots behind. Richard Clewes talks to him about his work with the band, his production techniques, and how to place an SM58 in a U-bend for that ultimate 'Armitage Shanks' sound...
Music journalist Rikky Rooksby considers the effect technology is having on music, and tries to extract some of the digit from digital.
Internet audio is going places — and nowhere faster than for the net-surfing Mac user. Martin Russ looks at the latest developments.
Craig Anderton offers a few tips to help you balance your mix without relying solely on changes to relative volume levels — and gets in touch with his Neanderthal past. Additional material by Paul White.