Tweeter
The colloquial term to describe a loudspeaker drive unit optimised for the reproduction of high frequencies. (See Woofer).
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The colloquial term to describe a loudspeaker drive unit optimised for the reproduction of high frequencies. (See Woofer).
A 2-wire electrical signal connection where the signal conductor is surrounded by a screen which provides a 0V reference and also guards against electrical interference.
To play the same melody using two or more different instruments or voices.
A condition where the output signal is the same amplitude as the input signal; the overall system gain is then x1 or unity.
Universal Serial Bus. A computer interface standard introduced in 1996 to replace the previous standard serial and parallel ports more commonly used. The USB1.1 interface operated at up to 12Mb/s, but this was superseded in 2000 by USB2.0 which operates at up to 480Mb/s. Most USB interfaces can also provide a 5V power supply to connected devices. USB3.0 was launched in 2008 and is claimed to operate at rates up to 5Gb/s.
USB connectors can be indentified by having a blue insert in the Type-A sockets and the letters SS (SuperSpeed). The latest edition, USB3.1 (launched in 2013) offers transfer rates of 10Gb/s, approaching that of the first generation of Thunderbolt interfaces. Like earlier USB interfaces, the USB3 format provides a 5V power supply, but the current rating has been increased from USB2.0's 200mA (1.0 Watts) to 900mA (4.5 Watts), and sockets designated as charging sockets can manage 1500mA (7.5 Watts).
Also known as a ‘tube’ in America. A thermionic device in which the current flowing between its anode and cathode terminals is controlled by the voltage applied to one or more control grid(s). Valves can be used as the active elements in amplifiers, and because the input impedance to the grid is extremely high they are ideal for use as an impedance converter in capacitor microphones. The modern solid-state equivalent is the Field Effect Transistor or FET.
An audio compressor that employs a valve (tube) as the variable audio attenuator. Mu is an engineering term for gain, so this is a variable-gain compressor. In essence, the side-chain signal continuously adjusts the bias o the valve to alter its gain appropriately. Vari-Mu compressors are fast and smooth, with low distortion.
Voltage Controlled Amplifier. An amplifier in which the gain (or attenuation) is controlled by an external DC voltage. VCA's are used in a wide range of audio and musical equipment, such as fader-automation systems in large format mixing consoles, audio compressors, and synthesizers.
See VCA. VCA compressors tend to be fast-acting (at least in comparison to opto-compressors), a wide dynamic range, and low distortion.
Found in large mixing consoles. The fader levels of a number of separate channels assigned to the VCA group can be adjusted together by the VCA Group fader but without mixing their signals together. Usually referred to as a DCA Group in a digital console.
Computer display screen (See also Monitor).
A signal processor that imposes a changing spectral filter on a sound based on the frequency characteristics of a second sound. By taking the spectral content of a human voice and imposing it on a musical instrument, talking instrument effects can be created.
The capacity of a synthesizer to play a single musical note. An instrument capable of playing 16 simultaneous notes is said to be a 16-voice instrument.
Pitch modulation using an LFO to modulate a VCO. (cf. Tremolo)
An audio meter designed to interpret signal levels in roughly the same way as the human ear, which responds more closely to the average levels of sounds rather than to the peak levels. (cf. PPM)
A graphic representation of the way in which a sound wave or electrical wave varies with time.
(as in, 2-way, 3-way) - A colloquial way of denoting how many separate frequency bands are reproduced by a loudspeaker. Most are two-way systems with a woofer and tweeter, but some are three way with a woofer, midrange and tweeter.
A signal that has effects added. (cf. Dry)
The precise timing of digital audio samples is critical to the correct operation of interconnected digital audio equipment. The 'metronome' that governs sample timing is called the Word Clock (sometimes conjoined to 'Wordclock', or abbreviated to 'Wclk'). However, word clock does more than merely beat time; it also identifies the start and end of each digital word or sample, and which samples belong to the left or right channels. Digital interfaces such as the AES3 and S/PDIF embody clock signals within the data stream, but it is often necessary to convey a discrete word clock between equipment as a square wave signal running at the sampling rate. Dedicated word clock inputs and outputs on digital equipment generally use BNC connectors.
A cyclical variation in replay speed which affects the pitch of the recorded material. Wow is a low-speed variation (nominally below 4Hz) which typically occurs once per revolution of the device and may be caused by an off-centre hole on a vinyl record, or a sticking tape on a reel-reel machine. Flutter is a higher speed variation (nomninally above 4Hz) and can often be perceived as a form of intermodulation distortion.