SOUND ON SOUND
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Martin Russ follows up last month's article by Nick Rothwell on using MIDI with modern dance by asking: how exactly does he do that?
With so much interest in vintage synths, it's easy to overlook the fact that many classic sounds owed just as much to the tape delays being used at the time as to the instruments themselves. Paul White shows you how to fake the effect.
Brian Heywood browses the World Wide Web, and takes a look at the latest CD-ROM writer from Yamaha.
Paul White tests Audio Technica's latest low-cost back-electret mic and discovers thats its performance is out of all proportion to its size.
BBE's new Sonic Maximizer combines enhancement with single-ended noise reduction. Paul White finds out whether the marriage of the two systems is a happy one.
With hardware almost becoming a 'taboo' word these days, David Mellor investigates what Digidesign's hardware-free recording software can offer the budget-conscious musician.
Emu's Sound Engine is the first dedicated General MIDI module from the USA. Derek Johnson explores GM the American way.
Derek Johnson opens up the latest effects box from Ensoniq and finds that they do sometimes do things by halves!
Paul White tries to establish whether a separate mic preamp really does make a difference, using the MX2, the latest in the LA Audio Lite range of signal processors.
Following on from last year's modular MSR2 synth, Marion Systems' new stand-alone Pro Synth seeks to capture the analogue sounds of yesteryear in module format, without recourse to sample-based synthesis techniques. Paul Nagle lends an ear.
Derek Johnson and Debbie Poyser examine the rise and rise of Roland's most sought-after beatbox, the TR909.
Keen to get into PC hard disk recording? Samplitude Studio, the top of an impressive range of programs from German manufacturers SEKD, is one of the cheaper options available — but it's certainly not short on features. Panicos Georghiades and Gabriel Jacobs are mightily impressed...
Paul White looks over the smallest mixer in Soundtracs' new Topaz range.
Although it offered a GM mode, Yamaha's QY22 Walkstation was not a true General MIDI instrument. With the release of the new fully GM-compatible QY22, have Yamaha rectified the shortcomings of the previous machine? Derek Johnson finds out.
The Sabres Of Paradise are familiar to many as the experimental dance project headed by renowned DJ/Producer Andy Weatherall. However, the two other members of the Sabres also have an extensive list of production and remix credits to their credit. Nigel Humberstone talked to them at the Sabresonic Studio about their recent work.
Rob Parrett catches up with veteran musician Rabbit, also known as John Bundrick, who's still in demand as a session keyboardist after more than 25 years in the business.
Come on down, Akai's new low-cost sampler! Astonishing value for money at a mere £999, the basic S2000 is expandable to a top-of-the-range spec by means of add-on cards. Paul White spins the (data) wheel of fortune to see whether Akai have played their cards right this time...
What do you do if the expensive piece of gear you've just bought doesn't do what it's supposed to? Here, producer and studio owner Mel Simpson bemoans the fate of the reluctant guinea pig...
Nick Rothwell had a problem; although he owned an impressive MIDI setup, he found much of it useless when his musical project Cassiel came to provide the music for live dance performances. Here he explains how he solved his problems and adapted his setup to fit in with new requirements.