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Waldorf have been cooking up something special for the son of their acclaimed synth dynamo, the Microwave. Paul Nagle gets quite a taste for it...

U2 have always striven for a new sound on each of the records they make, and during the sessions for their latest album, their aim was once again 'to construct a new sound for U2 whilst still making them sound like U2'. To this end, they brought in production wizard Flood and Scottish dance artist Howie B and set about new methods of recording. Paul Tingen investigates the art of Pop...

You've got the talent but you haven't got the gear. Sounds familiar? Christopher Holder visits a production team who decided to do something about it, and are reaping the rewards.

Sometimes a new PC will be delivered with parts missing, or incorrect ones fitted. Martin Walker breaks down a typical specification into byte-sized chunks, and shows you how to find out what's actually inside the case.

The recent Goodman PDL computer shows proved that music is alive and well in the Atari world. Derek Johnson features a show report, rounds up a bargain shareware collection and generally keeps you up to date with all things in Atari.

To start off this short series on multi-effects programming, Paul White explores the key building blocks found in today's versatile units.

Somewhere in the North-East of England, electronic musician and designer Ron Berry has been applying an old-style analogue modular synth to the creation of a very contemporary phenomenon — physical modelling synthesis. Jonathan Miller finds out how it's done.

Fully automated mixing could make your life a whole lot easier, but if you can't get your hands on a suitcase full of banknotes, Craig Anderton has some ideas for achieving similar results at a minimum cost.

Big George Webley recounts some personal experiences of the jingle music business and drops a few hints about how you might get in on the action...