
Erica Synths Zen Delay Virtual
This software adaptation of Erica’s desktop delay unit boasts plenty of substance, flexibility and attitude.
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This software adaptation of Erica’s desktop delay unit boasts plenty of substance, flexibility and attitude.
With some neat features to control how the compressor and expander interact, there’s more to this module than meets the eye.
Asked to pick a favourite sound to dissect, American mix master Michael Brauer chooses the vocal sound on Elle King’s ‘Ex’s & Oh’s’.
Working on Trippie Redd’s mixtape A Love Letter To You 5 at Miami’s Criteria Studios gave mixer Koen Heldens the rare chance to mix a rap album to half‑inch tape.
In this Sound On Sound exclusive preview, we lift the lid on SEPIA by Karno: a radical new outboard format for the digital age.
Logic’s Smart Controls allow you to create hands‑on effects macros.
AIR Music’s Sprite is a multi‑effects plug‑in with a few extra tricks up its sleeves, such as the ability to control certain effect parameters using an envelope follower.
Plamen is a five‑band saturator, in which each band can be processed using one of five different saturation algorithms.
Sometimes Knobula’s Pianophonic module sounds a whole lot like a piano, sometimes it just sounds piano‑ish, and sometimes it sounds nothing like a piano.
The Triple Cross is a three‑channel stereo crossfader and panner with some rather powerful tricks up its sleeve.
American musician and technologist Corry Banks, aka Bboytech, is the driving force behind Modbap.
The parabolic reflector is the ultimate directional microphone setup for outdoor recording. Here’s how to get the best from it.
Pro Tools’ metering options can help you stay on top of your levels.
I’m trying to drive my Rupert Neve Designs 5057 Orbit summing mixer for some transformer saturation warmth, but I run into digital distortion before the levels are anywhere near to clipping the Orbit. What am I getting wrong?
I want to buy my main vocal microphone. I want a balanced microphone, with a smooth top end to be used with a deep baritone male voice.
Any Reaper track can have up to 64 channels, and even in stereo mix projects that opens up a vast world of routing possibilities.
Reason’s new Objekt synth takes physical modelling in a new direction.
This dual‑distortion box is equally at home with guitars,synths and drum machines, on a dusted‑daily desktop or a filthy stage pedalboard...
Rating: **** 4/5 Stars. Spitfire’s flagship ARO series now features a third percussion collection around the theme of metals, with essentials such as piatti cymbals and tam‑tams making a welcome appearance.