SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
SOS reader, songwriter and freelance producer Steven Robinson has some strong opinions on the state of pop music today. In this month's stream of invective, he gets some of it off his chest.
Offering 5-part harmony at a budget price, the MV5 is Digitech's easiest to use pitch-shifter yet. The David Mellor Singers provide the tune...
Faced with the unfinished album sessions on analogue tape and a studio full of PCs and digital gear, Brian Heywood gets a chance to find out how flexible modern equipment really is.
The C-Lab Falcon MkX has flown through its CE tests and finally landed in the UK. Ofir Gal checks the spec and assesses the new machine's chances of taking off.
Conventional wisdom states that you can't 'fix it in the mix', but that doesn't mean you cant' try! Paul White discusses a few practical salvage techniques in the first part of this short series.
Martin Russ surveys his dying Mac IIsi and ponders the purchase of a new model. Will he go for leading-edge Power or a last-generation bargain?
When using effects, it's all too easy to add noise to your mix — and it's not always the fault of your effects unit. Paul White offers a few practical tips for achieving quieter mixes.
On its release in the late '80s, the SQ80 had to slug it out with Roland's D50 and Korg's M1, and didn't come out on top, at least as for sales were concerned. Steve Howell takes a look at an early and underrated workstation that still has a lot to offer.
Paul White tests a pair of US-built studio monitors designed to combine tonal accuracy with affordability.
This Italian master keyboard may be completely dumb soundwise, but it's pretty clever in other departments. Derek Johnson and Debbie Poyser just love being in control.
Always ready for some off-road action, Paul White scrambles for his XLR adaptors and test drives LA Audio's latest incarnation of the 4x4.
It's not often that plug-in cards merit the same attention as the equipment they plug into, but these add-ons are capable of transforming Lexicon's PCM80 effects processor into a completely different beast, as Paul White discovers.
The battle for control of the affordable digital multitracker market has intensified in 1996. Paul White puts Fostex's latest weapon, the rackmounting D80, to the test.
Paul White nervously opens Pandora's box — and realises that instead of being the mythical source of demons and sorrows, it's just Korg's new compact guitar multi-effects processor...
Prefer a Mackie compact mixer with faders? then the 1402VLZ could be just what you're looking for. Paul White checks it out.
As a child, Norman Fay was cruelly cheated of the thing he wanted most — a Memorymoog. Never one to bear a grudge, he reviews Moog's most unruly synth with the benefit of hindsight.
Now that Sound Designer II no longer provides sampler support, the way is clear for an improved version of the veteran Alchemy software. Mike Collins thinks it's worth its weight in gold.
Inquisitor-General Paul White puts Samson on the rack, but finds few guilty secrets.
It may be Swiss, but there's nothing cheesy about the idea of a synth that lets you rekindle your rusty analogue programming skills. Paul Nagle dons his boots and goes hiking through the peaks and troughs of the ProTone's analogue waveforms...