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We follow a location recording project from start to finish, showing you how to plan for and conduct the session, as well as how to avoid common pitfalls.
RME have added MIDI I/O and extensive DSP facilities to their well-regarded Hammerfall digital soundcard. Will the new Hammerfall DSP keep its place as a benchmark for audio interface design?
Flatpack contains a large selection of patches and sample sets for each of the modules in Reason v2 and, though largely electronic in character, it steers clear of catering for any single, specific style or genre.
Considering the kinds of cutting-edge dance music styles that are usually associated with Reason, the idea of a General MIDI Refill might appear to be a bit of a strange one...
Cinematix Vol. 1: 3* • James Johnson Spektral Minimalism: 5* • Robert Rich Ambient Atmospheres & Rhythms: 4* • Numina Emotional Peak Sounds For Cinema: 5* • Orchestral Series 3: Cinematic: 4*
Track down hidden sources of distortion, make your audio playback more reliable, and manage your window Layouts.
Sibelius Software have won over the classical music community with their well-regarded score-writing software. Can their new G7 package do the same for guitarists?
Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.
We can argue about copyright ownership until the cows come home, but the real issue is not who owns it, but who played it?
If you don't fancy programming drums from scratch, but you find pre-recorded drum loops too inflexible, perhaps what you need is Steinberg's virtual drummer...
Traditionally, SCSI drives give high sequencer track counts while IDE drives are more affordable but perform less well. Can you obtain better Mac sequencer performance and save money by using multiple IDE drives? We present some evidence...
This month the intrepid SOS team travel to Wigan to address Allan Murrell's recording, monitoring and mixing problems.
Tascam's colourful new CDGT1 lets you easily practice playing or singing alongside your favourite CD.
We test this entry-level mixer for simple recording and monitoring tasks.
A complete studio in a box, for around the cost of a decent software sequencing package.
The latest version of this powerful modular software synth adds Mac support at last, includes many new modules, uses less CPU power than previous versions and has a much simplified user interface. What's not to like?
Two-way nearfield monitors with cutting-edge ribbon tweeter technology.
Alesis' QS6.2 and QS8.2 may induce a feeling of déjà vu — they look remarkably similar to 1995's QS6 and QS8. But eight years on, surely the spec has been significantly upgraded to reflect the passage of time?