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Q&A June 2002

Your Technical Questions & Queries Answered

Is there any benefit in optional digital converters? How can I get my MOTU FastLane to work with OMS and Cubase? Will I have problems running dual monitors on the latest Macs? Why do my final mixes always end up in mono? Is there a way to bounce mixes in Ableton Live? Can you recommend a cheap and simple PC software sampler?

Published June 2002
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Queen: A Night At The Opera

The Surround Mix

Queen's seminal 1975 album and the worldwide hit from it, 'Bohemian Rhapsody', might almost have been tailor-made for surround sound. Now guitarist Brian May and engineer/surround specialist Elliot Scheiner have remixed this masterpiece for what promises to be a genre-defining DVD-Audio release.

Published June 2002
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Readerzone: Jonathan Atkinson

Another 'through the keyhole' glimpse into a reader's studio reveals how it's possible to turn your hobby into a job, with a TV commission to help you on your way.

Published June 2002
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Red5 Audio RV8 & RV10

Large-diaphragm Capacitor Microphones

Just when we thought large-diaphragm capacitor mics couldn't get any more affordable, along come these fiercely competitive models, with a shockmount and aluminium case thrown in just for good measure!

Published June 2002
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Akai AX80 (Retrozone)

The Return Of The AX-Man

Prior to taking over the sampling world, Akai launched a hybrid analogue/digital synth with a unique interface.

Published June 2002
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The Return Of Roger Linn

Designer Drums

Roger Linn's name may be forever associated with the birth of the first serious, sample-based drum machine in 1979, but now, after years away from instrument design, he's back with a new guitar-oriented product offering rhythmic filter effects.

Published June 2002
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Roland XV5050

Sample-based Synth Module

Roland's latest module provides the most affordable way yet to access the company's fine XV soundset, albeit with reduced polyphony and a less intuitive user interface compared to the more expensive XV5080. We weigh up the pros and cons.

Published June 2002
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Sennheiser HD600

Open-backed Headphones

We check out Sennheiser's flagship open-backed headphones, compensated to make them sound more like speakers.

Published June 2002
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Synthesizing Realistic Cymbals

Synth Secrets

Having analysed the complex process by which a cymbal makes its sound, it's time to synthesize our own...

Published June 2002
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TC Electronic M300

Dual Multi-effects Processor

Heavyweight TC effects processing but with a menu-free, easy-to-use, hands-on interface.

Published June 2002
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Behringer V-Amp 2

Modelling Guitar Preamp

The enhanced V‑Amp 2 has more sounds and more features... for less money!

Published June 2002
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Korg Wavestation Tips & Techniques

Programming • Sound Banks • SysEx & More!

The Wavestation can prove extremely frustrating to use, but can produce sounds that are almost impossible to recreate on any other instrument. So here's some hands-on advice for getting the best from Korg's Wavestation series of synthesizers.

Published June 2002
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Yamaha SREV1

Sampling Reverberator

Yamaha' s cutting-edge reverberation processor uses convolution techniques to sample the ambience of real acoustic environments, allowing extremely accurate simulations.

Published June 2002
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Akai DPS24

24-track/96kHz Digital Studio

Akai's new 24-track recording and mixing workstation continues the expansion of their DPS multitracker concept with technology derived from the company's renowned post-production machines.

Published May 2002
A mono-to-stereo instance of Altiverb running an impulse response of the Amsterdam Concertgebouw.
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Audio Ease Altiverb

Sampling Reverb Plug-in

The latest technological advances in reverb design have yielded expensive hardware units that can 'sample' the sound of real rooms. Now Audio Ease's Altiverb brings the same convolving technology to the Mac — at a fraction of the cost.

Published May 2002
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Antares AVP1

Vocal Producer

Antares have packed their acclaimed Auto-Tune and mic modelling processes, along with dynamics and EQ, into this 1U rack unit.

Published May 2002
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Audio Technica AT3031 & AT3032

Back-electret Studio Microphones

AT's new models prove that back-electret designs can offer performance to rival conventional capacitor mics.

Published May 2002
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Buzz Audio SOC 1.1

Stereo Optical Compressor

A stereo compressor offering the classic dynamic characteristics that only an optical design can provide.

Published May 2002
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Hit Factors

The Link Between Music & Emotional Response

Do hit songs have a hidden ingredient that makes them successful by appealing directly to our emotions? It's a question that musicians and scientists have sought the answer to for many decades. Acoustic researcher Ernest Cholakis has a new take on the theory...

Published May 2002

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