SOUND ON SOUND
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Power amps certainly can't be classed as particularly exciting, but they're a necessary part of the project studio, and if you've got to have one, you might as well make sure it's powerful and quiet. Martin Walker checks out one of the strong silent types...
Active monitoring used to be the preserve of those with quite a lot of money to spend on their studio speakers. Recently, though, it's become a lot more affordable. Hugh Robjohns powers up the 4Ps and undergoes a spiritual experience.
Mac CD-writing has a head start over the PC, but recent arrivals like the TEAC CD-R50S come with both Mac and PC CD software as standard. Martin Walker plugs one in to see if writing your own CD is as easy as people make out.
Richard Waghorn takes ART's new electro-optical compressor into the studio and is genuinely surprised at the result.
Paul White Checks over Waves' multi-process plug-in for Digidesign TDM systems, Macromedia Deck II and Adobe Premiere.
Yamaha have scooped the insides out of their well-specified MU80 half-rack GM/XG sound module and transplanted them into a full rack case, with a few extra features aimed at making the resulting MU90R stand out from the GM crowd. Christopher Holder is generally impressed.
Leading ambient housemeister Banco de Gaia has just completed his eagerly awaited new studio album. Jonathan Miller finds him changing tracks as he steams towards greater success.
"Please read the manual!" runs the time-honoured advice — but what do you do when the information you need just isn't anywhere to be found? Godric Wilkie has a pertinent tale to tell and a plea to make...
Big George Webley looks at how you can add to the worldwide success of the British music industry.
Just as analogue synths fell temporarily from grace in the face of digital synthesis technology, so analogue tape seems to be succumbing to the digital recording revolution. But David Mellor argues that a wise musician is one who learns the lessons of fickle fashion...
Regular maintenance can not only ensure that your analogue recorder gives years of reliable service, but can also immeasurably improve the quality of the recordings you make with it. Hugh Robjohns retires to the test department and meets the challenge head-on...
Hugh Robjohns dons his technical head and invites you on a guided tour of what makes an analogue tape recorder tick...
Martin Russ takes stock of price drops, take-over rumours, and in some cases, the end of the line.
Despite the increasing popularity of digital recording and MIDI + Audio sequencing, the cassette multitrack is far from being dead, and many a newcomer to recording still starts his or her recording career with some form of 4-track, cassette-based studio system. Paul White and Debbie Poyser discuss the features a potential buyer should be looking for, and round up the models currently available.
Derek Johnson keeps the Atari flag flying with tidings of some hardware add-ons for both Falcon and ST, plus a neat freeware package that turns your Atari into a guitar tuner...
Even the best-regulated computer can suddenly turn nasty. Martin Walker guides you through the ways to recover when you're faced with a blank screen and a frozen mouse.
Paul White looks at the different ways in which the leading enhancers produce their results, and offer some practical advice on where the various types work best.
Dennis Miller concludes his short series on computer-based synthesizers by looking at some hybrid software/hardware synthesis systems, and introducing the powerful software synth language CSound.
Niels Larsen, Steinberg's Sales and Marketing manager, lets you in on some crafty ways of using Cubase.
Taking over the PC Notes hot seat, Martin Walker looks at the future of the PC audio, and exposes a few problem areas for soundcards.