SOUND ON SOUND
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Simon Millward continues his mission throughout the furthest reaches of the universe of Cubase, boldly sequencing where no man has sequenced before...
Most contemporary sequencers include facilities that make it possible to automate all the key aspects of a MIDI mix, but all too often they remain unused. Paul White explains how to dip your toe in the water without falling in...
Brian Heywood considers the role of affordable 'PC plus soundcard'-based digital audio recording systems, and considers whether such systems could ever mean the end of dedicated hard disk recorders...
Martin Russ offers an antidote to the hype of Windows '95 and explains why the future of computing lies with the PCI buss...
Alesis rereleased their Quadrasynth early last year to mixed reviews, and in response, an updated version has now been launched. Does it address some of the comments levelled at the previous instrument? Original Quadrasynth owner Mike Best finds out.
This month Ofir Gal takes a look at screen resolution.
In an ideal world, studios would function without hum, hiss, glitches, or mysteriously absent signals, but as Paul White has discovered through experience — they don't!
More news from Paul Overaa on what's been happening music-wise in the world of the Amiga... Zip drives & sample conversion; Amisox and Soxgui.
This new French program must be one of the cheapest ways of integrating digital audio and MIDI sequencing. Panicos Georghiades and Gabriel Jacobs put it through its paces.
Once simple one-channel units, MIDI-CV converters have become multi-output devices capable of handling various kinds of pre-MIDI control protocols. Design Labs' latest offering even sports a built-in resonant filter! Gordon Reid bleeps and oscillates with delight...
The SampleCell II PC card can turn your humble PC into a fully-featured, 32-voice sample replay unit with eight individual outputs. Brian Heywood investigates.
Hot on the heels of their astonishing new Prophecy monophonic synthesizer, Korg are already near completing work on their next range of workstations, entitled Trinity. Gordon Reid was allowed a sneak preview of the next generation...
Paul Farrer looks at ways of using Proteus 2 samples to create a convincing orchestral arrangement.
Paul White discovers that doubling the input capacity of a Mackie LM3204 is as simple as plugging in a single ribbon cable — and signing a cheque!
Panicos Georghiades and Gabriel Jacobs put Steinberg's new budget 'MIDI-plus-audio' sequencer for Windows through its paces.
Norman Fay takes a relro look at the Rhodes Chroma, the last and most obscure of ARP's long line of analogue synthesizers.
Paul White bolts Roland's new range of synth expander modules into his rack, seats himself in the comfy chair, then switches it on.
Once again, Paul White disrupts his studio listening system, this time to audition Tannoy's diminutive PBM5 IIs.
Team SOS checks out an advanced damping polymer from Spectra Dynamics in Wales.