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Spoof Concepts
Leader
As you know, April is that time of year when articles of a 'less-than-factually-accurate' nature tend to creep into SOS...
Published April 2002
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Emagic Logic v5 & Logic Control
MIDI+Audio Sequencer & Hardware Control Surface
Users of Emagic's Logic sequencer have been itching to get their hands on the latest version 5 and Logic Control, the company's dedicated moving-fader control system. Has it been worth the wait?
Published April 2002
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Macbeth Systems M3X
Analogue Synthesizer
The M3X is the first product from Macbeth Systems, the Scottish company founded by former DIY analogue synth enthusiast Ken McBeth. Will all turn out well, or is the M3X destined for a tragic end?
Published April 2002
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Mixdown Formats
What Should I Mix Down To?
There are now lots of different ways to make a stereo master recording of your final mix, so how do you work out which one is best for you?
Published April 2002
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Novation K-Station
Modelled Performance Synthesizer
Novation seem to be on a roll. Scarcely had the monotimbral A-Station made the cover of our December 2001 issue, when news broke of a £500 keyboard version. We look at one of the first UK production models.
Published April 2002
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Oberheim OB•12 v1.5
Analogue Modelling Synthesizer
The Oberheim/Viscount OB•12 was already a well-specified virtual analogue synth when it was launched in 2000, but it failed to gain much of a following. Now, after an OS upgrade and a cut in price, it's seriously good value for money...
Published April 2002
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Q & A April 2002
Your Technical Questions Answered
Why is phase important? What orchestral sample libraries are available for HALion? Where can I get Windows-based ASIO drivers for an Audiomedia III card? Are there really reverb and synth plug-ins supplied with Mac OS X? How can I isolate the vocals from a stereo mix?
Published April 2002
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Gianni Abruzzese
Readerzone
We visit another SOS reader's studio set-up. This month, it's located in a Portakabin in Bedford, UK.
Published April 2002
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ARP Quadra: Part 1
Keyboard Synthesizer (Retrozone)
Combining strings, a monosynth, a bass synth and a polyphonic synthesizer, did ARP create the keyboard equivalent of 'Wash and Go', or a jack of all trades and master of none?
Published April 2002
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Sennheiser Evolution E664
Condenser Microphone
This latest addition to the affordable Evolution range brings Sennheiser's renowned K-series technology within reach of the project studio.
Published April 2002
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Sennheiser HD250 Linear II
Closed-back Headphones
These Sennheiser headphones combine high sound quality with comfortable design.
Published April 2002
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Getting Audio Into Your DAW
The Pros & Cons
Find out how to get the highest-quality audio into your computer music system.
Published April 2002
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So Solid Crew
Swiss: Approaches To Production
UK garage is the biggest underground dance music phenomenon for years, and has taken London collective So Solid Crew to the top of the charts. Crew member Swiss talks to SOS about their approach to production.
Published April 2002
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Sounding Off: Memes
Kendall Wrightson
A former SOS Apple Notes columnist applies memetics to the perennial Mac/Windows struggle.
Published April 2002
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SPL Track One
Voice Channel
A Channel One without the valve for little over half the price? Seeing (and hearing) is believing.
Published April 2002
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Recording Steve McLean's All This Love And Hate
Producer: Mark Cunningham • Engineer: Grant Matthews
One-time SOS writer Mark Cunningham hadn't produced an album for almost 10 years — until a soulful ex-prisoner inspired him to get back behind the desk...
Published April 2002
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Propellerhead Strings
Reason Refill Collection
**** Score = 4/5 stars. This 170Mb collection features the Moscow Session Strings working through a varied selection of fully‑arranged riffs, which have been processed with Propellerhead's Recycle 2.
Published April 2002
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Superlux PRA Series
Drum Microphones
Complete boxed sets of drum mics at incredibly low prices. Is it too good to be true?
Published April 2002
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Practical Snare Drum Synthesis
Synth Secrets
Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...
Published April 2002