SOUND ON SOUND
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Eliot Kennedy has carved out a highly successful career for himself as a hi-tech producer and songwriter for a wave of groups at the 'teen sensation' end of the pop market, all without leaving Sheffield. Nigel Humberstone finds out how he did it.
Punk, bass player, pioneer, mystic... Paul Tingen meets a musician who lives life at breakneck speed, and isn't afraid of the dark.
An expert at hard disk recording and editing, Mike Higham has developed his career alongside Digidesign's Pro Tools. Sam Molineaux talks to an engineer who's on the fast track...
Getting a good publishing deal is as easy as predicting the toss of a coin five times in a row. Big George Webley takes a look at heads and tails.
Huge disk drives are becoming the norm for PC musicians, but there's more to installing them than plugging in and turning on. Martin Walker talks you through the hard part.
Version 8 of the Mac operating system is ready to roll, and Martin Russ is the man with the facts and figures...
Having looked at the various types of effects available, Paul White explains the importance of the order in which these effects are applied.
After a spell away from project studio consoles, Allen & Heath return with a magical new contender. Martin Walker conjures up some thoughts on the WZ20:8:2.
If the worst happened and your PC lost its memory, you could quickly recreate the same settings again. Couldn't you? Martin Walker takes an inventory.
There's still plenty of sofware and support emerging for the venerable Atari — including packages which let you get 'netted'. Derek Johnson elaborates.
Having completed his study of analogue synthesis last month, Paul Wiffen takes a look at FM and its related digital synthesis types, which rocked the synth world throughout the 1980s.
Paul White tries out a reincarnation of one of his favourite budget mics, and finds that the best has just got better.
Clavia's little red devil bought its Swedish creators a fair measure of fame and fortune on its release almost two years ago. But times have changed, and the Nord 2 now has many more competitors in the virtual analogue stakes. Paul Nagle leads from the front.
Paul White attempts to discover whether the Demeter Tube Direct is really the princess of DI.
Four inputs, four outputs, up to four simultaneous effects... Digitech have kept to the magic number for this upgrade of their user-friendly multi-effects processor, but is it a superior being? Hugh Robjohns finds out.
Musicians have problems finding CD-ROM drives that work reliably with samplers. Martin Walker checks out one that claims to work with everything.
Using a separate sampler, sequencer, synth and drum machine? With the new Ensoniq ASRX you could take just one box into the studio. Chris Carter just samples and goes...
Paul White checks out JoeMeek's first standalone enhancer.
Korg's mission to bring musicians the benefits of physical modelling synthesis at an affordable price continues; you can now have a polyphonic, multitimbral Prophecy for well under twice the price of the original. The synth is called the Z1, and Gordon Reid is the man with the exclusive technical preview...
Voice channels are gaining in popularity with the rise of digital, providing an easy way of recording high-quality signals without having to go through a mixer. Paul White rates the latest in the breed.