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This UK-designed and built processor offers two channels of easy-to-use compression and gating for under £200. Paul White's backing Britain.

Roland continue to champion the cause of the guitar synthesist, refining their respected line of guitar synths in search of the best combination of facilities, usability and price. Paul White finds out whether they've got the right balance right with the new GR30.

Darius Pocha suggests that one of Roland's 'ones that got away' is an excellent second-hand buy: the S330 sampler. Additional material by Derek Johnson.

How do Steinberg's DSP software plug-ins for their WaveLab software, now at version 1.5, compare with the industry heavyweights? Paul White unearths his nastiest recordings to find out.

Although still available to buy new, TC Electronic's 1210 is actually older than much of the gear featured in Retrozone. However, it's not a synth, but an effects processor. Norman Fay explains his deep-seated love of this grizzled veteran among effects.

One of the hit synths of 1996, Waldorf's Pulse is now available in a slightly upgraded version, incorporating an external audio input and CV/gate interface. Paul Nagle sets it, squizzing and phzweeing to find out exactly what has put the Plus in the Pulse.

For over a decade, Californian company Zeta have kept the flag flying for strings players who'd like to bring their skills into the synth age. Alan McClure takes a bow..

A surprising amount of the music you hear on TV and radio is not specially commissioned but is taken instead from libraries of ready-written themes. Nigel Beaham-Powell explains how the library music system works and gives some pointers on getting into it.

He's an accomplished producer, remixer, writer, programmer, guitarist, bassist and keyboard player — is there no end to Danny Saber's abilities? Richard Buskin talks to him about his blending of pop, rock, hip-hop and trip-hop sensibilities, as well as the commercially unorthodox results that have placed him in international demand.