SOUND ON SOUND
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Now that CD writers and well-specified CD-burning software are becoming more affordable, you might like to think about the advantages DIY CDs could bring to your studio. Mike Collins explains the benefits and takes you through the burning process using two popular software packages.
Thinking of buying a new microphone? Maybe you should consider investing in a dedicated mic preamp instead, to improve the clarity and definition of your recordings without breaking the bank. Dominic Hawken plugs in the mic he likes and checks out the new contender from dbx
The newest member of Digitech's Vocalist family of intelligent pitch-shifters boasts some slimmed-down features from previous models and a 'hands-on' user interface. Paul Farrer warms up with some scales, adjusts his bow tie and takes this powerful module right through the standing ovation and bouquets
Drawmer's 1960 series leaps into the digital age with the launch of the 1962, which combines a specially designed low-noise preamp, variable tube coloration and audio-sweetening tools with an optional 24-bit output stage. Paul White celebrates the year of the tube.
Paul White puts Dynaudio's new nearfield monitors to the test and is actively impressed.
People keep on making 'em, people keep on buying 'em. Is there no end to the appetite for TB303 clones? Paul Nagle checks out one of the cheapest yet, and concludes that FAT is good for you after all.
Iomega's removable Zip drive has been a huge success for cost-effective data backup. Now the much larger capacity Jaz, which is fast enough for direct to disk audio use, looks set to continue the Iomega success story. Paul White enters the Jaz age...
This UK-designed and built processor offers two channels of easy-to-use compression and gating for under £200. Paul White's backing Britain.
Last year saw the proliferation of reliable, fully-featured MIDI + Audio sequencers for the IBM-compatible PC — packages which were previously the preserve of the Apple Macintosh platform. Janet Harniman-Cook takes a look at the three top PC programs in the field to see how their facilities compare.
Roland continue to champion the cause of the guitar synthesist, refining their respected line of guitar synths in search of the best combination of facilities, usability and price. Paul White finds out whether they've got the right balance right with the new GR30.
Though Korg have been making some inroads lately, notably with the Prophecy, Roland is still the name to drop in dance circles, so the announcement of a new, analogue-style Roland megasynth stirs the blood like little else.
Darius Pocha suggests that one of Roland's 'ones that got away' is an excellent second-hand buy: the S330 sampler. Additional material by Derek Johnson.
Sony's new MDMX4 digital multitracker heralds the beginning of a conscious attempt to woo the home recording market, and uses the company's own MiniDisc technology to put a digital spin on that home studio mainstay, the compact 4-track recorder. Hugh Robjohns checks it out.
How do Steinberg's DSP software plug-ins for their WaveLab software, now at version 1.5, compare with the industry heavyweights? Paul White unearths his nastiest recordings to find out.
Paul White tries out the SCSI version of this popular drive, and discovers lots of potential applications in the studio.
Although still available to buy new, TC Electronic's 1210 is actually older than much of the gear featured in Retrozone. However, it's not a synth, but an effects processor. Norman Fay explains his deep-seated love of this grizzled veteran among effects.
Do TL Audio's designs stand up without valves, or is it a case of tubeless tires? Paul White endeavours to find out.
One of the hit synths of 1996, Waldorf's Pulse is now available in a slightly upgraded version, incorporating an external audio input and CV/gate interface. Paul Nagle sets it, squizzing and phzweeing to find out exactly what has put the Plus in the Pulse.
Paul White lends an ear to Westlake's new nearfield monitors and discovers that they have a distinctively Californian sound.