SOUND ON SOUND
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Musicologist and composer Big George wonders...
Aphex is celebrating 21 years in business, during which time the company has diversified from Aural Exciters into signal processing such as compression. However, Aphex President Marvin Caesar feels that the subject of compression is still widely misunderstood. Paul White asks him to set the record straight.
Despite topping over one million world-wide album sales with an established record label, America's First Lady of New Age music, Suzanne Ciani, has opted for an alternative independent route. Jonathan Miller asks why...
The proliferation of independent record labels in the USA has increased the demand for low-budget records, and sparked the home music studio market, moving it from spare bedroom demo mill to centre stage. Our man in America, Dan Daley, reports.
This month, MacOS evangelist Martin Russ reports back from the recent optimistic Apple Expo show, and dishes out some more tips on file management.
If you have to decide what to delete on your PC before installing a new program, it's time to consider a bigger disk drive. In the first of this two-part series, Martin Walker explains why size isn't all you have to consider when making your choice...
How can adding randomness to your monitoring improve its accuracy? Acoustic designer Andrew Parry explains how applying Early Sound Scattering (ESS) design principles can help to make studio control rooms of different dimensions sound subjectively similar.
If you have a cheap Dolby Surround decoder in your home — say as part of a 'home cinema' entertainment system — and a stereo mixer as part of your recording setup, you have everything you need to start mixing in Surround sound. Hugh Robjohns explains how to enter another dimension...
Brian Heywood studio tests PC scoring/sequencing package Musicator, which has just gone audio, as well as handing out a few PC Notes Awards for '96...
Experienced engineers know that recording the spoken voice properly is actually more difficult than recording a singer. Hugh Robjohns explains why this is so, and passes on some hints and tips for developing a good technique.
You probably don't realise how noisy your computer studio is until you turn everything off and enjoy the silence. Paul D. Lehrman explains how you can arrange your setup to reduce noise and restore peace to your working environment.
Derek Johnson plugs a Swiss TOS-based computer, reveals plans for more Atari shows, and sets the record straight on Atari hard drives...
Success on a stick? Paul White studio tests a new back electret that would appear to combine strength with sensitivity.
Craig Anderton explains how you can use your multi-effects unit to create contemporary short delay treatments.
The first software release from AudioWorks offers hope to MIDI musicians with limited keyboard skills. Sound2MIDI lets PC users record note-perfect sequences, using only a soundcard and a microphone. Dominic Hawken tests the system.
This new voice channel aims to provide all you need to get a good sound from a mic, at a reasonable price. David Mellor tries it out.
Paul White explores the budget side of sequencing with Evolution's inexpensive keyboard and PC sequencing software bundle.
Though it's not exactly cheap, the Green Focus EQ brings professional quality within reach of the serious project studio owner. Paul White does the 'rite thing...
Rather than trying to be a jack of all trades, SAW Plus has made itself a master of one — providing a dedicated multitrack recording and editing environment for digital audio on the PC. Janet Harniman-Cook came, saw, and wrote this review...
Ten years after the K5, Kawai return to the technology which gave them the most successful implementation of additive synthesis ever, and include something of everything else they've learnt in the meantime. Paul Wiffen wonders if it all adds up...