
1995 SOS Readers Survey
Ever wondered whether you are a 'typical' SOS reader? Editor Paul White lets you in on a few secrets gleaned from our 1995 Reader Survey...
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Ever wondered whether you are a 'typical' SOS reader? Editor Paul White lets you in on a few secrets gleaned from our 1995 Reader Survey...
In his inaugural speech to celebrate the opening of this new column, Paul White proves he can rant with the best of them...
The distinctive hard-edged sound of The Young Gods owes much to current sampling technology. Nigel Humberstone investigates.
Wilf Smarties explores the never-ending world of sample loops and how best to use them in your music.
Simon Millward kicks off a new series designed to give beginners a solid grounding in the use of Steinberg's flagship software package.
Paul White's absolute beginners' guide to MIDI continues with a look at MIDI's role in sequencing.
This month, Paul Overaa devotes the whole of his column to a roundup of the current Amiga sequencing scene.
Martin Russ serves up the latest Apple news — plus QuickTime & Mac Audio Capabilities table — past and present.
Vic Lennard bids a fond adieu with 10 top tips for Atari owners.
Out of the wilds of Germany comes an interesting attempt at addressing the key aspects of hard disk recording on the PC for the DAT-owning musician. Brian Heywood reports.
Whether you use a stand-alone sampler, or a 'PC plus soundcard' sampling setup, KCCM's ReSample Pro is designed to releve you of all those irritating sample format incompatibility problems. Panicos Georghiades gets converted...
As well as heading up the USA arm of Emagic, Mikail Graham is a part of the Emagic development team, and the company's most evengelical demonstrator. Paul White caught up with his rolling roadshow at Birmingham's Musical Exchange store.
Though not new, Peavey's PVM480 back-electret mic is an ideal first capacitor mic. Sound Engineer Steve Brodie explains why.
Almost overlooked in the rush of people desperate to get their hands on a Roland TB303, the MC202 is just beginning to find favour with the all-analogue dance crowd. Tom Carpenter explains why he's never forgotten the diminutive MicroComposer.
Tascam's new DAT machine combines professional features with an affordable price. Paul White puts it to the test.
Paul Nagle takes home a version 2.0 Microwave and discovers why this extraordinary instrument continues to enjoy such a long and illustrious life.
Paul White checks out two 19-inch modular rack cases from CP.