SOUND ON SOUND
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Following his article on the unconventional use of signal processors as mix automation equipment in out July issue, Paul Ward takes a general look at using equipment in ways that probably never occurred to the designers...
It is not always necessary to buy the big boys' top-of-the-range, feature-packed music software. Steven Helstrip compares seven budget PC sequencers, and proves that you don't have to sacrifice reliability or user-friendliness if you're trying to save your pennies.
Martin Russ brings you the latest Apple news, starting with MOTU's new FreeStyle package.
This month, in addition to the latest PC product news, Brian Heywood gives you a quick rundown on how to access the Internet, and looks at the current options for digital recording on the PC.
Derek Johnson investigates an affordable MIDI exapnder for the Atari ST.
Paul White's looking at a gadget to improve impedance mismatch.
Dynacord products have a quiet reputation for quality amongst those in the know, but are often overlooked in a market dominated by the big guns in effects. Nick Magnus thinks the DRP5, offering high-quality reverb at an affordable price, might be about to change all that...
Mike Barnes rounds up a new wave of software and hardware support for the Emu EIIIX, which once again makes Emu samplers a serious alternative at the higher end of the sampler marketplace.
Mark of the Unicorn's Performer has been a Mac sequencing stalwart for almost as long as the Mac platform has been used by musicians. Now faced with a growing number of competitors, it's up to version 5.0 and continues to improve in presentation and functionality, according to Mike Collins.
Open just about any equipment manual and you'll come across terms like input impedance, output impedance, impedance matching and so on — but what do they all mean, and does it matter anyway?
Vic Lennard investigates a rather interesting new Falcon product...
It's not only the distinctive looks of the legendary Oberheim synth that the designers of OBMx have borrowed; they've also incorporated its legendary sound quality into a '90s MIDI synth made in the true analogue mould. Dave Crombie wonders if it's too good to be true...
Derek Johnson checks out the new flagship of the Sound Canvas range.
76-note master keyboards at under £500 are relatively thin on the ground. Derek Johnson takes a look at the Korean-made contender for your cash.
After last month's test-drive of Yamaha's top-of-the-range-QY300 music sequencer, Martin Russ now takes its baby sibling, the QY8, for a spin around the block.
Touring with Pink Floyd is not, as you might imagine, like a quick gig down the Bull and Gate. There's a tour budget of around £70 million, and the efforts of hundreds of people go into making each concert truly spectacular. In this exclusive, Mike Lethby talks backstage to some of the men who keep the Floyd on the road.
Daniel Lanois has followed up a career producing acclaimed recordings for the likes of U2 and Peter Gabriel with two solo albums which have earned him equal respect as an artist in his own right. Paul Tingen talked to him about the changing directions in his own music.
From a garden studio in Wales, Danny Chang scores multi-million pound animated productions for TV companies throughout Europe. Paul White talks to him about the gear and techniques involved in writing music for cartoons.
This month, we turn Production Lines over to the classical fraternity, with some words from classical producer Joanna Leach.