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Former Savage Garden singer Darren Hayes has turned his back on major labels and hit factory songwriters to pursue his love of electronica — with help from producer Justin Shave, a vintage Fairlight and a unique computer-based instrument.
It's been an unreserved thumbs-up for Korg's bundle of software synths so far... but will the Legacy Polysix and Legacy Cell scale the same heights in the final instalment of our three-part definitive review?
Rather appropriately, we round off this series by looking at what you need to consider when composing music designed to play while the end credits roll...
SOS visits another reader's home/project studio.
Through his work with David Guetta, Rihanna and now Katy Perry, Sandy Vee has taken the French house sound to the top of the US charts. He tells us how it's done.
Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?
CEDAR Audio's Series X units offer a trio of phenomenally powerful audio restoration tools in neat, stand-alone boxes with simple user interfaces. Hugh Robjohns cleans up..
Despite the ever-increasing number of PC recording cards on the market, there's one particular niche that has remained unaddressed, for years. Martin Walker tries out a product that, at last, fills the gap.
Yamaha's DB50XG daughterboard demonstrated to the world that a PC soundcard could offer high-spec synthesis capabilities. Its latest descendents offer a digitally emulated Prophet V synth and a high-quality Piano. Martin Walker tries them out.
This month, SOS meets a very unique music-maker.
Martin Walker answers some of the most common queries about setting up and using your soundcard, and achieving the best audio quality.
M Audio's Omni I/O interface allows 'Delta card' users to add mic amps, instrument inputs, insert points and monitoring capabilities to their existing systems. Martin Walker gets connected.
Peter Buick has been living with Cubase Audio for the Atari Falcon since its inception. Here he reveals all about his relationship with the system, ask whether it is the ultimate marriage between MIDI sequencing and tapeless recording — and tries to save you a few months of frustration (and a divorce) along the way.
More news from Paul Overaa on what's been happening music-wise in the world of the Amiga... Zip drives & sample conversion; Amisox and Soxgui.
Guitarists who use sequencers have been waiting many years for the perfect MIDI guitar. John Walden tries the Parker MIDIFly to see if the wait is over.
Software and hardware developments have made the 'studio in your PC' concept increasingly attractive, but many prospective users are put off by concerns about sound quality, timing, and the difficulty of adapting existing sample libraries. Many of these issues need no longer cause difficulty, however, as Martin Walker explains...
A successful DJ-turned-remixer/producer, Justin Robertson has also found fortune with collaborator Roger Lyons as Lionrock. Now the Sherlock Holmes-obsessed duo have relocated to their own studio, Moriarty's Cavern, and have a new side project, Gentleman Thief. Tom Flint gets an elementary education...
Having served up convincing hardware emulations of the legendary Minimoog and Prophet V analogue synths, Creamware turn their attention to the mighty Hammond B3 organ.
Emu's eye-catching new Command Stations repackage the sounds of their MP1 and XL1 sound modules, adding hands-on sequencing and real-time controls. Can the company win fans with these late entries to the groovebox market?