SOUND ON SOUND
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Paul White lives life to the max with the new Waves L2, a mastering limiter with all the trimmings.
Looking like a 23rd-century Minimoog pumped full of anabolic steroids, Yamaha's sequel to the hugely successful DJX offers more of the same sampling, sequencing and performance features. Paul Farrer doesn't want to rock, DJX — but it's making him feel so nice...
Dave Wright puts forward the case for noise, genuine old hiss, interference, wind and grind — the full mechanics of the recording process captured in all their glory...
This month Dave Shapton reports on the latest in broadcast video, from the International Broadcasting Conference in Amsterdam, and predicts how these innovations will be used by musicians as promotional tools. He also takes a look at the future of software-only video editing.
The SOS team drop in on another reader studio, this time in the form of a radio station!
How can an electronic band produce exciting, spontaneous, unpredictable and visually engaging perfomances? And if they do, is it really possible to capture the experience of being there in a recording? Rick Smith and Karl Hyde of Underworld believe they have the answers, as Paul Tingen discovered.
Paul White looks at different gain-control elements and their effect on audio.
In the final part of this two-part Net Notes about broadcasting your audio and video on the Internet, Dave Shapton discusses error correction and quality control, helps you to prepare for your webcast and suggests some solutions for broadcasting live events.
Paul White looks at how to customise Multi Instruments for a faster and more creative sequencing experience.
In the final part of his short series on pushing back the boundaries of effects processing, Paul White explores many different applications of audio filters, as well as exploring the possibilities of granular synthesis.
The GM, XG and GS sound specs are frequently derided for imposing boring uniformity on the synth universe — but in fact they contain many unusual sounds. Dave Stewart, a man who knows a gopi-yantra from gankogwe, sheds light on some of the lesser-known instruments in the General MIDID set, and provides some useful playing tips.
This month's Cubase tips column focuses on one of the sequencer's most powerful but under-used features, the Logical Edit function. Paul Sellars begins a two-part explanation of its operation.
This month Vic Lennard has a first look at Mac OS X and the public preview of QuickTime 5...
Last month, Paul Wiffen explained how to get MIDI into and out of your new-style Macintosh. This month, he turns his attention to the tougher problem of audio...
I own an Emu Audio Production Studio PCI soundcard system, which I use with my 600MHz Pentium III PC. I used to own a...
I am interested in purchasing a vocoder plug‑in. I am currently running Digital Performer v2.7 on a 450MHz...
I'm looking for a decent microphone for my small studio, which is based around a Korg D8 eight‑track digital...
I am thinking about upgrading the audio setup of my computer system (G3/300 tower with 92Mb RAM). I am looking at the MOTU...