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Paul White finally gets his hands on the long-awaited big brother to the Alesis Quadraverb and Quadraverb+.

Paul White's looking at a gadget to improve impedance mismatch.

Mike Barnes rounds up a new wave of software and hardware support for the Emu EIIIX, which once again makes Emu samplers a serious alternative at the higher end of the sampler marketplace.

Open just about any equipment manual and you'll come across terms like input impedance, output impedance, impedance matching and so on — but what do they all mean, and does it matter anyway?

It's not only the distinctive looks of the legendary Oberheim synth that the designers of OBMx have borrowed; they've also incorporated its legendary sound quality into a '90s MIDI synth made in the true analogue mould. Dave Crombie wonders if it's too good to be true...

76-note master keyboards at under £500 are relatively thin on the ground. Derek Johnson takes a look at the Korean-made contender for your cash.

Touring with Pink Floyd is not, as you might imagine, like a quick gig down the Bull and Gate. There's a tour budget of around £70 million, and the efforts of hundreds of people go into making each concert truly spectacular. In this exclusive, Mike Lethby talks backstage to some of the men who keep the Floyd on the road.

From a garden studio in Wales, Danny Chang scores multi-million pound animated productions for TV companies throughout Europe. Paul White talks to him about the gear and techniques involved in writing music for cartoons.

Nigel Lowis has made his name producing female soul vocalists like Dina Carroll and Judy Cheeks, but his skills also include songwriting and remix work. Sue Sillitoe joined him at Sarm West, his home from home, to talk about songs, synths and success...