SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
This 320-page, superbly illustrated, hardcover book takes readers on a chronological journey through a unique selection of over 60 synthesizers — some popular, some rare, all beautiful.
In perhaps their most ambitious project yet, Warm Audio’s latest microphone tackles the legendary Sony C‑800G.
Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.
Combining the classic vocoder with Antares’ popular pitch processor, this plug‑in is capable of some pretty 'out there' effects.
The Hi‑X15s bring Austrian Audio’s proprietary headphone driver technology to the mass market.
The next evolution of Bluetooth contains a number of innovations that should appeal to consumers and professionals alike. And it’s coming to a device near you.
Dynamics processing is a core mixing technique, but it’s often misunderstood. We explain how to make a compressor do what you want it to!
We explore how Cubase’s multiband tools can help you master your own mixes [includes Audio Examples].
With its significant overhaul, the new Nanosampler 2 offers a wealth of creative sample playback options.
Erica Synths’ Matrix Mixer could change the whole way you think about modular.
Necessity may be the mother of invention, but a switch to Cirrus Logic converters has also significantly improved Focusrite's Clarett+ audio interfaces...
Producer Fred Gibson (aka Fred again..) studied under Brian Eno and has worked with some of the biggest artists in the world. And his favourite microphone is the one built into his iPhone.
We all love a good spring reverb, and the Light Pedal from Gamechanger Audio offers much more than most.
New York‑based engineer and producer Andrew Maury, when asked to pick a favourite sound that he’s worked on, nominates the drum mix he created for Lewis Del Mar's ‘Loud(y)’.
Rod Wave’s chart‑topping album Soulfly was not only recorded in hotel rooms, but mixed and mastered on the road too. Travis Harrington was the engineer who made it work.
MXL’s Mini FET mic is as versatile as it is affordable.
With both desktop and mobile versions, and a tiered pricing model, there’s a Bias FX 2 version to suit any budget.
We all know that close miking boosts the low end. But why? New research from DPA Microphones explains that some instruments are more affected by proximity effect than others.
There’s more to Reason’s new Mimic creative sampler than meets the eye...
The UCX II packs 25 years’ interface design experience into half a rack space.