SOUND ON SOUND
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While UltraTap can go some way towards replicating a multi‑head tape echo machine, it also excels at artificial double-tracking, dreamy ambient delays, vocal thickening and gentle tremolo...
Paul White explains the basic concepts behind FX chain order and gives examples of how these guidelines can be broken in order to achieve new and unique audio outcomes.
We undertake the most comprehensive look at Apple’s M1‑based Macs from a musician and audio engineer’s perspective.
This box aims to provide all you need to use your pedals with a mixer or audio interface.
Baby Audio offer an intriguing take on frequency‑conscious dynamics processing.
Sometimes the most familiar sounds are the hardest to get right...
With software control, silent switching and a choice of input cards, this clever box is way more than a patchbay substitute.
Japan keyboard player Richard Barbieri tells the story of their most haunting hit.
SpectraLayers One allows you to tweak vocals that are ‘baked into’ a stereo mix!
Struggling to drive multiple set of cans? DACS have an amp for that...
Recreating a studio monitoring experience on headphones just got simpler, courtesy of dSONIQ’s improved Realphones.
Producer Kieran Hebden, aka Four Tet, has been prolific during lockdown, not only finding new ways to make music but also to listen to it.
Producer, DJ and remixer Dave Clarke meets the innovative producer acclaimed both for her piano‑based film soundtracks and her techno music.
Imogen Heap and Chagall are among the artists pioneering new ways of interacting with synths and effects, courtesy of the Glover software.
We speak to some of the leading experts in hearing loss to find out why it happens, how to prevent it, and what to do if your hearing fails.
Hotone believe you shouldn’t have to tweak a million virtual components to find a great guitar tone...
English producer and mixer Chris Sheldon, when asked to pick a favourite sound that he’s worked on, nominates the drum sound he got with rock band Oceansize.
Have you ever wondered what lies behind the intriguing wobbles and lush swooshes of this classic effect?
The experimental production behind St Vincent’s album Daddy’s Home made for an unusual and challenging mix.
Writers like Malcolm Gladwell argue that talent is a myth. What separates the successful from the also‑rans, they say, is practice...