SOUND ON SOUND
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Recording a choir on location presents a number of unique technical and artistic challenges. Hugh Robjohns describes how he approached a recent project.
Frank Zappa produced a vast amount of recorded material during his career, often pushing both his musicians and the technology of the day to extremes. The task of editing, mixing and archiving these recordings is being undertaken by his son Dweezil, with the help of some cutting-edge computing hardware.
We follow a location recording project from start to finish, showing you how to plan for and conduct the session, as well as how to avoid common pitfalls.
Apple's new iMac is as radical in appearance as its predecessor — but how well does it fit into the recording studio?
This major update to Peak includes a new Playlist editor, full AU plug-in and virtual instrument support and a heavy-duty suite of mastering plug-ins.
We've seen some curious studios in SOS over the years, but not many have included a warehouse full of vintage hardware, Pro Tools HD rigs, and thermostatic ovens. But it's all part of the daily routine at FX Copyroom...
If you have to record in the same room as your PC, the acoustic noise the computer produces can be more than a mere irritant: it can also compromise sensitive recordings. We take a look at what you can do to restore peace.
Is it a home organ-style keyboard? Is it a real synth? Is it a complete crock? Paul Ward explores the Korg Sigma, an instrument with a serious identity crisis...
Even the best-regulated computer can suddenly turn nasty. Martin Walker guides you through the ways to recover when you're faced with a blank screen and a frozen mouse.
What could be more tempting than a sweet-sounding virtual analogue synth? How about that same synth bundled with a bunch of high-quality plug-ins targeted at music production?
The untimely death of musician Duncan Browne part-way through an album project spurred keyboardist Nick Magnus on to complete the recordings. Here Nick tells the inside story of how he accomplished it.
Some of the most common problems encountered when working in a home studio arise from having to record in the same room as your recording equipment. However, good-quality recordings are still perfectly possible in such conditions. Hugh Robjohns advises on how to obtain the best results.
With another major transition occurring in the Mac world this year, it's time to consider the real ramifications of moving from Power PC to Intel-based Macs for musicians and audio engineers.
Last month, Paul D. Lehrman described how he became involved in a project to create a performable edition of George Antheil's prophetic but never performed, Ballet Mechanique, in its original version with 16 synchronised player pianos and a human ensemble. With the process of sequencing the 1240-measure work complete, he was now faced with the task of preparing the first ever live performance of the piece...
There are loads of handy gadgets out there to make a musician's life more fun, and every one of them is more desirable than socks or aftershave. Derek Johnson & Debbie Poyser present you with a few ideas...
50 years ago this month, the most celebrated electronic music studio in the world was established. We trace the history of the Radiophonic Workshop, talking to the composers and technical staff who helped to create its unique body of work.
Technology has threatened to put drummers and guitarists out of work, but until now, singers have been safe. Is Yamaha's Vocaloid going to change all that?
These days, few hi-tech musicians would consider their studio complete without some kind of sampler. Paul White goes through the basics of these invaluable studio tools, for the benefit of anyone who has yet to sample one...
Roland's latest synth module boasts an impressive spec, including a 32-bit RISC processor, 64-voice polyphony and the ability to hoast up to four expansion cards simultaneously. Could it be the only synth you'll need? Dave Crombie finds out.
The TX16W was about to go down in the annals of electronic instrument history as a brilliant-sounding sampler handicapped by a pig of an operating system — until a group of Swedish users took matters into their own hands. Duncan Werner investtigates the ultimate in third-party development.