
Boss DD-3T & DD-8
Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
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Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
The EBow is a small plastic‑cased gadget, powered by a 9V battery, and when it’s hovered over a guitar string, it causes it to vibrate...
If you regularly learn or transcribe songs from audio, deCoda might be just the helping hand you need.
We speak to Disclosure’s tech guru Guy Lawrence about their journey from bedroom production to working with top‑flight stars in some of the biggest studios in the world.
There’s more to great‑sounding reverb than loading and tweaking your favourite plug‑in.
Recorded in 1970, Tea For The Tillerman cemented Cat Stevens’ place in rock history. Half a century later and under his latter‑day name Yusuf Islam, he’s teamed up with original producer Paul Samwell‑Smith to re‑record it from scratch.
For their new range of mixers, Korg enlisted the help of two of the biggest names in console design.
Re‑Head aims to offer headphone users a loudspeaker‑like listening experience.
Amphion’s innovative FlexBase system offers true‑stereo sub‑bass in a single speaker cabinet.
If the 16‑inch MacBook Pro was too much and the MacBook Air too little, is this latest 13‑inch MacBook Pro just right?
Cubase can help you write and arrange realistic string parts.
We look at the history, the theory and the practice of making electronic music without a computer.
The lead single from Pop Smoke’s posthumous debut album was stitched together from two demos in different keys. Mix engineer Jess Jackson turned it into a piece of pop magic.
We take a look back at the events and technology that changed the world.
Not all 500‑series racks are created equal. Here’s what you need to know to make your choice.
With the right guidance, iZotope's RX can remove problem sounds that would otherwise ruin a mix.
With so many modules on the market, how do you make the right choices?
Audio examples to accompany Part 1 of our Cubase: String Theory article.
How loud is loud enough, and how loud is too loud?
These audio files accompany our review of the United Studio Technologies UT FET47 mic.