SOUND ON SOUND
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Daniel Moyler is a London‑based mixing and recording engineer who when asked to dissect a favourite sound, focuses on the drum sound from ‘Crowbar’ by Frank Carter and the Rattlesnakes.
Why choose between rock and pop — when, like Andrew Watt, you can excel at both?
New in Live 12, Ableton’s Meld synthesizer is far more complex than you might think.
This high‑end design began life as a resurrection of the rare‑as‑hen’s‑teeth Fairchild 666. But it soon became its own thing...
This remarkably purple mic pays visual tribute to Minneapolis’ favourite son, while drawing sonically on one of Berlin’s most celebrated historic designs.
Organising your Pro Tools sessions will help you work faster and more efficiently.
There’s more to designing a quality monitor controller than meets the eye — or the ear.
We look back at the trend‑bucking Roland modular synthesizer that will still flap your trousers today.
Despite support for multi‑channel inputs and outputs, this innovative delay plug‑in is equally adept at adding depth and dimension to stereo inputs and binaural outputs.
SpectraLayers continues to develop at a spanking pace. We check out what’s new.
Mid‑Sides processing is your gateway to creative manipulation of stereo sources.
Telegrapher may be a young company, but their flagship three‑way monitors are up there with the very best.
Can an old container really be turned into a viable music production space?
High‑end analogue kit is still an important part of Universal Audio’s product range, and the latest additions are a trio of highly desirable studio mics.
Harrison celebrate the 15th birthday of their flagship DAW with the release of Mixbus 10.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Sharing the same underlying sound‑design engine as 2023 release Strands, Folds is based upon samples of the human voice.
As CEO of Universal Audio, Bill Putnam Jr has pioneered some of the most important innovations of the last 35 years. In conversation with SOS's Sam Inglis, he traces the Universal Audio story back to its founding by his father Bill Putnam Sr in 1958.
Nick Rothwell learns about the Augmented Instruments Laboratory, a music technology research team lead by Professor Andrew McPherson, whose ongoing projects include the Magnetic Resonator Piano and the Bela open-source platform.
Paul White and Hugh Robjohns talk us through four essential studio effects that every music producer or mix engineer needs to know for creating an effective mix.