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REVIEWS
- 16-track Digital Multitrackers | Buyer's Guide
- 3G Mynah Plus | 16:4:3 Mixer
- Networking In The Music Business; Rapco DB 101SL Passive DI Box | Widgets
- A Poke In The Ear With A Sharp Stick | Sample Library
- A.P.E.S. Acoustishirt System; Music House Powermaster Genesis SCSI | Product Roundup
- Aardvark Aard Scape | Tape Saturation Emulator
- Aardvark Aardsync II | Master Digital Audio Sync Generator
- Aardvark Aardverter | Professional A/D and D/A Converter
- Aardvark Aark 20/20 | 20-bit PC Digital Audio Recording System
- Aardvark Direct Pro 24/96 | Professional Studio System
- AARDVARK DIRECT PRO Q10 | Aardvark Direct Pro Q10 Computer Recording System
- Abracatabla | Sample Library
- Abstract HipHop | Sample Library
- Access Virus | Virtual Analogue Synthesizer
- Access Virus | Advanced Simulated Analogue Synthesizer (Preview)
- Access Virus B | Modelled Analogue Synth Module, KB Keyboard & v3.0 Software
- Access Waldorf Microwave & Oberheim Matrix 1000 | Programmers
- Acid Orchestral Series | Sample Library
- Acoustic Energy AE200 | Nearfield Monitors
- Adaptec Jam v2.5 | Audio CD Compilation Software
- Adaptec Toast 4 | CD-writing Software
- Advanced Media Trax | Sample CD Buyer's Guide
- Advanced Mega Effects 3: Jingle Effects, Outer Space, Synth Twirls | Sample Library
- AGE CONCERN | Amtech Age Pro Guitar Echo Unit
- Ahead Software Feurio! | Audio CD-Burning Software
- AKAI AK.SYS | Akai AKsys v1.7 S5000/S6000 Sampler Management Software For Mac & PC
- Akai CD3000XL | Sampler
- Akai DPS12 | Digital Personal Studio
- Akai DPS16 | Digital Personal Studio
- Akai DR16 | Hard Disk Multitrack Recorder
- Akai DR4vr | 4-track Hard Disk Recorder
- Akai DR8 | Hard Disk Recorder
- Akai MPC2000 | Digital Percussion Sampler/Sequencer
- Akai MPC2000XL | Percussion Sampler/Sequencer
- Akai MPC3000 | MIDI Production Centre
- Akai S20 | MIDI Digital Phrase Sampler
- Akai S2000 | Digital Sampler
- Akai S3000XL | Sampler
- Akai S5000 & S6000 | Samplers
- Akai S700 | 12-bit Sampler (Retro)
- Akai Sample Library Vol. 1-4 | Sample Library
- Akai SG01v | Synth Module
- AKG C1000S | Back-electret Microphone
- AKG C2000B | Capacitor Microphone
- AKG C3000 | Large-diaphragm Capacitor Microphone
- AKG C3000B | Capsule Microphone
- AKG C4000B | Condenser Microphone
- AKG H30; Aiwa XD-S1100; P&G; 8000 Series | Widgets
- AKG Solidtube | Valve Capacitor Microphone
- Albie Donnelly's Killerhorns | Sample Library
- Alesis A6 Andromeda | 16-voice Analogue Synth
- Alesis ADAT Edit | ADAT/Computer Editing System
- Alesis ADAT Type II | ADAT Recorder
- Alesis ADAT XT | Recorder
- Alesis ADAT XT20 | Digital 8-track Recorder
- Alesis AI-1 | Digital Interface/Sample Rate Converter
- Alesis Air FX | Multi-effects Processor
- Alesis AM11, AM30 & AM40 | Cardioid Capacitor Microphones
- Alesis DM Pro | Drum Module
- Alesis DM5 | Drum Module
- Alesis GT Electronics | AM-series Microphones
- Alesis M1 | Active Powered Monitors
- Alesis M20 | 20-bit Professional Digital Recorder
- Alesis Masterlink | CD Mastering Processor
- Alesis Masterlink 2 | CD Mastering Processor
- Alesis Matica 500 | Power Amplifier
- Alesis Microverb IV | Reverb
- Alesis MidiVerb IV | Multi-effects Processor
- Alesis Monitor One | Studio Monitors
- Alesis Monitor Two | Studio Monitors
- Alesis Nano Bass | Bass Sound Module
- Alesis Nano Compressor | Stereo Compressor/Limiter
- Alesis Nano Piano | Stereo Piano Module
- Alesis Nanosynth | 64-voice Synth Module
- Alesis Nanoverb | Mini Digital Effects Unit
- Alesis Point Seven | Shielded Nearfield Studio Monitor
- Alesis Q2 | Multi-effects Processor
- Alesis Q20 | Stereo Multi-effects Unit
- Alesis QS6 | Synthesizer
- Alesis QS8 | Master Controller/Synthesizer
- Alesis QSR | 64-voice Synth Module
- Alesis QuadraSynth | 64-note Polyphonic 76-key Synthesizer
- Alesis Quadrasynth Plus | Piano Polyphonic Synthesizer
- Alesis S4 Quadrasynth | 64-voice Sound Module
- Alesis Studio 12R | Rack Mixer
- Alesis Studio 32 | Mixer
- Alesis Wedge | Reverb Processor
- Alesis X2 | Studio Mixing Console
- Ali Baba & The 40 Ravers | Sample Library
- Alien Artifakts | Sample Library
- Alien Guitars | Sample Library
- All About EMS, Part 1 | Exploration
- All About EMS, Part 2 | Exploration
- Allen & Heath GL2 | Studio/Live Rackmount Mixer
- Allen & Heath GS1 | 8-buss Recording Console
- Allen & Heath GS3000 | 8-buss Console
- Allen & Heath GS3V | Automated Mixer
- Allen & Heath MixWizard | 14:4:2 Mixer
- Allen & Heath Mixwizard 20:8:2 | Mixer
- Allen & Heath Mixwizard WZ20S | Stereo Source Mixer
- Amek Pure Path | Channel In A Box
- Amek System 9098 | Dual Mic Amp
- Amtech AGE One | Tape Echo Emulator
- Analogue Dreams | Sample Library
- Analogue Meltdown | Sample Library
- Analogue Progate Atari Hard Drive; Xplora CD-ROM: The Secret World Of Peter Gabriel | Widgets
- Analogue Solutions Concussor | Modular Percussion Synth
- Analogue Solutions Minimodular | Dual-oscillator Synth
- Analogue Solutions SY02 | Dual Multimode Filter
- Analogue Systems FB3 | Filter Bank
- Analogue Systems RS Integrator | Modular Synth
- Analogue Systems RS200 & System 8000 | Analogue Sequencer & Modular Synthesizer
- Analogue Systems Sorceror | Modular Analogue Keyboard Synthesizer
- Analogue Systems TH48 | Sequencer
- Analogue To Digital II | Sample Library
- Antares AMM1 | Microphone Modeller Processor
- Antares ATR1 | Auto Tune Intonation Processor
- Antares Auto-tune; Steinberg Mastering Edition | Plug-in Folder
- Antares Microphone Modeller | Pro Tools TDM Plug-in
- Antares System Auto-tune | Digidesign Pro Tools TDM Pitch Correction Plug-in
- Aphex 107 | Dual-channel Thermionic Mic Preamp
- Aphex 109 | 2/4-band Valve Parametric EQ
- Aphex 661 Expressor | Single-Channel Valve Compressor
- Aphex Easyrider 106 | 4-Channel Compressor
- Aphex Thermionics Model 1100 | Tube Mic Preamp
- API ENDING? | API 2500 Buss Compressor
- Apogee AD8000 | 24-bit Digital Audio Converter
- Apogee PSX100 & Rosetta | High-resolution Digital Converters
- Applied Acoustic Systems Tassman v1.2 | Physical Modelling Synth
- Arboretum Hyperprism | Effects Plug-in Pack
- Arboretum Ray Gun; Arboretum Restoration-NR | Plug-ins Folder
- ARP 2500 | Modular Analogue Synthesis System (Retro)
- ARP Axxe & Little Brother (Retro) | Synth
- ARP Odyssey | Duophonic Analogue Synthesizer (Retro)
- ART CS2 | Compressor/Limiter
- ART Dual Levelar | Dual-channel Vactrol Compressor
- ART Effects Network | Reverb/Delay Unit
- ART FX1 | Stereo Digital Effects
- ART FXR & FXR Elite | Digital Effects
- ART Levelar | Vactrol Levelling Amplifier
- ART MDM8L | 8-Channel Compressor/ Limiter
- ART MR1 | Compact 16-bit Digital Reverb
- ART Pro MPA & Dual MP | Tube Mic Preamps
- ART Pro Noise Gate | 8-channel Noise Gate
- ART Quadra/FX | 4-channel Effects Processor
- ART Tube MP | Tube Mic Preamp
- ART Tube PAC & Tube EQ | Preamp/Compressor & EQ
- ARX Sixgate & DI4 | 6-channel Gate & DI Box
- ASC Studio Traps | Portable Room Acoustic Baffles
- Ashly Audio PQX 572 | Parametric Equaliser
- ASTRAL TWEAKS | Eventide Eclipse Multi-effects
- Asymetrix Mediablitz | Multimedia Authoring
- ATC A7 | Passive Monitors
- ATC SCM20A | Pro Active Monitors
- ATC T16 | Active Monitors
- Audient ASP 8024 | High-resolution Analogue Mixing Console
- Audio Architect 4 | Software Synth
- Audio Technica 30 Series | Microphones
- Audio Technica 4041 | Cardioid Capacitor Microphone
- Audio Technica AT3035 | Cardioid Capacitor Microphone
- Audio Technica AT4033a | Studio Condenser Microphone
- Audio Technica AT4047/SV | Microphone
- Audio Technica AT4050 | Studio Capacitor Microphone
- Audio Technica AT4060 | Valve Microphone
- Audio Technica AT873R | Back-electret Vocal Microphone
- Audio Technica ATH | Studio Headphones
- Audio Technica ATH-M40 | Studio Headphones
- Audio Technica ATM23HE | High-energy Dynamic Mic
- Audio Technica ATM33a & ATM10a | Artiste Series Back-Electret Mics
- Audio Technica ATM89R | Back-electret Microphone
- Audio Technica Midnight Blues | Dynamic Microphones
- Audio Technica Six-pack | Studio Microphone Assortment
- Audio Toys Inc 8MX2 | Preamp/Mixer
- Audioworks Sound 2MIDI | Audio-to-MIDI Conversion Software
- Audix OM-3XB | Dynamic Microphone
- AVI Bigga-Tron | Red Spot Monitors
- AVI Biggatron | Monitors
- AVI Neutron | Nearfield Monitor Speakers
- AVI Nuneutron | Compact Monitors
- Award-Session Sessionmaster JD10 | Guitar DI Box/Preamp
- AXE: PC/MAC Interactive CD-ROM | Sample Library
- B&W; CDM1 | Hi-fi Speakers
- BABY BLUE | Presonus Blue Tube Stereo Preamp
- Backbeat | Sample Library
- Basicussions | Sample Library
- Bass Box | Sample Library
- Bass Legends | Sample Library
- BBE 262 | Sonic Maximiser
- BBE 362 NR | Sonic Maximizer
- BBE Sonic Maximizer Model 462 | Enhancer
- BCK Lite Show | MIDI-to-light Controller
- Beats 'n' The Hood | Sample Library
- Behringer B2031 | Truth Active Monitors
- Behringer Combinator | Multi-band Compressor
- Behringer DSP1000 Virtualizer V2 | 24-bit Multi-effects Unit
- Behringer Dualflex EX2100 | Enhancer/Harmonizer
- Behringer Edison | Stereo Image Enhancer
- Behringer Eurodesk | 8-buss Recording Console
- Behringer Eurodesk MX3282 | 8-buss Mixer
- Behringer Eurorack MX1602 | Compact Mixer
- Behringer Eurorack MX2642 | 4-Buss Mixer
- Behringer MDX 4000 Mastercom | Multi-Band Compressor
- Behringer MDX2200 Composer Pro | Multi-function Dynamics Processor
- Behringer Modulizer 1200 | Pro Modulation-based Effects Unit
- Behringer Ultra-curve | Signal Processor
- Bellari RP562 | Stereo Tube Sonic Exciter
- Bellari RP583 | Dual Tube Compressor
- Berklee Press Music Books; Hughes & Kettner Red Box Pro | Studio Essentials
- Best Drum Sample CD Ever | Sample Library
- Best Of XX-Large | Sample Library
- Best Service Alpha Dance | Sample Library
- Best Service XX Large | Sample Library
- Best Service XX Large Pads | Sample Library
- Beyer Blueprint A75 | Stereo Amplifier
- Beyer MCD100 | Digital Condenser Microphone
- Beyer MCE7 | Miniature Microphone
- Beyer MCE83 | Back-electret Microphone
- Beyer MCE84 | Back-electret Capacitor Mic
- Beyer MCE90 | Studio Condenser Microphone
- Beyer MSB48 Phantom Power Supply; Tech 21 Bass Compactor Processor | Studio Essentials
- Beyerdynamic DT250 | Headphones
- Beyerdynamic MCE93 & MCE94 | Studio Condenser Microphones
- Bias Peak | Digital Audio Editing Software
- Bias Peak v1.6 | Audio Editor
- BIAS Peak v2.02 | Sound Editing Package
- Big Bad Sound | Sample Library
- Big Beat | Sample Library
- Big Briar Moogerfooger Filter | Low-pass Filter
- BIG BROTHER | TL Audio Fat Man Fat 2 Valve Preamp & Compressor
- Big Noise MaxPak V2 | PC Software
- Bill Bruford's Packet of Three | Sample Library
- Bill Laswell Sound Virus Dub Tactic Manual | Sample Library
- Bit One/Bit 01/Bit 99 | Synths (Retro)
- Bitheadz Phrazer | Loop Composition Tool
- Bitheadz Retro AS1 | Virtual Analogue Synth
- Bitheadz Unity DS1 | Software Sampler
- Bitheadz Unity DS1 2 | Software Sampler
- Bitheadz Voodoo | Software Drum Machine
- Bizarre Guitar | Sample Library
- Black Butta 2 | Sample Library
- Black II Black Bangin' Beat Boxes | Sample Library
- Black II Black Vol. 1 | Sample Library
- Black II Black Vol. 2 | Sample Library
- Black II Black Vol. 3 | Sample Library
- Blue Chip Axon AX100 | MIDI Guitar Converter
- BLUE TONES | Behringer V-Amp Physical Modelling Guitar Preamp
- BLUEROOM MINIPOD | Bass Station Monitors & Subwoofer
- Bolder Sounds Vol. 1: Eclectic | Sample Library
- Boss BR8 | 8-track Digital Multitracker
- Boss Dr Sample SP202 | DJ Looping Sampler
- Boss DR202 | DR Groove Rhythm Machine
- BOSS DR5 | Rhythm Section
- Boss DR770 | Drum Machine
- Boss GT3 | Guitar Effects Processor
- Boss GX700 | Guitar Effects Processor/Preamp
- Boss JS5 JamStation | Backing Sequencer
- Boss RV70 | Digital Stereo Reverb
- Boss SX700 | Studio Effects Processor
- Boss VF1 | Multi-effects Processor
- Boss VT1 | Voice Transformer
- Brass Super Section | Sample Library
- BRIGHT SPARK? | TC Works Spark XL v2 Mac Audio Editor
- Brit Horns | Sample Library
- BSS Opal DPR422 | Compressor/De-esser
- BSS Opal DPR944 | Parametric Compressor/Gate
- Burning Grooves | Sample Library
- Buying A Cassette Multitracker | Feature | Tips & Tricks
- Buying A Voice Channel | Feature | Tips & Tricks
- Byetone VM95 & VM97 | Dynamic Microphones
- CAD Equitek | Back-electret Condenser Microphones
- CAD M177 & M179 | Condenser Mics
- CAD VSM1 | Large-diaphragm Valve Condenser MIc
- CAD VX2 | Large Diaphragm Valve Condenser Microphone
- CAD88 & CAD89 | Dynamic Microphones
- Caig Laboratories Deoxit & Progold; Audio Technica ATM87R; Neato; Keyfax Software Twiddly Bits Vol. 9 Jazz | Contact Enhancement Treatments; Condenser Boundary Microphone; CD Labelling Kit; Samples
- Cakewalk Guitar Studio | MIDI + Audio Sequencing Software
- Cakewalk Metro 4 | MIDI + Audio Sequencer
- Cakewalk Pro Audio 6 | Software
- Cakewalk Pro Audio 7 | MIDI + Audio Recording Software
- Cakewalk Pro Audio 9 | MIDI + Audio Sequencer
- Cakewalk Pro Audio v4.01 | Sequencing Software
- Calistan Solutions Wave Safe | Sound File Protection Software
- Canam Quartz | PC Digital Recording & MIDI Sequencing Software
- CARD CARRIER | Kenton Plugstation Modular Hosting System For Yamaha PLG Synthesis Cards
- Carmichael's Crunchy Nut Drum Loops | Sample Library
- Casady & Greene Soundjam MP1.6 | MP3 Encoder & Player
- Casio CTK-650 | GM-Compatible Keyboard
- CEDAR Series X | Declicker, Decrackler & Dehisser
- Cedar Series X+ & Azimuth | Debuzzer & Corrector
- Celemony Melodyne | Audio Manipulation Software For Mac
- Charlie Lab Digitar | Pocket MIDI Guitar
- Charlie Morgan Master Drums 2 | Sample Library
- CHECKS & BALANCES | NTI Minilyser & Minirator Test Instruments
- Cheetah MD16 | Drum Machine (Retro)
- Cheetah MS6 | Analogue Synth Module (Retro)
- Chemical Beats | Sample Library
- Chiswick Reach | Stereo Valve Compressor
- Chris Whitten's Monster Beats | Sample Library
- Chronic Horns Vol. 2 | Sample Library
- Cimple Solutions Extraports MIDI Expander; K&K; Active Cable | Widgets
- CLASSIC FM? | Yamaha DX200 FM sequencing Workstation
- Clavia Nord | Lead Synthesizer
- CLAVIA NORD ELECTRO | Clavia Nord Electro Virtual Electromechanical Keyboard
- Clavia Nord Lead 2 | Virtual Analogue Synth
- Clavia Nord Lead 2.0 | Virtual Analogue Synth
- Clavia Nord Lead 3 | Advanced Subtractive Performance Synthesizer
- Clavia Nord Modular | Virtual Analogue Modular Synthesizer (Preview)
- Clavia Nord Modular v3.03 & MicroModular | Analogue Modelling Synths
- Clavia Nord Modular Virtual Analogue Modular Synthesizer, Part 1 | Exploration
- Clavia Nord Modular Virtual Analogue Modular Synthesizer, Part 2 | Exploration
- Climax Collection 7: Bass | Sample Library
- Climax Collection Volume 5 | Sample CD Buyer's Guide
- CLM Dynamics DB400s | Mic Preamp
- CLM Dynamics DB500S Expounder | Dynamic Equaliser
- Clubsphere DJ Intermix Series: 80-90BPM | Sample Library
- Control Synthesis Deep Bass Nine | MIDI Analogue Monosynth
- Cool School Interactus Circle Of Digi Volume One CD-ROM; Neutrik 48-Way Jack Patchbay | Product Roundup
- CORE CONCEPTS | TC Works PowerCore DSP Plug-in Board For Mac
- Cornford Harlequin | Recording Amplifier
- CP Technology Missing Link MIDI-CV Converter; Intrinsic Technology Plus48 MIDI Port Expander | Widgets
- Creamware Masterport v2.4 | Hard Disk Recording & Editing System
- Creamware Powersampler DSP | Sampling System
- Creamware Pulsar | Music Production Environment
- CreamWare T-DAT 16 | Multitrack Recording System
- Creamware TripleDAT | Digital Audio Interface
- Creamware Tripledat | Digital Audio Editing/Recording System
- Creative Essentials Mixed Mode CDs | Sample Library
- Creative Essentials Vol. 32: Cuckooland Ambience | Sample Library
- Creative Essentials Vols. 1-10 | Sample Library
- CREATIVE LABS AUDIGY | Creative Labs Audigy Platinum EX PC Soundcard
- Creative Labs AWE64 | Gold Soundcard
- Creative Labs Soundblaster AWE32 | PC Soundcard
- Creative Labs SoundBlaster Live! | PCI Soundcard
- Crown CM700 | Back-electret Cardioid Microphone
- Cubase Audio DAE | Sequencing & Digital Audio Software
- Cuckooland Vol. 1: Unhinged | Sample Library
- Cuckooland Vol. 2: Ghost In The Machine | Sample Library
- Cyberwave EMS Waveplant Synthesizer | Sample Library
- D-Zone Loopism Volume 3 | Sample Library
- D-Zone Loopisms Volumes 1 & 2 | Sample Library
- DACS FwS ColOSCIL2 | Ring Modulator
- DACS Headlite | Headphone Amplifier
- DACS Micamp | Dual-channel Mic Preamp
- Dan Dean Solo Strings | Sample Library
- Dan Dean Solo Woodwinds | Sample Library
- Dance Industrial 2: David Frangioni & Rich Mendelson | Sample Library
- Dance Mega Drums 2 | Sample Library
- Danny Cummings & Miles Bould's Rhythm Of Life | Sample Library
- DAS Monitor 6 & Monitor 8 | Nearfield Studio Monitors
- Datadusta Digital Tape; Emu Morpheus | Bit-buster Tape; Patch Cards
- Datafile | Sample Library
- David Ruffy: Ruff Cutz | Sample Library
- DBX 1066 | Compressor/Limiter/Gate
- DBX 120XP | Sub-Harmonic Synthesizer
- DBX 160s | Compressor/Limiter
- DBX 266XL | Compressor/Gate
- Dbx 376 | Tube Channel Strip
- Dbx 566 | Dual Vacuum Tube Compressor
- DBX DDP | Digital Dynamics Processor
- DBX MC6 | Mini-comp Compressor
- DBX Model 760X | Microphone Amplifier
- DBX Project 1 Model 286 | Microphone Processor
- Dbx Quantum | Digital Mastering Processor
- Dbx Silver Series 386 | Hybrid Dual Mic Preamp
- Deepest India | Sample Library
- Def House | Sample Library
- Demeter HM1 | Tube Mic Preamp
- Demeter VTD82B | Tube Direct DI Box
- Denny Jaeger Master Violin Library | Sample CD Buyer's Guide
- Denny Jaeger Private Collection Vol. 1 | Sample Library
- Design Labs Prologue Plus | MIDI-CV
- DH v2.0 | Sample Library
- Didgeridoo | Sample Library
- Didgeridoo & Overdrive Dance Collection | Sample Library
- Diffusion Of Useful Noise | Sample Library
- Digidesign ADAT Bridge I/O | ADAT Interface For Pro Tools
- Digidesign Digi 001 | Computer Recording System
- Digidesign DINR | Intelligent Noise Reduction Software
- Digidesign Pro Tools | Digital Recording & Editing Environment (Preview)
- Digidesign Pro Tools 24 | Digital Recording & Editing Environment
- Digidesign Pro Tools 3.4 | DAW Software
- Digidesign Pro Tools 4 | Software
- Digidesign Pro Tools 4.0 | Digital Audio Software Upgrade
- Digidesign Procontrol | Pro Tools Hardware Control Surface
- Digidesign SampleCell II | PC Card
- Digidesign Session 2.0 | Multitrack Software
- Digidesign Session; Digidesign Audiomedia III | Digital Recording Software; PCI Card
- Digidesign Universal Slave Driver | Synchroniser
- Digidesign/Focusrite Control 24 | Pro Tools Hardware Control Surface
- Digigram VXPocket | Laptop Digital Audio Card
- Digisound 80 | Modular Synthesizer (Retro)
- DIGIT MIDGET | Fostex VM88 Digital Mixer
- Digital Audio Denmark ADDA 2402 | Converter
- Digital Audio Labs cardD | PC Hard Disk Recorder
- Digital Audio Labs V8 | Multitrack Hard Disk Recording System
- Digitech 2120 | Artist Guitar Preamp/Effects Processor
- Digitech MV5 | Vocal Harmony Processor
- Digitech RP21D | Integrated Tube Guitar Processor
- Digitech RPM1 | Valve Rotary Speaker Simulator
- Digitech S100 | Dual-engine Multi-effects Processor
- Digitech Studio 400 | Effects Processor
- Digitech Studio 5000 Digitech Studio Vocalist | Harmony Processors
- Digitech Studio Quad | Digital Effects Processor
- Digitech Studio Quad 4 | Multi-effects Unit
- Digitech Studio Quad V2 | Multi-effects Unit
- Digitech Studio S200 | Dual-engine Multi-effects Processor
- Digitech Studio Twin | Digital Multi-effects Unit
- Digitech Talker | Advanced Vocal Synthesizer
- Digitech TSR12 | Studio Reverb & Multi-effects Processor
- Digitech TSR24S | Dual Channel Multi-effects Processor
- Digitech TSR6 | Stero Effects Processor
- Digitech VCS1 | Dual-channel Dynamics Processor
- Digitech Vocalist | Workstation Vocal Harmony Processor
- Digitech Vocalist Performer | Vocal Harmony Processor
- Digitech VTP1 | Valve Mic Preamp
- Digtal Kitchen Mind Control | Sample Library
- Discovery History Of Analogue | Sample Library
- Discovery Keyboards | Sample Library
- Discovery TB303 | Sample Library
- Distorted Reality | Sample Library
- Distorted Reality 2 | Sample Library
- DJ Toolz Breakbeats And Grooves Vol. 2 | Sample Library
- DOD 512 | Multi-effects Processor
- Doepfer A100 | CV Modular Synthesizer
- Doepfer Drehbank | MIDI Controller
- Doepfer MAQ16/3 | MIDI Analogue Sequencer
- Doepfer MCV24 | Multi-channel MIDI-to-CV Converter
- Doepfer MS404 | MIDI Analogue Synthesizer
- Doepfer Pocket Control | MIDI Control Surface
- Doepfer Regelwerk | MIDI Fader Box & Step Sequencer
- Dope Headz | Sample Library
- DOUBLE DECKER | Marantz CDR500 CD Recorder
- Double Platinum Drums | Sample Library
- Double Platinum Rock Piano | Sample Library
- Downtown Beats | Sample Library
- Downtown Strings | Sample Library
- DPA 4060 | Miniature Microphone
- Drawmer 1961 | Dual-channel Vacuum Tube Equaliser
- Drawmer 1962 | Digital Vacuum Tube Preamp
- Drawmer 1969 | Dual-channel Valve Preamp/Processor
- Drawmer Masterflow DC2476 | Mastering Processor
- Drawmer MX30 | Dual Gated Compressor/Limiter
- Drawmer MX40 | Quad Gate
- Drawmer MX50 | Full-band/Split-band De-esser
- Drawmer MX60 Front End | One Input Channel
- DRIVING FORCE | M&K; MPS Speaker System
- Drone Archeology | Sample Library
- Drum Drops Volumes 1, 2 & 3 | Sample Library
- Drums Hits & Ambience Vol. 1: The Surrey Surround Room | Sample Library
- Drumskills | Sample Library
- DSTEC OS1 Original Syn | Analogue Monosynth
- DUY Digital Audio Plug-ins | Software Plug-ins
- Dynacord DLS 223 | Digital Organ Cabinet
- Dynacord DRP5 | Reverb and Effects Processor
- Dynatek CDS 654SE | External 4-speed SCSI CD-ROM Drive
- Dynaudio BM15A | Powered Monitors
- Dynaudio BM5 & BM10 | Nearfield Monitors
- Dynaudio BM6A | Active Nearfield Monitors
- Early Patches | Sample Library
- Earthworks OM1 | Omnidirectional Microphone
- Earthworks QTC1 & Z30X | Omni-directional Microphones
- Earthworks SR71 | Phantom Cardioid Microphone
- East West Dance/Industrial | Sample Library
- East West Ultimate String Collection | Sample CD Buyer's Guide
- Easy Listening | Sample Library
- Echo Mona 24/96 | Digital Studio
- Ecstatic Acid Bytes | Sample Library
- EDP Wasp | Analogue Monosynth (Retro)
- EES MIDI-CV7 | MIDI-to-CV converter
- EES PC-MIDI | 1/4 PC MIDI Interface
- Effects Buyer's Guide | Book
- Ego Sys Wami Box PCMCIA | Digital Audio Recording System
- Ego Sys Wami Rack 24 | Digital Audio & MIDI Soundcard
- Elation KM201 | Capacitor Microphone
- ELECTRIC AVENUE | Emagic EVP88 Electric Piano Virtual Instrument Plug-In For Logic Audio
- Electric Ghetto | Sample Library
- Electrix Filter Queen & EQ Killer | Processors
- Electrix Filterfactory & Warpfactory | Filter & Vocoder
- Electrix MoFX | Time-synchronised Effects
- Electron Sidstation | Sound Module
- Electronica (Audio CD with MIDI Files) | Sample Library
- Electrovoice RE1000, RE2000 & RE200 | Capacitor Microphones
- Electrovoice RE500 | Capacitor Microphone
- Elka Synthex | 8-voice Polyphonic Synthesizer (Retro)
- Emagic AMT8 | 8-port MIDI Interface
- Emagic Audiowerk2 | Production Kit
- Emagic Audiowerk8 | PCI I/O Card
- EMAGIC EMI 2|6 | Emagic EMI 2|6 USB Audio Interface
- Emagic ES1 | Virtual Analogue Synth
- Emagic EXS24 | Virtual Sampler
- EMAGIC EXSP24 & EVP73 | Emagic EXSP24 & EVP73 VST Instruments For Mac & PC
- Emagic Logic 2.0 | MIDI Recording System
- Emagic Logic 2.5 | MIDI Recording Environment
- Emagic Logic 4 | Audio Sequencing Software
- Emagic Logic Audio 2.5 | Software
- Emagic Logic Audio 2.5 | Software
- Emagic Logic Audio 3 | MIDI + Audio Sequencer
- Emagic Logic Audio Platinum | MIDI + Audio Sequencing Software
- Emagic Logic Audio v3.0 | MIDI + Audio Sequencer
- Emagic Logic Audio v4.5 | MIDI + Audio Recording Software
- EMAGIC LOGIC AUDIO V5 & LOGIC CONTROL | Emagic Logic Audio v5 & Logic Control MIDI + Audio Sequencer & Hardware Control Surface
- Emagic MT4 | USB MIDI Interface
- Emagic Sound Diver 3 | Universal MIDI Editor/Librarian
- Emagic Unitor 8 | Cross-platform MIDI Interface
- Emagic Waveburner Pro | Audio CD-writing Software For Mac
- Emagic Zap | Lossless Audio Compression Utility
- Empirical Labs Distressor | Compressor
- EMS VCS3 | Analogue Synthesizer (Retro)
- Emu Audio Production Studio | PCI Soundcard System
- Emu Audity 2000 | Digital Synth Module
- Emu B3 Tonewheel | Organ Module
- Emu Carnaval Latin | Sound Module
- Emu Classic Keys | Sound Module (Preview)
- Emu Classic Keys | Analogue Keyboard Sound Module
- Emu Darwin | Digital Audio Disk Recorder
- Emu E-Synth Professional | Digital Synthesizer
- Emu E4K | Performance Sampling Keyboard
- Emu E4X | Turbo 128-voice Stereo Sampler
- Emu E4XT Ultra | Synthesizer/Sequencer/Sampler
- Emu E5000 Ultra | Sampler
- Emu EIIIX Roundup | v2.1 System Software; Remote Editor/Librarian; Sample CD-ROM
- Emu ESi32 | 16-Bit Sampler (Preview)
- Emu ESi32 | 32-Voice Digital Sampler
- Emu ESi4000 | 64-note Polyphonic Sampler
- Emu Launch Pad | MIDI Controller
- Emu Mo'Phatt | Urban Dance Synth
- Emu Modular Synthesizers (Retro) | Synthesizer
- EMU MP7 & XL7 COMMAND STATIONS | Emu MP7 & XL7 Command Stations: 128-Voice Synths/Multitrack Sequencers
- Emu Orbit 9090 | Synthesizer
- Emu Orbit V2 | Sound Module
- Emu Planet Earth | 64-voice World Sound Module
- Emu Planet Phatt | Sound Module
- Emu Proteus 2000 | Synthesizer
- Emu Proteus FX | Sound Module & Onboard Effects
- Emu Systems E64 | Digital Sampler
- Emu Systems EIIIX Sound Library | Sample CD Buyer's Guide
- Emu Systems Emax II | Sampler (Retro)
- Emu Systems Emulator II | 8-bit Sampling Keyboard, Part 2 (Retro)
- Emu Systems Emulator II, Part 1 (Retro) | 8-bit Sampling Keboard
- Emu Systems Emulator IV | Digital Sampler
- Emu Systems ESI2000 | Sampler
- Emu Systems Sound Engine | GM Sound Module
- Emu Systems Virtuoso 2000 | 128-voice Virtual Orchestra
- Emu Ultra Proteus | Synthesizer Module
- Emu XL1 Xtreme Lead 1 | Sound Module
- Ensoniq ASRX | Sampling Workstation
- Ensoniq ASRX Pro | Resampling Production Studio
- Ensoniq Boom | Professional Effects Processor
- Ensoniq DP/2 | Parallel Effects Processor
- Ensoniq Fizmo | Real-time Transwave Synth
- Ensoniq KT76 | Workstation Keyboard
- Ensoniq MR | Rack Synth Module
- Ensoniq MR76 | Performance/Composition Keyboard
- Ensoniq Paris II | PCI Hard Disk Recording System
- Ensoniq Soundscape | 16-Bit PC Soundcard
- Ensoniq SQ80 | Workstation Synth (Retro)
- Ensoniq TS12 | Keyboard
- Ethnic 2 | Sample Library
- Ethno Techno | Sample Library
- Ethno World | Sample Library
- Eurotech | Sample Library
- Event 20/20 | Studio Monitors
- Event Electronics Gina | Multitrack PCI Soundcard
- Event EMP1 | Solid-state Mic Preamp
- Event Layla | Audio Recording System
- Eventide DSP4500 | Ultra-harmoniser/Multi-effects Processor
- Eventide DSP7000 Series | Ultra-harmonizer Effects Processor
- Evolution MK125 Dance Station | MIDI Keyboard Controller
- Evolution Music Creator Pro | PC music Package
- Evolution Sound Studio Gold | PC Sequencing Software
- Excel 101A | Compact Reference Monitor
- Fairlight Computer | Musical Instrument (Retro)
- Far CR10A | Powered Nearfield Monitors
- Far CR20 | Nearfield Monitors
- FAT Resinator Filter | Processor
- Fatar CMS 61 & Studio 610 | Master Keyboards
- Fatar MP1 | MIDI Pedalboard
- Fatar Studio 1100 & 900 | MIDI Master Keyboards
- Fatar Studio 1176 | MIDI Master Keyboard
- Fields Of Motion | Sample Library
- Fingerstyles | Sample Library
- First Among Sequels: Remix II | Sample Library
- Fita Live | Single Channel Parametric EQ
- Flamenco Sounds | Sample Library
- Fletcher Electroacoustics JoeMeek Voice Channel | Mic Amp/Compressor/Enhancer
- FMR RNC1773 'Really Nice' Compressor | Compressor
- Focusrite Green | Dual Mic Preamp
- Focusrite Green 4 & Green 5 | Dual Compressor/Limiter & Channel Strip
- Focusrite Green Focus EQ | Preamp/Equaliser
- Focusrite Green Voicebox | Voice Processor
- Focusrite ISA 110 | Mic Preamp & Parametric EQ
- Focusrite ISA430 Producer Pack | Input Channel
- Focusrite Platinum | Tone Factory
- Focusrite Platinum | Voicemaster
- Focusrite Platinum Compounder | 2-channel Dynamics Processor
- Focusrite Platinum Mix Master | Mastering Processor
- FOCUSRITE PLATINUM TRAK MASTER | Focusrite Platinum Trak Master: Recording Channel Processor
- Fostex CDR200 | CD Recorder
- Fostex COP2 | Optical/Balanced Digital Converter
- Fostex CR300 | CD Recorder
- Fostex D108 | 8-track Hard Disk Recorder
- Fostex D160 | Hard Disk Multitrack Recorder
- Fostex D2424 | 24-track Hard Disk Recorder
- Fostex D5 | DAT Recorder
- Fostex D80 | Digital Multitrack Recorder
- Fostex D90 | Hard Disk 8-track Recorder
- Fostex DE1 Dual Effects Unit; Ticket Audio Powerline 2 Multi-outut Power Supply | Studio Essentials
- Fostex DMT-8 | Digital Multitracker (Preview)
- Fostex DMT8 | Digital Multitracker
- Fostex DMT8VL | Digital Multitracker
- Fostex DP8 | Digital Switcher
- Fostex FD4 | Digital Multitracker
- Fostex FD8 | 8-track Hard Disk Recorder
- Fostex NF1A | Nearfield Studio Monitors
- Fostex RD8 | Digital Multitrack Recorder
- Fostex VF08 | Hard Disk Multitracker
- Fostex VF16 | 16-track Digital Multitracker
- Fostex VM200 & VR800 | Digital Mixer & 8-track Digital Recorder
- Fostex X14 | 4-track Cassette Recorder
- Fostex XR5 | 4-track Cassette Recorder
- Fostex XR7 | 4-track Cassette Multitracker
- Freak Beats | Sample Library
- Freeform Analogue Technologies Freebass FB383 | Analogue Monosynth
- Freeform Analogue Technologies PCP330 | Procoder (FAT)
- Freekee Jack Swing | Sample Library
- Fresh Killed Meat — Drum & Bass Carnage | Sample Library
- Fresh Killed Meat: Prime Funk | Sample Library
- Fretworks | Sample Library
- Friend Chip DT20 Pro Con & DT40 Copy Con | Digital Audio Processors
- FRIENDLY FIRE | MOTU 828 FireWire Audio Interface For Mac And PC
- FROM A DISTANCE | Aphex Model 1788 Remote-controlled Mic Preamp
- Frontier Design Group Wavecenter | Digital Audio Card
- Full Phat — AMG Catalyst Series Vol. 1 | Sample Library
- Funk Bass | Sample Library
- Funk Bass | Sample Library
- Funk Guitar | Sample Library
- Funk Stew 2 | Sample Library
- Funky Ass Loops | Sample Library
- Funky Rhythms You Can't Live Without | Sample Library
- FXpansion DR005 | Drum Sample Player
- G-force M-tron | VST Plug-in Instrument
- Gadget Labs Wave/8:24 | PCI Soundcard
- Gallery PX10 Production Palette | Pro Tools Control Surface
- Gary Garrritan's GigaHarp | Sample Library
- Gem Pro2 | Digital Piano
- GEM S2R | Rackmounting Synth Module
- Genelec 1029A & 1091A | Active Nearfield Monitors & Sub-woofers
- Genelec 1030A | Studio Monitors
- Genelec 2029A | Digital Monitoring Speakers
- Generalmusic Equinox | Keyboard Workstation
- GeneralMusic GEM SK76 | World Keyboard
- George Clinton | Sample Library
- GET IN LINE | Behringer Eurorack MX3242X Mixer
- Gigapack Vol. 1 | Sample Library
- Gigpack 2 | Sample Library
- GLM 8304 | 4-channel Reference Quality Mic Preamp
- Global Trance Mission | Sample Library
- Glyph Technologies SCSI | CD-ROM & AV Hard Drives
- Glyph X-project | SCSI & FireWire Hard Drives
- Gmedia Phat Boy v2 | MIDI Controller
- Graham Lear's Latin Rock Drumscape Vol. 3 | Sample Library
- Greg Hawkes And Perry Geyer Sampleware Vol. 1 | Sample Library
- GRM Tools v1.5 & HyperPrism | Software
- Groove Master Drums | Sample Library
- Groove Tubes 5SC & 6TM | Capacitor Microphones
- Groove Tubes A-series | Valve Microphones
- Groove Tubes CL1s | Tube Compressor
- Groove Tubes MD1/MD2/MD3 | Valve Mics
- GROUND CONTROL | Steinberg Houston VST Studio Controller
- Guillemot Maxi Sound 64 | PC Soundcard
- Guillemot Maxi Studio ISIS | PC Soundcard System
- Guitar Odyssey | Sample Library
- Guitar Wah Wah | Sample Library
- Guitarras Atomicas | Sample Library
- Hafler P1000 Trans.Ana | Power Amplifier
- Hafler TRM | Active Monitors & Subwoofers
- HALL OF FAME | Lexicon MPX200 Dual-channel Effects Processor
- Hallelujah | Sample Library
- Hammond XB1 | Organ
- Hammond XM1 & XMC1 | Organ Module & Drawbar Controller
- Hands On Starlite | MIDI-to-light Controller
- Hans Zimmer Guitar Vol. 2 | Sample Library
- Harbeth Xpression! DPM1 & MS1 | Monitor System
- Heart Of Africa Vol. 1 | Sample Library
- Heart Of Asia | Sample Library
- Heaven 17 | Sample Library
- HEAVY HITTER | Empirical Labs EL7 FATSO Jr Processor
- Hebden Sound 1000/2000 Series | Capacitor Microphones
- Helpful Music Analogue Synthesis Actual Reality & Audio Recording For Profit: The Sound Of Money | Studio Essentials
- Helter Skelter | Sample Library
- HHB Burnit | CD Recorder
- HHB CDR800 | CD Recorder
- HHB CDR850 Professional | CD-R/CD-RW Recorder
- HHB Circle 3 | Active Monitors
- HHB Circle 3 | Nearfield Monitors
- HHB Circle 5 | Active Monitors
- HIGHLY RATED? | MOTU 1296 High-Sample-Rate Audio Interface
- Hip Hop Raw Flava | Sample Library
- Hip-Hop Master | Sample Library
- History Of Roland | Sample Library
- Hof Dynamic Master | Compressor
- Hof Hofex Spectral Exciter II | Psychoacoustic Enhancer
- Hohner Midia Red Roaster | 24-bit CD Pre-mastering Software
- Hooter Sound B1 | Mic Amp/Compressor/Limiter/Gate
- Horny Clubsounds | Sample Library
- Hot Steel Blues | Sample Library
- Housemaster | Sample Library
- Houseworx! | Sample Library
- Hughes & Kettner Replex | Vintage Delay Modeller
- Hughes & Kettner Tube Rotosphere | Leslie Speaker Simulator
- Hyperdance | Sample Library
- Hypnotica | Sample Library
- Ian Boddy: Ambient Vol. 2 | Sample Library
- IK Multimedia T-racks | Mastering Software
- Ill Jointz | Sample Library
- Independence | Sample Library
- Indigo Three | Nearfield Monitors
- Intelligent Devices Pro Audio Analyser 2.0 | Audio Analysis Software
- Interactive Light Dimension | Beam MIDI Controller
- Interface Dance | Sample Library
- Inward Connections Vac Rac | Modular Processing System
- Iomega Jaz | Removable 1GB Hard Drive
- Iomega Zip 100 | Zip Drive
- IQS SAW Plus 3.3 | Multitrack Recording/Editing Software & IQS Plug-ins
- Isotrack Smartpatch | Patchbay
- iZ Technology RADAR 24 | Multitrack Recorder
- Jazz Quartet Vol. 1: Saxophone Legacy | Sample Library
- JBL 4410A; Keynote Music Data Bank; Alice DA-PAK | Widgets
- JBL 6208 | Bi-amplified Reference Monitor
- JBL LSR25P | Active Monitors
- JBL LSR28P | Bi-amplified Monitor Loudspeaker
- JBL LSR32 | Midfield Monitors
- Jeanius Electronics Russian Dragon RD-R3 | Timing Analysis
- JEN Synthtone SX1000 (Retro) | Monosynth
- JL Cooper Cuepoint | Universal Autolocator
- Joe Meek VC3 Pro Channel | Preamp/Compressor/Enhancer
- JoeMeek | Stereo Compressor
- JoeMeek C2 | Stereo Compressor
- JoeMeek JM47 Meekrophone | Capacitor Mic
- JoeMeek SC4 | Stereo Compressor
- Joemeek TB47 | Multi-pattern Tube Microphone
- JOEMEEK VC TWINQ | Joemeek TwinQ Dual Recording Channel
- JoeMeek VC1 | Studio Channel
- Joemeek VC1Q | Studio Channel
- JoeMeek VC2 | Single-channel Valve Voice/Instrument Processor
- Joemeek VC3Q | Recording Channel
- JoeMeek VC4 | Enhancer
- JoeMeek VC5 Meequaliser | 3-band EQ
- JoeMeek VC6 Meekbox | Compressor/Enhancer/Mic Preamp
- JoeMeek VC6Q | Recording Channel
- Johnson J Station | Guitar Recording Preamp
- Johnson Millennium | Guitar Amplifier
- Jomox Airbase99 | Expander/Synthesizer
- Jomox Xbase 09 | Drum Machine
- Journey To The Light | Sample Library
- Jungle Joose | Sample Library
- Jungle Warfare | Sample Library
- Junk Percussion | Sample Library
- Kat trapKAT | MIDI Percussion Controller
- Kawai K5000R & K5000S | Additive Keyboard Synth & Module
- Kawai K5000W | Advanced Additive Workstation
- Kawai MP9000 | Professional Stage Piano
- KCCM Resample Pro | Sample Format Conversion Software
- Keith Le Blanc's Kickin' Lunatic Beats 2 | Sample Library
- Keith LeBlanc's Essential Trilogy | Sample Library
- Kelsey Acoustics Patchbay; EMO E655 | Patchbay; Power Distribution System
- Kenton Control Freak | MIDI Control Centre
- Kenton Electronics Pro 4 | Multi-channel MIDI-CV Interface
- Kenton GS8 | MIDI Guitar Switcher
- Kenton Pro 2000 | MIDI-to-CV Converter
- Kenton Pro Solo | MIDI-CV Converter
- Keyfax Hardware Phat Boy | MIDI Synth Controller
- Keyfax Software Twiddly Bits Vol. 5, Capital Mamba Custom Cases, Heavenly Music Song Builder Series MIDI Files, tapKAT & rimKAT Drum Triggers | Product Roundup
- Kinetix Wobbly Bits | Variable-rate Digital Recording System (Preview)
- King Tone Grooves | Sample Library
- Kinman & Dimarzio Hum-Cancellers | Guitar Pickups
- Kirk Hunter's The Virtuoso Series | Sample CD Buyer's Guide
- Koblo Gamma 9000 | Virtual Drum Machine
- Koblo Stella 9000 | Sample Player Software
- Koblo Vibra 9000 | Software Synth
- Kodish Drum 'n' Bass | Sample Library
- Komputer Inside | Sample Library
- Korg AM8000R | Ambience Multi-effect Processor
- Korg AX30G | Guitar Multi-effects
- Korg CX3 | Modelling Tonewheel Organ
- Korg D12 | Digital Recording Studio
- Korg D16 | Digital Recording Studio
- Korg D1600 | Digital Recording Studio
- Korg D8 | 8-track Digital Recording Studio
- Korg DDM110 | Programmable Digital Drum Machine (retro)
- Korg DL8000R | Digital Multitap Delay
- Korg DSS1 | Digital Sampling Synthesizer (Retro)
- Korg DW8000 | Synthesizer (Retro)
- Korg Electribe EA1 & ER1 | Analogue Modelling Synthesizer & Rhythm Synthesizer
- Korg Electribe ES1 | Rhythm Production Sampler
- Korg G4 | Digital Rotary Speaker Simulator
- Korg i30 | Interactive Music Workstation
- Korg IH | Intelligent Harmoniser
- Korg IX300 | Interactive Music Workstation
- Korg KARMA | Music Workstation
- Korg KP1 Kaoss Pad | Dynamic Effects Unit/Phrase Sampler
- Korg Minikorg Family (Retro) | Synthesizer
- Korg Mono/poly | Analogue Synthesizer (Retro)
- Korg MS10 | Synthesizer (Retro)
- Korg MS20 | Monosynth (Retro)
- Korg MS2000 | Analogue Modelling Synthesizer
- Korg N1R | Synth Module
- Korg N364 | Workstation Synth
- Korg N5 | Music Synthesizer
- Korg NS5R | Synth Module
- Korg NX5R | Sound Module
- Korg Oasys | Open Architecture Synthesis (Preview)
- Korg OASYS PCI | Synthesis, Effects & Audio Card
- Korg Palette | Sample Library
- Korg Pandora | Guitar Multi-Effects Processor
- Korg Pandora PX2 | Multi-effects Unit
- Korg PHC11 & PHC12 Prophecy | ROM/RAM Cards
- Korg Polysix | Synthesizer (Retro)
- Korg Prophecy | Solo Synthesizer
- Korg Prophecy | Solo Synthesizer (Preview)
- Korg PS3100 | Polyphonic Synthesizer (Retro)
- Korg PXR4 | Digital Recording Studio
- Korg S3 | Rhythm Workstation (Retro)
- Korg SG-Rack | Stage Piano Module
- Korg SGproX | Master Keyboard
- Korg Soundlink DRS 1212 | Multi-channel PCI Audio I/O Card
- Korg Soundlink DRS 168RC | Automated Digital Recording Console
- Korg TR Rack | Expanded Access Synth Module
- Korg Trident | Polysynth (Retro)
- Korg Trinity | Expansion Options
- Korg Trinity | Music Workstation (Preview)
- Korg Trinity Plus | Music Workstation
- Korg Trinity series | Music Workstation
- Korg Trinity v3 DRS | Music Workstation
- Korg Triton | Music Workstation
- Korg Triton EXB | Synth Expansion Boards
- Korg Triton Rack | Expandable Sound Module/Sampler
- Korg Universe Vol. 1 & 2 | Sample Library
- Korg Wavedrum | Drum Synthesizer
- Korg X3R | Workstation Synth Module
- Korg X5 | AI 2 Synthesizer
- Korg X5DR | Synth Module
- Korg Z1 | Multi-oscillator Physical Modelling Synthesizer
- Korg Z1 | Polyphonic Physical Modelling Synthesizer (Preview)
- Korg ZSC 01 Sound Collection Z1 | Sound Card
- KRK E7 Expose | Active Reference Monitors
- KRK K-Rok | Nearfield Monitors
- KRK Rok Bottom | Subwoofer
- KRK Rokit | Nearfield Monitors
- KRK V6 | Monitors
- KRK V8 | Active Monitors
- Kurzweil 1000/1200-series | Workstations (Retro)
- Kurzweil DMTi | Digital Multitrack Interface
- Kurzweil FDFX | K2500 Series Expansion Board
- Kurzweil K2000 v3 | Software Upgrade
- Kurzweil K2000/2500 | Voice Crystal Sound Sets
- Kurzweil K2000VP | Variable Architecture Synthesis Technology Workstation
- Kurzweil K250 | Workstation Keyboard (Retro)
- Kurzweil K2500 | Keyboard Production Station (Preview)
- Kurzweil K2500/K2500X | Keyboard Production Station
- Kurzweil K2500R | Production Station Rack (Preview)
- Kurzweil K2500R | Rack Sound Module
- Kurzweil K2600X | Keyboard Workstation
- Kurzweil Micro Piano | Sampled Piano Sound Module
- Kurzweil PC88 | Performance Controller Keyboard
- Kurzweil ROM1 | Orchestral Expansion Board for K2000 & 2000R
- Kurzweil XM1 Expression Mate | MIDI Processor
- LA Audio 4C | Quad Compressor Limiter
- LA Audio 4G | 4-channel Frequency Conscious Noise Gate
- LA Audio 4x4 | 4-channel Dual Filter Noise Gate Compressor
- LA Audio Classic Channel | Single-channel Preamp/Compressor/EQ
- LA Audio EQX2 | Parametric EQ
- LA Audio GCX2 | 2-channel Compressor/Gate
- LA Audio Millennium MPX1 | Mic Processor
- LA Audio MX2 | Mic Preamp
- LA Audio SPX2 | Source Switcher
- LA Lite CX2 | Dual Channel Compressor
- LA Riot 3 | Sample Library
- LA Riot 4 | Sample Library
- LaCie DVD AM52 | DVD-RAM Drive
- Langevin CR3A | Capacitor Microphone
- Larry Seyer's Upright Acoustic Bass | Sample Library
- Last Unicorn Wavecraft | Modular Synth Emulator
- Latin Groove Factory: Vol. 1-3 | Sample Library
- Latronic Notron | Step Sequencer
- LEADING MOTIF? | Yamaha Motif 7 Music Production Synth Workstation
- Lexicon Dual Reverb | PCM Alogrithm Card
- Lexicon LexiVerb; Aphex Aural Exciter; RBC Voice Tweaker | Plug-ins Folder
- Lexicon LXP15 II | Multi-effects
- Lexicon MPX G2 | Guitar Effects Processor
- Lexicon MPX1 | Multi-effects Processor (Preview)
- Lexicon MPX1 | Reverb & Multi-effects Processor
- Lexicon MPX100 | Dual-channel Effects Processor
- Lexicon MPX500 | Dual-channel Effects Processor
- Lexicon PCM80 | Reverb and Effects Processor
- Lexicon PCM80 | Vocal Fix Card
- Lexicon PCM80 | Plug-in Expansion Cards
- Lexicon PCM81 & PCM91 | Digital Effects Processors
- Lexicon PCM90 | Digital Reverberator
- Lexicon Reflex | Dynamic MIDI Effects Processor
- Lexicon Studio | Recording System
- Lexicon Studio Core 2 & MP100 | Soundcard & Reverb & Effects Card
- Lexicon Vortex | Audio Morphing Effects Processor
- LF-OIDS Vol. 1: Bassline Loops | Sample Library
- Line 6 AX2 212 | Modelling Guitar Amp Upgrade
- Line 6 Bass Pod | Physical Modelling Bass Preamp
- Line 6 Delay & Modulation | Modeller Effects Pedals
- Line 6 DM4 Distortion | Modeller Effects Pedal
- Line 6 Farm | Pro Tools Plug-in
- Line 6 Flextone Plus | 100 Watt Stereo Guitar Amplifier
- Line 6 Pod | Physical Modelling Guitar Preamp
- Line 6 Pod Pro | Physical Modelling Guitar Preamp
- Line 6 Spider | DSP Modelling Guitar Amplifier
- Liquid Grooves | Sample Library
- Liquid Grooves Groove Control | Sample Library
- Liquid Guitar | Sample Library
- Little Lanilei Rotary Wave Speaker; Tech 21 Sansamp Acoustic DI | Studio Essentials
- Lo-Fi & Illbient | Sample Library
- Lo-fi Transmission | Sample Library
- LOG Advance | Non-coding Audio Recorder (Preview)
- Loopism 6 | Sample Library
- Loopism Dance Zone | Sample Library
- Loopism Vol. 4 | Sample Library
- Loopism Vol. 5 | Sample Library
- Loopzilla 2 | Sample Library
- Loopzilla Underground | Sample Library
- Lost In Loops | Sample Library
- Love & Pop String Thing | Sample Library
- Lovetone Ringstinger | Ring Modulator
- Lucid Technology NB24 & ADA1000 | NuBus Digital I/0 Card & 20-bit A/D D/A converters
- Lynx Studio Technology Lynx One | PC Soundcard
- M Audio Audiophile 24/96 & Terratec BWX 24/96 | Soundcards
- M Audio Delta 66 | Soundcard & Omni I/O Front End
- M Audio Delta1010 | PCI Digital Recording System
- M PEOPLE | Soundcraft Spirit M-series Mixers
- Mac MIDI Interfaces | Feature | Tips & Tricks
- Mackie 1202 VLZ | 12-Channel Mic/Line Mixer
- Mackie 1402VLZ | 12-Channel Mic/Line Mixer
- Mackie 1642VLZ | Pro Mixer
- Mackie CFX16 | Mixer
- Mackie CR1604 VLZ | 16-channel Mixer
- Mackie D8B | Digital Recording Console
- Mackie HDR24/96 | 24-track Hard Disk Recorder
- Mackie HR824 | Active Monitors
- Mackie HUI | Control Surface For DAWs
- Mackie LM3204 | Stereo Line Mixer
- Mackie LM3204E | Expander For LM3204 Line Mixer
- Mackie SR24•4 | Mixing Console
- Mackie Ultramix | Automation System
- Mackie VLZ Pro | Series Mixers
- Macromedia SoundEdit 16 | Sample Editing Software
- Madjef's Black Butta | Sample Library
- Magma CB2S | 2-slot PCI Expansion Chassis
- Making Waves | Digital Audio Seqencer/Sampler
- Malice In Wonderland | Sample Library
- Malmsjo Acoustic Grand | Sample Library
- MAM RS3; VF11 11-band & Warp 9 | Resonator; Vocoder & MIDI Analogue Filter
- MAMMA MIA! | Echo Mia PC Soundcard
- Marantz CD5000 CD Player & HZ Octopuss Power Distribution Utility | Studio Essentials
- Marantz CDR630 | Compact Disc Recorder
- Marantz CDR631 | CD Recorder
- Marantz CDR640 | CD Recorder
- Marantz PMD650 | Portable Minidisc Recorder
- Marantz PMD720 | Personal Recording Studio
- Marian Marc 4 | MIDI Soundcard
- Marion Systems MSR2 | Analogue Synthesizer
- Marion Systems Pro Synth | Synth Module
- Mark Walker Latin Drums: Rhythm Of The Americas Vol. 1 | Sample Library
- Marshall DRP1 | Direct Recording Guitar Preamp
- Marshall JFX1 | Digital Effects Unit
- Mass Technology 500 | Studio Power Amplifier
- Master Drums 3 | Sample Library
- Masterbits B3 Organ: The Legend | Sample Library
- Masterbits Climax Collection | Sample CD Buyer's Guide
- Media Vision Pro | 3D PC Sound Card
- Mediatrix Audiotrix 3DXG | Soundcard
- Mediterranean Instruments | Sample Library
- Megaton Bomb Vol. 4: Big Beat | Sample Library
- Megaton House Bomb | Sample Library
- Mesa Engineering V-twin | Guitar Preamp Footpedal
- Metalithic Systems Digital Wings | Audio PC Recording System
- Metamorphosis | Sample Library
- Methods Of Mayhem | Sample Library
- Meyer Sound X10 | Monitors
- Microtech Gefell UM900 | Valve Condenser Microphone
- Microtech Gefell UMT70S | Capacitor Microphone
- Microtech Gefell UMT800 | Large-diaphragm Capacitor Microphone
- MIDI + Audio On The PC: Steinberg Cubase, Emagic Logic Audio, Cakewalk Pro Audio | Product Comparison
- MIDI + Audio: Top 4 Mac Programs Compared | Software
- MIDIMAN Digipatch12X6 | Digital Audio Patchbay
- Midiman Dman 2044 | PC Soundcard
- Midiman Flying Cow | D/A and A/D Converter
- Midiman MIDI Gman | General MIDI Sound Module
- Midiman MultiMixer 6 & MicroMixer 18 | Mixer
- Midiman SAM S/PDIF-ADAT | Mixer & Format Convertor
- MIDITECH CONTROLLER | Miditech Midicontrol MIDI Keyboard Controller
- Miditemp MP88W | MIDI & Digital Audio File Player/Data Filer/MIDI Matrix
- Mig Music XG Layered Dance Sounds Collection Vol. 1; Soundman OKM II Binaural Stereo Microphone Headset | Studio Essentials
- Miles Bould The Progression | Sample Library
- Millennia Media NSEQ2 | Dual-channel Parametric EQ
- MIllennia Media TCL2 | Valve & Solid-state Twin-topology Optical Compressor
- Millennia STT1 Origin | Recording Channel
- MIllennium Garage | Sample Library
- Millennium Music | Custom-built PCs
- Milli Keyboard Interface; Keyfax Software Twiddly Bits | Widgets
- Mindprint DI Port | Stereo Preamp & A-D/D-A Converter
- Mindprint Envoice | Voice Channel
- Mindprint T-Comp | Compressor
- Miroslav Vitous Symphonic Orchestra | Sample CD Buyer's Guide
- MixMan Studio | Performance Remixing Software
- Mo' Funky Elements | Sample Library
- Modern Synths & Dance | Sample Library
- Modular Sampler 001: Psychedelic Trance & Goa | Sample Library
- Modular Sampler 002: Big Beat & Electro | Sample Library
- Modular Sampler 003: UK Garage | Sample Library
- MOOD INDIGO | Access Virus Indigo/Virus OS v4
- Moog Memorymoog | Analogue Polysynth (Retro)
- Moog Minimoog 204E | Synth
- Moog Music UK Minimoog | Analogue Monosynth (Preview)
- Moog Polymoog | Analogue Polysynth (Retro)
- Moog Source | Synthesizer (Retro)
- Moog Taurus | Bass Pedals (Retro)
- MOTU 2408 | 24-channel Digital Recording System
- MOTU Digital Performer | Mac Sequencing & Digital Recording Environment
- MOTU Digital Performer v1.7 | Software
- MOTU Digital Performer v2.11 | DAW
- MOTU Digital Performer v2.6 | MIDI + Audio Sequencer
- MOTU Digital Performer v2.7 | MIDI + Audio Recording Software
- MOTU DIGITAL PERFORMER V3 | MOTU Digital Performer v3: MIDI + Audio Sequencer For Mac
- MOTU Digital Timepiece | Universal SMPTE/Video/Digital Audio Synchroniser
- MOTU FreeStyle | Sequencer
- MOTU Freestyle | Sequencing Software
- MOTU Freestyle | PC Sequencer
- MOTU MIDI Express | PC MIDI Interface
- MOTU MTP AV | MIDI Interface/Patchbay/Synchroniser
- MOTU PC-MIDI Flyer & Pocket Express | Parallel Port MIDI Interfaces
- MOTU Performer v5.0 | Sequencer
- MOTU Unisyn | Universal Editor/Librarian
- MTA Intermix | Modular Mixing System
- MUSIC & MOVEMENT | Soundbeam 2 MIDI Performance Controller
- Musitek Midiscan v2.51 | Score To MIDI File Conversion Software
- Mutronics Mutator | Stereo Analogue Filter
- MXL 1006 2003 & V67 | MXL 1006 2003 & V67 Capacitor Microphones
- MXL 2001 | Cardioid Capacitor Microphone
- MXL V77S | Vintage Series Tube Microphone
- Nashville High-strung Guitars | Sample Library
- NATIVE INSTRUMENTS ABSYNTH | Native Instruments Absynth Stand-alone/Plug-in Software Synth For Mac
- Native Instruments B4 Tonewheel | Organ Plug-in
- Native Instruments Dynamo | Virtual Instrument
- Native Instruments Generator 1.5 | Software Synth
- Native Instruments Reaktor 2 | Software Synth/sampler
- Neil Conti: Funky Drums From Hell | Sample Library
- Nemesys Gigasampler v1.5 | PC Software Sampler
- Nemesys Music Technology Gigasampler 160 | Software Sampler
- Neumann KMS105 | Vocal Condenser Microphone
- Neumann M147 | Tube Studio Condenser Microphone
- Neumann TLM103 | Cardioid Condenser Microphone
- Neumann TLM50 | Capacitor Microphone
- Nevaton MC51 | Capacitor Microphone
- New World Order Journey 1 | Sample Library
- New World Order Journey 2 | Sample Library
- New York City Drumworks | Sample Library
- New York City Percussion Works | Sample Library
- NHT 1.3A | Nearfield Monitors
- NINE LIVES | AVI Pro Nine Monitors
- No Kick | Sample Library
- No Kick 2 | Sample Library
- NOVATION A-STATION | Novation A-Station Polyphonic Virtual Analogue Synthesizer
- Novation BassStation | Rack Analogue Synth
- Novation BassStation | Analogue Bass Synth
- Novation DrumStation | Drum Synth Module
- Novation Nova | Polyphonic Synthesizer
- NOVATION NOVA OS V4 | Novation Nova OS v4
- Novation Super Bass Station | Analogue Synth
- Novation Supernova | Polyphonic Synthesizer Module (Preview)
- Novation Supernova ASM | Polysynth
- Novation Supernova II | Modelling Workstation
- NTI Nightpro EQ3D | Dual-channel Equaliser
- Ntonyx Style Enhancer | PC MIDI Sequencer Aplication
- Ntonyx Style Morpher 2.4 | MIDI Arrangement Software
- Nu Groove RnB | Sample Library
- NY Cutz 2 - Off Da Hook | Sample Library
- Oberheim Eclipse Electronic Piano & OB3 Drawbar Organ Module | Instruments
- Oberheim Far | Resynthesis Technology (Preview)
- Oberheim Matrix 1000 | Analogue Synth Module
- Oberheim OB Series | Analogue Synthesizers (Retro)
- Oberheim OBMx | Analogue MIDI Synth Module
- Oberheim Xpander | Analogue Synth Module (Retro)
- Oberheim/Viscount MC3000 & MC2000 | Controller Keyboards
- Oberheim/Viscount Minigrand | Piano Module
- Oberheim/Viscount OB12 | Analogue Modelling Synth
- Oberheim/Viscount OB3-squared | Tonewheel Organ Module
- Octave Cat, Kitten & Voyetra | Synthesizers (Retro)
- Oktava MK011 | Capacitor Microphone
- Oktava MK012 | Capacitor Microphone
- Oktava MK219 | Capacitor Microphone
- Oktava ML52 | Ribbon Microphone
- Old School Flavours Vol. 1, 2 & 3 | Sample Library
- Old School Flavours Vol. 2: Vintage Soul | Sample Library
- Oliver Lieb Samples | Sample Library
- Omniphonics Footprint Series 75 | Power Amplifier
- On A Jazz Tip | Sample Library
- Opcode DATport | USB Digital Interface
- Opcode Digitrax, OSC Deck II & Digidesign Session | Apple Mac Software Roundup
- Opcode Overture | Notation Software
- Opcode Studio 64X | Cross-platform MIDI Interface
- Opcode Studio 64XTC | MIDI Interface/Patchbay/Digital Synchroniser
- Opcode Studio Vision Pro 4 | MIDI + Audio Sequencer
- Opcode Studio Vision Pro v3.0 | Software
- Opcode Studio128X | Cross-platform MIDI Interface
- Opcode Vision 2.0.3 | Sequencing Software
- Opcode Vision 2.5 | Software
- Opcode Vision DSP v4.1 | Sequencer
- Optifile Drax | VCA Mixing Automation System
- Oram HI-DEF 35 Limited Edition | Equaliser
- Oram Octasonic Precision | Octal Mic Preamp
- Oram S80 | Producer Box
- Orchestral Sample CDs | Sample CD Buyer's Guide
- Orgon Systems Energiser | Analogue Synthesizer
- Orient Odyssee | Sample Library
- Otari RADAR II | Tapeless Multitrack Digital Recording System
- OWL ROUND | EMES Owl System Stereo Monitor & Violett HR Nearfield Monitor
- Oxford Synthesizer Company Oscar | Synthesizer (Retro)
- Oz Audio Q-MIX HM6 | Headphone Amp
- PACKING A PUNCH | Drawmer DS501 Powergate Processor
- Panasonic SV3800 | Professional DAT Recorder
- Parker MIDIFly | Guitar
- Pascal's Bongo Massive | Sample Library
- Passport Alchemy 3 | Sample Editor
- PC Dance Tools | Sample Library
- PC MP3 Software For Musicians | Buyer's Guide
- Peavey Addverb III | Digital Stereo Effects Processor
- Peavey DeltaFex | Digital Stereo Effects Processor
- Peavey DPM C8 | Master Keyboard
- Peavey PC1600X | MIDI Command Station
- Peavey PVM T9000 | Valve Microphone
- Peavey PVM480 | Back-electret Capacitor Mic
- Peavey Spectrum Bass II | Digital Phase Modulation Synthesizer
- Peavey Unity 500 | 14-channel Compact Mixer
- Peavey Valvex | Stereo Tube Mixer
- Peavey VMP2 | Dual-channe Tube Preamp
- Penny & Giles DC16 | MIDI Controller
- Percussion Slam | Sample Library
- Percussive Adventures | Sample Library
- PERFECT FIFTH? | Focusrite Platinum Penta Preset Stereo Compressor
- Peter Ewers' Symphonic Organ | Sample Library
- Peter Siedlaczek's Advanced Orchestra Compact Edition | Sample Library
- Peter Siedlaczek's Advanced Orchestra Vol. 1-5 | Sample Library
- Peter Siedlaczek's Orchestral Colours | Sample Library
- Peter Siedlaczek's Smart Violins | Sample Library
- Peter Siedleczek's Advanced Orchestra | Sample CD Buyer's Guide
- Peter Siedleczek's Orchestra | Sample CD Buyer's Guide
- Peter Siedleczek's Orchestra Plus | Sample CD Buyer's Guide
- Peter Siedleczek's Orchestral Colours | Sample CD Buyer's Guide
- Peter Siedleczek's Upgrade '97 | Sample CD Buyer's Guide
- PG Music Band-in-a-box | Auto-accompaniment Software
- Phat & Phunky | Sample Library
- Phatter Phunkier | Sample Library
- Philip Rees C16 | MIDI Controller
- Philip Rees Little 2M, 5M & 9M | MIDI Mergers
- Philip Rees Little MCV | MIDI-CV Converter
- Philip Rees TS1 | MIDI Tape Sync Unit
- Philip Wolfe Rock Keyboard Vol. 1 | Sample Library
- Philips CDR775 | CD-Writer
- Philips CDR870 | CD Writer
- Philips DCC170 | Digital Recorder
- Philips DCC730 | Digital Recorder
- Phonic M1642 | 16-Channel Mixing Console
- Phonic PLC 3200 | Compressor/Limiter
- Pilchner-Schoustal Acoustic X | Room Acoustic Optimisation Software
- Pioneer D9601 | High Sampling Rate DAT Recorder
- Pitbull Jungle Loops | Sample Library
- PLAY MC FOR ME | Roland MC307 Groovebox
- PLUG BOARD | Universal Audio UAD1 Plug-in DSP Card For PC
- Plug-in Folder | Product Roundup
- PMC AML1 | Active Reference Monitors
- PMC FB1 | Floor-standing Monitor Loudspeakers
- PMC TB2S & XB1P | Nearfield Monitors & Subwoofer
- Pod | Sample Library
- Polestar Magnetics Drum Tools | Sample Library
- Polestar Magnetics XL1+ | Sample Library
- Pop, Rock, R&B; Vol. 1 | Sample Library
- Portable Digital Multitrack Recorders | Buyer's Guide
- Portasol Technic Gas Soldering Iron; Sounds OK K2000 Sound Software | Product Roundup
- Power Computing P120 | Macintosh Clone
- Power Master Hard Disk Drive System; Cubase Power Users Guide | Widgets
- Power Technology DSP-FX | Digital Effects Processor
- POWER TO YOUR POCKET? | Hoontech Soundtrack Audio DSP24 & ADC/DAC2000 PC Recording Interface
- PPG Wave 2.3 & Waveterm B | Synthesizer/Sampler (Retro)
- Presence Audio ZYP A2S | Miniature Nearfield Monitors
- Presoniq Time Factory | Time-shifting Software
- PreSonus Blue Max | Smart Compressor
- PreSonus DCP8 & ACP8 | 8-channel Dynamics Processors
- Presonus VXP | Voice Channel
- PRO CHOICE? | Steinberg Nuendo v1.5.2 Multitrack Recording Software For Mac
- Pro Tools 24 Mixplus | Digital Audio Workstation
- Product Roundup | Product Roundup
- PROG SPAWN! | The Rise And Fall Of Rocky Mount Instruments (Retro) Gordon Reid
- Propellerhead Software Reason | Virtual Music Studio
- Prosoniq Orange Vocoder | Plug-in Zone
- Prosoniq Sonicworx Artist | Audio Editing Software
- Prosonix 48-Way Bantam Patchbay, Music House Data Products Powermaster Rackmac C2 Apple Rackmount Kit, Nureality Vivid 3D Stereo Enhancement System, Roland MC50 Operations Handbook Level 1 | Product Roundup
- Prosonus The Orchestral Collection | Sample CD Buyer's Guide
- Psychotronic Sounds Of Neuronium | Sample Library
- Pure Energy Clock II Sync; The Arc Musicians' DirectoryPure Energy Clock II Sync; The Arc Musicians' Directory | Widgets
- Pure Guitars | Sample Library
- Pure R'n'B | Sample Library
- Pure Technology Astro Glide 202 | Sample Library
- Purple Audio Inc MC76 | Peak Limiting Amplifier
- QUAD PHONIC | Phonic MR2443 Mixer
- Quantum Leap Brass | Sample Library
- Quasimidi Cyber 6 | Master Keyboard
- Quasimidi Polymorph | Sample-based/DSP Modelling Synthesizer
- Quasimidi Quasar | Synth Module
- Quasimidi Rave-O-Lution 309 | Synthesis System & Sequencer
- Quasimidi Rave-O-Lution 309 Upgrades | Dance Box
- Quasimidi Raven | Synthesizer
- Quasimidi Sirius | Dance Workstation
- Quasimidi Technox | Rackmount Synthesizer
- Quested F11 | Active Nearfield Monitors
- Quested F11P Passive Monitor; Samson Q1 Back-electret Micropone | Studio Essentials
- Quested VS2205 | Active Nearfield Monitors
- Quested VS2205 | Active Nearfield Studio Monitor
- Quickshot MIDI | Composer Keyboard
- RACKTERIAL WARFARE | Access Virus Rack Virtual Analogue Synth Module
- Ramsa WR-DA7 | Digital Mixer
- Rane Mojo MH4 | Headphone Amplifier
- Rane PaqRat | 24-bit Recording Converter
- Rare Instruments | Sample Library
- RBF Software Octamed Soundstudio | Tracker/Sequencer Software
- Real Mega Different | Sample Library
- Reality PC | Software Synthesizer
- Recording On A Budget | Steinberg Cubasis Audio for Windows
- Red Sound Federation BPM FX Pro | BPM Calculator/Effects Processor
- Red Sound Systems Dark Star | Desktop Synthesizer
- Red Sound Systems Voyager 1 Beat Xtractor | DJ Accessory
- Red Submarine | Music Laptop PC
- Retrofunk | Sample Library
- Retrospec Juice Box | Tube DI Unit
- Retrospec Squeeze Box | Valve Compressor
- Rhodes Chroma | Analogue Polysynth (Retro)
- Rhodesattacks | Sample Library
- Ridge Farm Boiler | Compressor
- Ridge Farm Gas Cooker | 2-Channel Tube DI Box
- RME ADI-1 | 2-channel A-D/D-A Converter Box
- RME ADI96 Pro | 4-bit/96KHz A-D Converter
- RME Digi 9652 Project Hammerfall | PCI Soundcard
- Robots & Computers | Sample Library
- Rock History Drum Loops Vol. 1 | Sample Library
- Rocktron Hush IICX | Single-ended Noise Reduction System
- Rode Classic | Valve Microphone
- Rode Classic II | Valve Microphone
- Rode NT1 | Cardioid Capacitor Vocal Mic
- Rode NT1000 | Condenser Microphone
- Rode NT2 | Capacitor Microphone
- Rode NT3 | Studio Condenser Microphone
- Rode NTK | Valve Microphone
- Rode NTV | Valve Microphones
- Rogers DB101 | Nearfield Monitors
- Rogers LS1 | Nearfield Monitors
- Roland 7000-series | 'V-mix' Modular Digital Mixing System
- Roland A33 | 76-note MIDI Keyboard Controller
- Roland A70 | Expandable Controller Keyboard
- Roland A90 | Expandable Controller
- Roland Alpha Juno 1 & 2 (Retro) | Synthesizer
- Roland Audio Producer | RAP-10 PC Sound Card & ATW-10 Software
- Roland D50 | LA Synthesizer (Retro)
- ROLAND DISC LAB CDX1 | Roland Disc Lab CDX1: Multitrack CD Audio Workstation
- Roland DJ2000 | Professional DJ Mixer
- Roland DS90 & V-series | Digital Monitors & Speaker Modelling
- Roland DS90A | Digital Active Monitors
- Roland ED SC8850 Sound Canvas | General MIDI 2/GS Sound Module
- Roland EG101 | Groove Keyboard
- Roland G1000 | Arranger Workstation
- Roland GI-10 | Guitar MIDI Interface
- Roland GR-Series | Guitar Synthesizers (Retro)
- Roland GR09 | Guitar Synth
- Roland GR30 | Guitar Synthesizer
- Roland GR33 | MIDI Guitar Synthesizer
- Roland HPD15 Handsonic | Hand Percussion Pad
- Roland JP8000 | Analogue Modelling Synthesizer (Preview)
- Roland JP8000 | Analogue Modelling synthesizer
- Roland JP8080 | Analogue Modelling Synthesizer
- Roland JS30 | Sample Workstation
- Roland Jupiter | Analogue Polysynths (Retro)
- Roland Jupiter 6 | Analogue Polysynth (Retro)
- Roland JV-Series | Synthesizer Sound Expansion Cards
- Roland JV1010 | Sound Module
- Roland JV2080 | Synth Module
- Roland JV90 & JV50 | Expandable Synthesizers
- Roland JX10 | Super JX Analogue Polysynth (Retro)
- Roland JX305 | Groovesynth
- Roland JX3P | Polysynth (Retro)
- Roland MBD1 | Bass & Drums Sound Expansion Module
- Roland MC202 | Microcomposer (Retro)
- Roland MC303 | Groovebox
- Roland MC505 | Groovebox
- Roland MC8 | Microcomposer (Retro)
- Roland MC80 | Micro Composer Sequencer
- Roland MCR8 | MIDI Multi-Controller
- Roland MRS2 Promars | Analogue Synthesizer (Retro)
- Roland MS1 | Digital Sampler
- Roland MSQ700 | Sequencer (Retro)
- Roland PMA5 | Personal Music Assistant
- Roland RS9 | 64-voice Synthesizer
- Roland RSS10 | Sound Space Processor
- Roland S330 | Digital Sampler (Retro)
- Roland S760 | 16-bit Sampler
- Roland S760 Expansion? | Sampler
- Roland Sample Archives | Sample CD Buyer's Guide
- Roland SC50 | General MIDI Sound Module
- Roland SC88 | Super Sound Canvas
- Roland SC880 | Sound Canvas GM/GS Module
- Roland SDX330 | Dimensional Expander
- Roland SH09 | Analogue Monosynth (Retro)
- Roland SH101 | Vintage Synth
- Roland SK88 Pro Sound Canvas | Desktop Keyboard
- Roland Sound Canvas SC88 | Pro GM Sound Module
- Roland Sound Expansion Series | Synth Expander Modules
- Roland SP808 | Groovesampler Sampling Workstation
- Roland SP808EX | Sampling Workstation
- Roland SPV355 | P/V Pitch-to-voltage Synth (Retro)
- Roland SRV3030 | Reverb Unit
- Roland Super JV1080 | Expandable Synthesizer Module
- Roland System100M | Modular Synth (Retro)
- Roland TR626 | Rhythm Composer (Retro)
- Roland TR808 | Rhythm Composer (Retro)
- Roland TR909 | Rhythm Composer (Retro)
- Roland UA100 | Audio Canvas
- Roland V-Drums | Electronic Drums
- Roland V-Drums/TD10 | COSM-modelled Drum System (Preview)
- Roland VA7 | Arranger Keyboard
- Roland VG8 | V-Guitar System (Preview)
- Roland VG8 | Virtual Guitar System
- Roland VG88 | V-guitar System
- Roland VGA7 | Modelling Guitar Amplifier
- Roland VK1 Drawbar | Organ (Retro)
- Roland VK7 | Virtual Modelling Tonewheel Organ
- Roland VM3100 | Pro V-Mixing Stations
- Roland VP330 | Vocoder Plus (Retro)
- Roland VP9000 | Variphrase Processor
- Roland VS1680 | 24-bit Digital Studio Workstation
- Roland VS1880 | 24-bit Studio Workstation
- Roland VS840 | Digital 8-track Workstation
- Roland VS880 | Digital Multitrack Recorder (Preview)
- Roland VS880 | V-Xpanded Digital Multitrack
- Roland VS880 & VS8F1 | Digital Multitrack & Effects Board
- Roland VS880 S2 | CD-writing Upgrade
- Roland XP30 | 64-voice Expandable Synthesizer
- Roland XP50 | Music Workstation
- Roland XP80 | Music Workstation
- Roland XV3080 | Sound Module
- Roland XV5080 | Rack Synthesizer/sample Playback Module
- Roland XV88 | Synthesizer
- Roland/Edirol U8 | USB Digital Studio
- Rolls Patchwork RP93; P&R; Wall Box | Widgets
- Rolls RP220 & ADB3 | Mic Preamp & DI Box
- Roni Music Sequencing Software (Atari ST, TT, Falcon) | 16-track Sequencer
- Roots Of India | Sample Library
- Roots Of South America | Sample Library
- Roots Of The Pacific | Sample Library
- Ross RCS1602 | 16-Channel Mixing Console
- Ross RX-NR4 | 4-Channel Noise Reduction
- Ross RX15S | Stereo 15-band Graphic Equaliser
- Ross's Rising Funk | Sample Library
- Royer R121 | Studio Ribbon Microphone
- SADiE 3 | DAW
- Samick KK1L | MIDI Master Keyboard
- Sample Buyer's Guide | Tips & Tricks
- Sample CD Buyer's Guide | Product Roundup
- Sample Compilation | Sample Library
- Sample Material | Sample Library
- Sample Shop's Golden Greats | SOS Desert Island Discs
- SAMPLE SURGEON | Boss Dr Sample SP303 Phrase Sampler
- Sampleheads: Dave Samuels Marimba & Vibes | Sample CD Buyer's Guide
- Sampler Buyer's Guide | Feature | Tips & Tricks
- Sampler Memory Problems — High Risk RAM | Tips & Tricks
- Sampling From Scratch — The Basics | Tips & Tricks
- Sampling Sound System Vol. 1: Popped | Sample Library
- Sampling Sound System Vol. 4: Brushed | Sample Library
- Sampling Sound System Vol. 4: House | Sample Library
- Sampling Sound System Vol. 5: G-Soul | Sample Library
- Sampling Sound System Vol. 6: Country | Sample Library
- Sampling Sound System: Roots Reggae | Sample Library
- Sampling Tips | Tips & Tricks
- Samson Mixpad 9 | Mini Mixer
- Samson MPL2242 | 22-Input Rackmounting Mixer
- Samson PH60, RH100, RH300 & RH600 Headphones; Adaptec USBXchange USB-to-SCSI Converter | Studio Essentials
- Samson PL2404 | 4-Buss Line Mixer
- Samson Q5 | Headphone Amplifier
- Samson S11 | Dynamic Microphone
- SCI Pro1 | Analogue Monosynth (Retro)
- Score Draw | Sibelius Scorewriting Software
- Scoring Tools | Sample Library
- Scoring Tools Volume 1 | Sample CD Buyer's Guide
- SD Systems STM99 | Instrument Microphone System
- Seasound Solo EX | Computer Recording System
- Seismic Frequencies | Sample Library
- SEKD Prodif 96 | PCI Soundcard
- SEKD Samplitude 2496 | Audio Editing & Mastering Software
- SEKD Samplitude Studio | PC Hard Disk Recording Software
- SEKD Siena | PC Soundcard
- Sennheiser Evolution Series | Vocal Microphones
- Sennheiser MD504, MD421, K6P/ME64 | Drum Mics
- Sennheiser MKH800 | Extended-bandwidth Studio Microphone
- Sequential Circuits | Prophet Synthesizers 5 & 10 (Retro)
- Sequential Prophet 3000 | 16-bit Stereo Sampling System (retro)
- Sequential Prophet T8 | Analogue Polysynth (Retro)
- Sequential Prophet VS | Vector Synthesizer (retro)
- Shawn Lee's Beneath The Planet Of The Breaks | Sample Library
- Shawn Lee's Planet Of The Breaks | Sample Library
- SHER DELIGHT | Sherman Filterbank 2 Processor
- Sherman Filterbank | Analogue Filter Bank
- Shure Beta Series | Dynamic & Back-electret Microphones
- Shure KSM32 | Cardioid Condenser Microphone
- Shure KSM44 | Multi-pattern Capacitor Microphone
- SIGMA ENIGMA | Korg Sigma Analogue Monosynth
- Signex Isopatch CPJ48 | 48-way Patchbay
- Silver 5L | Closefield Monitors
- SIMPLY MASTERFUL | Studiomaster 162BP Rackmount Mixer
- Skinned | Sample Library
- Skinny Puppy | Sample Library
- Skippy's Big Bad Beats | Sample Library
- Slam On The Breaks | Sample Library
- Sly Dunbar's Reggae Drumsplash | Sample Library
- SMALL IS BEAUTIFUL | Yamaha QY100 Music Sequencer
- SMALL WONDER | Boss BR532 Digital Studio
- Smart Research C2 | Compressor
- Smart Sound P1000B & P2000 | Mains Power Conditioners
- Smartlight SL600S | Studio Power Amplifier
- Smokin' Beats With Attitude | Sample Library
- Smoov Grooves | Sample Library
- SOFTLY SOFTLY | Steinberg HALion
- Software Technology VAZ Modular 2.1 | Software Synth/Sampler
- Solton MS40 | Multimedia Music Station
- Sonic Foundry Acid | Loop-based Music Production Tool
- Sonic Foundry Acoustic Modeler | DirectX Plug-in
- Sonic Foundry CD Architect | Software
- Sonic Foundry Sound Forge 3 | Digital Audio Editing Software
- Sonic Foundry Vegas | Multitrack PC Editing System
- Sonorus StudI/O | Soundcard
- Sony DMX R100 | 8-buss Digital Console
- Sony DPS V55m | 4-channel Multi-effects Processor
- Sony DPSV77 | Multi-effects Processor
- Sony DRE S777 | Sampling Digital Reverb
- Sony DRE S777 | Sampling Reverb (Preview)
- Sony DRE S777 Sampling Digital Reverb 2 | Reverb Processor
- Sony DTCA9 | DAT Recorder
- Sony HR-MP5 | Multi-effects Processor
- Sony MDMX4 | Digital Multitracker
- Sony MDS JE520 | Minidisc Recorder
- Sony PCMR300 | DAT Recorder
- Sony PCMR500 | Professional DAT Recorder
- Sony SMS1P | Sony SMS1P Powered Monitors
- Sound Cube | Sample Library
- Sound Effects: Action/Adventure | Sample Library
- SOUND FORGE V5AUDIO EDITOR FOR PC | Sonic Foundry Sound Forge v5 Audio Editor For PC
- Sound Quest MIDIQuest | Universal Editor/Librarian
- Sound Spectral | Sample Library
- Soundcraft Folio Rac Pac | Mixer
- Soundcraft Ghost | 8-buss Automated Mixing Console
- Soundcraft Spirit Studio LC | Multitrack Mixer
- Soundfield SPS422 | Microphone
- Soundfield ST250 | Stereo Microphone
- Sounds Of Sumatra | Sample Library
- SOUNDS OF THE '80S | Sounds of the '80s Part 2: The Yamaha DX1 & Its Successors (Retro)
- Sounds OK Dreamwaves Korg; Atacama Pro 10; BCK Footpedals | Wavestation Sound Cards; Speaker Stands; Footpedals
- Soundscape Mixtreme & SS8IO-3 | PCI Digital Audio Card & Analogue Interface
- Soundscape R.Ed | PC-based Computer Recording System
- Soundscape SSHDR1+ | Hard Disk Recording System
- SoundTech PL200 | Power Amplifier
- SoundTech PL602 | Power Amplifier
- Soundtech ST1602 | Quantum Mix Compact MIxer
- Soundtracs RX8 | 8-buss Mixing Console
- Soundtracs Topaz | Macro Mixer
- Soundtracs Topaz | Multitrack Recording Console
- Soundtracs Topaz 14:4 | 4-buss Compact Mixer
- Soundtracs Topaz Mini | Stereo Recording Mixer
- Soundtracs Topaz Project 8 | Mixer & Automation Software
- SPARK FM MACHINE | TC Works Spark FX Machine SE Mac VST Wrapper Utility
- Spatializer HTMS 2510 | 3D Sound Processor
- Spatializer PT3D | TDM Spatial Enhancement Plug-in
- Spectral Audio Neptune | Analogue Synthesizer
- Spectral Audio ProTone | Monosynth
- Spectral Audio Syntrack | Analogue Filter/Synthesizer
- Spendor QT100 | Nearfield Monitors
- Spendor SA200 | Active Monitors
- Spirit 324 | Live Digital Mixing Console
- Spirit 328 | 8-buss Digital Mixer
- Spirit Absolute 2 | Nearfield Monitors
- Spirit Absolute 4P | Active Monitors
- Spirit Absolute Zero | Nearfield Monitors
- Spirit Digital 328 | 8-buss Digital Mixing Console (Preview)
- Spirit Folio F1 | 14/16-input Mixer
- Spirit Folio Lite | 12:2 Mixer
- Spirit Folio Notepad | 10-input Micro Mixer
- Spirit Folio SX | 20-Input Mic-line Mixer
- Spirit PowerStation | Powered Mixer
- Spirit Protracker | 8-channel Mixer
- SPIRITUAL ENLIGHTENMENT | Crumar Spirit Analogue Monosynth (retro)
- Spiritual Voices | Sample Library
- SPL Auto Dynamic De-esser | Studio Processor
- SPL Channel One | Valve Voice Channel
- SPL Charisma | 8-channel Valve Signal Processor
- SPL Dual-channel | Valve Signal Processor
- SPL Dynamaxx | Compressor/Decompressor/Limiter/Gate
- SPL EQ Magix | Mic Preamp/Equaliser
- SPL Gold Mike | Microphone Preamp
- SPL Machine Head | Digital Tape Saturation Emulator
- SPL MikeMan | Mic Preamp
- SPL Optimizer | Equaliser
- SPL Qure | Parametric Equaliser
- SPL Stereo Vitalizer Jack | Psychoacoustic Enhancer
- SPL Stereo Vitalizer MkII | Vitalizer
- SPL Transient Designer | Dynamics Processor
- SPL Transient Designer 2 | 2-channel Dynamics Processor
- SPL Tube Vitalizer | Psychoacoastic Enhancer
- SPL Vitalizer MK2-T | Psychoacoustic Enhancer
- Srictly R&B; | Sample Library
- Steinberg Avalon 2 | Atari Sample Editor (Retro)
- Steinberg Clean! | PC Audio Restoration & CD Burning Software
- Steinberg Cubase Score | Software
- Steinberg Cubase VST | Audio Sequencer
- Steinberg Cubase VST 3.7 | MIDI + Audio Sequencer
- Steinberg Cubase VST 4 | Audio Sequencing Software
- Steinberg Cubase VST v3.5 | Software
- Steinberg Cubase VST5.0 | Multitrack Recording & Sequencing Software
- Steinberg Cubasis VST | Digital Recording Software
- Steinberg GRM Tools | Plug-in Suite
- Steinberg LM4 | 24-bit VST Drum Module
- Steinberg Midex 8 | MIDI Interface
- Steinberg Model E & Pro Five | VST Instruments
- Steinberg Nuendo | Computer Recording System
- Steinberg ReCycle | Sample Manipulation Software
- Steinberg Red Valve It TDM | Guitar Preamp Plug-in
- Steinberg Time Bandit | Time Stretching & Pitch Shifting Software
- Steinberg Wavelab | Digital Recording & Editing Software
- Steinberg Wavelab 1.5 | Audio Editing Software & DSP Plug-ins
- Steinberg Wavelab 3 | Audio Editor & Sound Processor
- Steinberg Wavelab v1.6 | Audio Editor Upgrade
- Steinberg Wavelab v2 | Real-Time Sound Processor
- Steinberg/Propellerhead Rebirth RB338 v2 | Techno Microcomposer Software
- Steinberg/Propellerheads Rebirth RB338 Techno Micro Composer | Software
- Steinberg/Wizoo VST Drum Sessions | Samples
- Steve Gadd Drumscore | Sample Library
- Steve Stevens Guitar Sample Collection | Sample Library
- Steve White On The Beaten Track | Sample Library
- Strictly 12 Inch | Sample Library
- Strictly Hip-Hop | Sample Library
- Strictly House | Sample Library
- Studio Electronics ATC1 | Analogue Tone Chameleon Monosynth (Preview)
- Studio Electronics ATC1 | Analogue Tone Chameleon
- Studio Electronics Omega 8 (Preview) | Analogue Synth
- Studio Electronics SE1 | Analogue MIDI Monosynth
- STUDIO ESSENTIALS | Dbx Mini Pre / Mastering Engineer's Handbook
- Studio Essentials | Product Roundup
- STUDIO ESSENTIALS | Antares ATRIA Autotune Intonation Processor
- Studio Essentials | Product Roundup
- STUDIO ESSENTIALS | Digital Recording CD-Check
- STUDIO ESSENTIALS | Project Studios: A More Professional Approach
- Studio Essentials | Studio Essentials
- Studio Essentials | Product Roundup
- STUDIO ESSENTIALS | The Reel World: Scoring For Picture
- STUDIO ESSENTIALS | Chordwizard Guitar Chord-finding Software For PC
- Studio Essentials | Product Roundup
- STUDIO ESSENTIALS | Digital Recordings Audio-CD Hearing Test CD
- STUDIO ESSENTIALS | Marantz CDR770 CD Recorder
- Studio Essentials | Product Roundup
- Studiomaster Mixdown Classic 8 | 8-buss Mixer
- Sunrise Audio Workstation | Digital Recording System
- Sunrise Software PC Drummer | Drum Programming Software
- SUPER SONAR | Cakewalk Sonar digital multitrack recording system for PC
- Supreme Beats Vol. 1-4 & 5 | Sample Library
- Swinging | Sample Library
- Swissonic USB Studio D | Stereo Mixer/Computer Interface
- SX CRIME! | Teisco SX400 Analogue Synthesizer (retro)
- Symetrix 551E | 5-band Parametric Equaliser
- Symetrix 606 | Dual-channel Delay
- Symphonic Adventures | Sample CD Buyer's Guide
- Symphonic Adventures | Sample Library
- Symphonic Fields Forever | Sample Library
- Symphony Of Voices | Sample Library
- Synchro Arts Vocalign AS | Time-shifting Software
- Synclavier S Link 2.0 | Audio File Format Conversion Software
- Synclavier Sample Library | Sample CD Buyer's Guide
- Synclavier Sampler Library | Sample Library
- Syntec Super Strings | Sample CD Buyer's Guide
- Syntecno TeeBee | Analogue Synth Module
- Syntecno TeeBee Mark II | Analogue Monosynth
- Synth Collector | Sample Library
- Synton Fenix | Patchable Analogue Synthesizer
- Syntonic Generator | Sample Library
- Syntrillium Cool Edit 96 | Software
- Syntrillium Software Cool Edit Pro | Audio Editor
- SyQuest EZ135 | Removable External SCSI drive
- SyQuest EZFlyer 230 | Removable External 230MB Drive
- TANKS FOR THE MEMORY | IK Multimedia Sampletank XL Virtual Sound Module VST Instrument For Mac & PC
- Tannoy PBM5 II | Nearfield Monitors
- Tannoy Reveal | Active Studio Monitors
- Tannoy Reveal | Nearfield Monitors
- Tannoy System 600 | Nearfield Studio Monitors
- Tannoy System 600A | Active Monitor
- Tascam 302 | Dual Cassette Deck
- Tascam 414 | Portastudio
- Tascam 424 MkIII & 414 MkII | Portastudio
- Tascam 488 MkII | 8-track Portastudio
- Tascam 564 | 4-track MiniDisc Portastudio
- Tascam 564 | Digital MiniDisc Portastudio (Preview)
- Tascam 788 | Digital Portastudio
- Tascam CD-RW5000 | Compact Disc Recorder & Tascam CD Duplicator
- Tascam DA-20 | Digital Audio Tape Recorder
- Tascam DA20 MkII | DAT Recorder
- Tascam DA30 MK II | Professional DAT Recorder
- Tascam DA302 | Dual DAT Deck
- Tascam DA38 | Digital Recorder
- Tascam DA45HR | 24-bit DAT Recorder
- Tascam DA78HR | 24-bit Digital Multitrack Recorder
- Tascam DA98 | Digital Multitrack Recorder
- Tascam DAP1 | Portable DAT Machine
- Tascam M-2600 | Recording Console
- Tascam M1600 | Series Mixing Console
- Tascam MO8 | 12-channel Mini Mixer
- Tascam MX2424 | 24-track Hard Disk Recorder
- Tascam PE40 | Parametric EQ
- Tascam Portastudio 424 MkII | Portastudio
- Tascam TMD1000 | Digital Mixer
- Tascam TMD4000 | Digital Mixer
- Tascam TMD8000 | Digital Console
- Tascam US428 | USB Digital Recording Interface
- TC Electronic 1210 | Spatial Expander & Stereo Chorus/Flanger (Retro)
- TC Electronic D-two | Digital Delay
- TC Electronic Finalizer | Studio Mastering Processor
- TC Electronic Finalizer 96K | Mastering Processor
- TC Electronic Finalizer Express | Mastering Processor
- TC Electronic FireworX | Signal Processor
- TC ELECTRONIC G MAJOR | TC Electronic G Major Guitar Effects Processor
- TC Electronic Gold Channel | Stereo Signal Conditioner
- TC Electronic Intonator | Vocal Pitch-correction Processor
- TC Electronic M One | Dual-Channel Effects processor
- TC Electronic M2000 | Digital Effects Processor
- TC Electronic M3000 | Studio Effects Processor
- TC Electronic Triple C | Dynamics Processor
- TC Electronic Unit.Y | Yamaha 02R Co-processor Card
- TC Electronics G Force | Guitar Effects Processor
- TC Works Mercury 1 | Monophonic Software Synth
- TC Works Native Essentials | EQ & Plug-In Software
- TC Works Spark | Modular Virtual Synthesis Software
- TC Works Spark 1.5 | Audio Editor
- TC-HELICON VOICEPRISM PLUS | TC-Helicon Voiceprism Plus: Vocal Formant Pitch Processor
- TDM Software Plug-ins | Digidesign Pro Tools, Part 1
- TDM Software Plug-ins | Digidesign Pro Tools, Part 2
- TEAC CD-R50S | CD-writer
- Tech 21 Sansamp PSA1 | Guitar Amp Simulator
- Tech 21 Sansamp XXL | Hi-tech Overdrive Unit
- Technics KN5000 | Auto-accompaniment Keyboard
- Technics SX-WSA1 | Acoustic Modelling Synthesizer
- Technics SX-WSA1 | Acoustic Modelling Synthesizer (Preview)
- Technics SX-WSA1R | Acoustic Modelling Synth Module
- Techno Mage Life | Interactive Sound Generator
- Techno Toolbox | Sample Library
- Technosaurus Microcon & Cyclodon | Analogue Monosynth & Sequencer
- Technosaurus Selector | Modular Synthesizer
- Tekno Industrial | Sample Library
- Terminalhead Underfire Vol. 1 | Sample Library
- Terrasonde Audio Toolbox | Test & Measurement Set
- TERRASONDE AUDIO TOOLBOX PLUS | Terrasonde Audio Toolbox Plus: Audio Test & Measurement Set
- Terratec Audiosystem EWS64 | XL PC Soundcard
- Terratec Audiosystem EWS64 XXL | PC Soundcard
- Terratec EWS88MT | PCI Soundcard
- That Jungle Flavour | Sample Library
- That Jungle Flavour Vol. 2 | Sample Library
- The Bass Appetiser | Sample Library
- The Best Of Everything: Vol. 1 | Sample Library
- The Chill Out Room | Sample Library
- The Cosmos | Sample Library
- The Definitive Percussion Sampler Vol. 1: Steve Reid | Sample Library
- The Digital Kitchen's Definitive Grooves | Sample Library
- The Drum Doctor's Drums 2: Ross Garfield | Sample Library
- The Drummers Of Motown | Sample Library
- The Electro Jazz Retro Funk Thing | Sample Library
- The Hammond Organ: Beauty In The B & Lovetone Wobulator | Book & Stereo Vibrato/Tremolo Pedal
- THE MEANS OF PRODUCTION | Yamaha RS7000 Music Production Studio
- The Ultimate Piano Collection Vols. 1-3 | Sample Library
- The Vinyl Frontier | Sample Library
- Thermionic Culture Phoenix | Valve Compressor
- Things That Go Bump In The Night | Sample Library
- Time Signature WaveIt Soundfonts & Wien Editor | Sound Bytes
- TL Audio 02031 | Indigo Valve Overdrive
- TL Audio 2011 & 2012 Indigo Range | Valve Equalisers
- TL Audio C1 | Valve Compressor
- TL Audio C2021 | Indigo Tube Compressor
- TL Audio Crimson 3011 & 3012 | 4-band & Parametric EQs
- TL Audio Crimson 3013 | Parametric Equaliser
- TL Audio Crimson C3021 | Tube Compressor
- TL Audio Crimson PA 3001 | Mic Preamp
- TL Audio Fat Man Fat 1 | Stereo Valve Compressor
- TL Audio Hybrid | Tube Preamp
- TL Audio Indigo VP2051 & PA2001 | Valve Voice Processor & Valve Preamp
- TL Audio Ivory | Parametric Equaliser
- TL Audio Ivory 5050 & 5001 | Valve Preamp & Mic/Line Amp
- TL Audio Ivory C5021 | 2-channel Valve Compressor
- TL Audio Ivory Series VP5051 | Valve Processor
- TL Audio VI-1 | Valve Interface
- TL Audio VTC | Valve Technology Console
- TLA Dual | Mic Preamp/DI Box
- TLA EQ2 | Parametric Valve Equaliser
- Tony Mason... Steamin' | Sample Library
- Top Secret Guitars | Sample Library
- Total Drum & Bass | Sample Library
- Total Funk | Sample Library
- Total Hip Hop | Sample Library
- Total House | Sample Library
- Touched By Sound DRM1 Syncussion | Analogue Percussion Synth
- Touched By Sound VSR3 & Tascam CD-D4000 MkII | Studio Essentials
- TOY STORY? | Yamaha AN200 Desktop Virtual Analogue Control Synthesizer
- TR808 & TR909 | Sample Library
- Tracer Technologies DART Pro | Noise Reduction Software
- Trancewaves Vol. 1 & Red Sound Systems Micro BPM | Wavestation Soundcard & Headphone Amp/BPM Counter
- Travelogue: Out Of Africa 1 | Sample Library
- TRIBAL RHYTHMS | Korg EM1 Electribe Music Production Station
- TSC Nashville Mac Clone | Music Workstation
- Tube Amp Book; CIS GT Pro | Widgets
- Turning Sample CDs Into Music | Tips & Tricks
- Turtle Beach Monte Carlo | PC Sound Card
- Turtle Beach Montego A3D | Xtream PC Soundcard
- Turtle Beach Quad | 4-Track Digital Recording Software
- Turtle Beach Sample Vision | Sample Editing Software
- Turtle Beach Systems Multisound Pinnacle & Fiji | PC Soundcards
- Twango Emotive Response | Modelling System (Preview)
- Twisted City | Sample Library
- Typhoon OS, Yamaha TX16W | Alternative Operating System For Sampler
- Ultimate Orchestral Percussion | Sample Library
- Ultimate Timpani | Sample Library
- Ultra Freakin Bass: Will Lee Bass Library Vol. 2 | Sample Library
- Uncivilised G'Rooves | Sample Library
- Underground Garage | Sample Library
- Understanding Sampler Features | Tips & Tricks
- UNIVERSAL APPEAL | Universal Audio 1176LN Limiting Amplifier
- Vestax HDR6 & HDR4 | Digital Hard Disk Recorders
- Vestax HDRV8 | 8-track Hard Disk Recorder
- Videologic Systems Sirocco Pro | Loudspeakers
- Vimage Vpower PF G3/240 | Processor Upgrade
- Vindaloops | Sample Library
- Vintage | Sample Library
- Vintage & Valves Bluesy Guitars | Sample Library
- Vintage Keyboards | Sample Library
- Vintage Rhythm | Sample Library
- Vintage Time Traveler | Sample Library
- VINTAGE VALUES | Trident MTA 'A'-range Dual Discrete Channel
- Vinylistics | Sample Library
- Vinylistics Vol. 3 | Sample Library
- Virtual Analogue Vol. 1 | Sample Library
- VIRTUALLY EVERYTHING? | Roland VS2480 Digital Studio Workstation
- Viscount EFX10 | Multi-effects Processor
- Viscount EFX100 | Multi-effects Processor
- Viscount Gammaverb Reverb | Processor
- Viscount MF01 Song Worker | Active Data Filer/GM Module
- Viscount RD70 | MIDI Data Filer & Sequence Playback Unit
- Viscount RD800 | MIDI Data Filer
- Vocal Pearls | Sample Library
- Vocal Planet | Sample Library
- Vocal XTC | Sample Library
- Voice Fusions | Sample Library
- Voice of Native America | Sample Library
- Voyetra MIDI Orchestrator Plus | Windows MIDI Sequencer
- Waldorf D-Pole Filter | Module Plug-in
- Waldorf EMES Blue | Nearfield Monitors
- Waldorf Gekko | Chord Memoriser & MIDI Trigger
- Waldorf Micro Q | Polyphonic Rack Synth
- Waldorf Microwave 2.0 | Wavetable Synthesizer
- Waldorf Microwave II | Wavetable Synthesizer
- Waldorf Microwave XT | Wavetable Synth
- Waldorf Microwave XTK | Wavetable Synthesizer
- Waldorf Miniworks | 4-pole Filter
- Waldorf PPG Wave 2.V | Wavetable Synth VST Instrument
- Waldorf Pulse | Monosynth
- Waldorf Pulse Plus | Monophonic Synthesizer
- Waldorf Q | Analogue Modelling Synthesizer (Preview)
- Waldorf Q | Synthesizer
- Waldorf Q | Rack Workstation & Software
- Waldorf Wave | Analogue/Digital Dynamic Spectrum Wave Table Synthesizer
- Wall Of Vinyl | Sample Library
- Wall Of Vinyl 2 | Sample Library
- Wall Of Vinyl 3 | Sample Library
- WARP THREE | Digitech Genesis 3 Physical Modelling Guitar Preamp
- Watkins Copicat | Echo Unit
- Wave It Synth | Sample Library
- Wave Mechanics Speed | AudioSuite Plug-in
- Waves Audio Track | TDM Plug-in
- Waves DeEsser; Steinberg SPL De-Esser; Drawmer Dynamics; | Plug-in Folder
- Waves Easywaves | PC Directx Plug-in Bundle
- Waves L2 Ultramaximizer | Digital Mastering Limiter
- Waves Maxxbass | Bass Enhancement Plug-in
- Waves Native Power Pack | DSP Processing Plug-ins
- WEATHER REPORT | Arturia Storm v1.5 Mac/PC Software Music Studio
- WEIRD SCIENCE | Native Instruments Spektral Delay Frequency-Based Delay Processor For Mac & PC.
- Westlake BBSM4 | Nearfield Monitors
- Westlake LC 6.75 | Nearfield Monitors
- WHAT A CARILLON! | Carillon Audio Systems AC1 VST Songwriter PC
- Widgets | CIS Studio Desk Pro Mk2; Active Instrument Lead
- Widgets | SKB Pop-Up Mixer Flightcase; Adams Chord Systems
- Widgets | CP Mega EMS 400/500; Sound Foundation Kill Switches
- Widgets | Keyfax Software Twiddly Bits & Twiddly Beats; Vacuum State Electronics Tube Preamp Cookbook
- Widgets | Spectra Dynamics' Advanced Damping/Isolation Polymer; Washburn VGA 15 Guitar Amp
- Widgets | Metrasound SY22; Sound Recording Advice
- Widgets | All You Need To Know About The Music Business; SOS Cable Management Kit
- Wildcat Canyon Autoscore Pro | Audio-To-MIDI Software
- Wilmslow Audio ATC SCMK 100; Sudiospares Wall Box; Atari ST TimeTalk | Widgets
- Workstation Three | Sample Library
- Workstation Vol. 1 | Sample Library
- Workstation Vol. 2 | Sample Library
- World Colours | Sample Library
- X-File Of House | Sample Library
- X-files Of Hip-hop | Sample Library
- X-Files Of Jungle | Sample Library
- X-Static Goldmine 1 | Sample Library
- X-Static Goldmine 2 | Sample Library
- X-Static Goldmine 3 | Sample Library
- X-Static Goldmine 4 | Sample Library
- X-Static Goldmine 5 | Sample Library
- XEN MASTER | Leema Acoustics Xen Ultra-compact Reference Monitors
- Xing Technology Audio Catalyst 2 | Software
- XIX EH1901; CP1902; ME1903 | Enhancer; Compressor; Multi-effects Unit
- XIX Pure 1 & Pure Valve | Microphones
- Xpression! DPM1 | Proactive Powered Monitors
- XSample CD-ROM Library | Sample Library
- Xtortion One | Sample Library
- XX Large: The Killer | Sample Library
- XX Large: The Killer 2 | Sample Library
- XXLarge Extreme 5 | Sample Library
- Yamaha 01V | Digital Mixer
- Yamaha 02R | Digital Recording Console
- Yamaha 02R | Digital Recording Console (Preview)
- Yamaha 03D | Digital Mixing Console
- Yamaha A3000 | Digital Sampler
- Yamaha A3000 v2 | Pro Sampler & Upgrade Kit
- Yamaha A5000 | Sampler
- Yamaha AN1X | Analogue Physical Control Synth (Preview)
- Yamaha AN1X | Analogue Physical Modelling Control Synth
- Yamaha AW4416 | Recording Workstation
- Yamaha AW4416 | Digital Audio Workstation
- Yamaha B1D/G50 | MIDI Bass Interface
- Yamaha CBX-K1 | MIDI Keyboard XG
- Yamaha CBX-K1XG | MIDI Sound Keyboard
- Yamaha CDR1000 | Professional CD Recorder
- Yamaha CDR400TX | CD-R Writer
- Yamaha CS1X | Control Synthesizer
- Yamaha CS2X | Performance Synth
- Yamaha CS6X | Control Synthesizer
- Yamaha CS80 | Polysynth (Retro)
- Yamaha D24 MO | Disk-based High-resolution Digital Multitracker
- Yamaha DB50XG | PC Soundcard Daughter Board
- Yamaha DG Stomp | Modelling Guitar Preamp
- Yamaha DJX II | Dance Music Workstation
- Yamaha DJX Super DJ | Sampling Keyboard
- Yamaha DSP Factory Hard Disk Recording System | Exploration
- Yamaha EX5 | Workstation Synthesizer
- Yamaha FS1R | FM Synthesis/Formant-shaping Tone Generator
- Yamaha FS1R | Editor Software
- Yamaha FX770 | Guitar Effects Processor
- Yamaha G50 | MIDI Guitar Interface
- Yamaha GS1 & DX1 | Part 1: The Birth, Rise and Further Rise of FM Synthesis (Retro)
- Yamaha GW10 | Guitar Effects Pedal System
- Yamaha GX1 Synthesizer, Part 1 | Exploration
- Yamaha GX1 Synthesizer, Part 2 (retro) | Exploration
- Yamaha H3000 | Power Amp
- Yamaha MD4 | Digital Multitracker
- Yamaha MD4S | Multitrack MiniDisc Recorder
- Yamaha MD8 | Multitrack Minidisc Recorder
- Yamaha MDF3 | MIDI Data Filer
- Yamaha MFC10 | MIDI Foot Controller
- Yamaha Motif | Workstation Synthesizer
- Yamaha MSP10 & SW10 | Active Monitors & Subwoofers
- Yamaha MSP5 | Powered Monitors
- Yamaha MT120S | Multitrack Cassette Recorder
- Yamaha MT8X | 8-track Cassette Recorder
- Yamaha MU100R | Tone Generator
- Yamaha MU10XG | GM/XG Sound Module
- Yamaha MU128 | Sound Module
- Yamaha MU15 | GM/XG Mini Sound Module
- Yamaha MU5 | Tone Generator
- Yamaha MU50 & Yamaha CBX-K1 | Tone Generator & MIDI Keyboard XG
- Yamaha MU80 | Tone Generator
- Yamaha MU90R | GM/XG Tone Generator
- Yamaha P150 | Electronic Piano
- Yamaha P200 | Electronic Piano
- Yamaha P50m | Piano Tone Generator
- Yamaha PLG150AN & PLG150PF | Analogue Modelling & Piano Daughterboards
- Yamaha Pro R3 | Digital Reverberator
- Yamaha Promix 01 | Automated Digital Mixer
- Yamaha QS300 | Workstation Synthesizer
- Yamaha QY22 | MIDI Sequencer
- Yamaha QY300 | Music Sequencer
- Yamaha QY70 | Music Sequencer
- Yamaha QY700 | Music Sequencer
- Yamaha QY8 | Music Sequencer
- Yamaha Range: EX7, EX5R, P200, MD8, WX5, DSP Factory (Preview) | Product Roundup
- Yamaha Rev100 | Digital Reverb
- Yamaha Rev500 | Reverb Processor
- Yamaha RM1X | Sequence Remixer
- Yamaha RM800 | Recording Console
- Yamaha RY20 | Rhythm Programmer
- Yamaha RY8 | Portable Rhythm Programmer
- Yamaha RY9 | Drum Machine
- Yamaha S80 | Workstation Synthesizer
- Yamaha Sound Edge | PC Soundcard
- Yamaha SU10 | Stereo sampler
- Yamaha SU200 | Loop Sampler
- Yamaha SU700 | Sampling Workstation
- Yamaha SW1000XG | Audio/MIDI PCI Card
- Yamaha TG300 | General MIDI Tone Generator
- Yamaha TX802 | FM Synth Module (Retro)
- Yamaha TX81Z | FM Synth (Retro)
- Yamaha UX256 | USB MIDI Interface
- Yamaha VL1 | Virtual Acoustic Synthesizer
- Yamaha VL7 | Virtual Acoustic Synthesizer
- Yamaha VL70M | Virtual Acoustic Tone Generator (Preview)
- Yamaha VL70m | Virtual Acoustic Synth Module
- Yamaha W7 | Synthesizer Workstation
- Yamaha WX5 | Wind Controller
- Z Systems Z161R | Detangler
- Zero Phantom Horns | Sample Library
- Zero-G Creative Essentials Series | Sample CD Buyer's Guide
- Zeta Jazz & Synthony | MIDI Violin & MIDI Controller
- Zobel Active One | Active Monitors
- Zoom 1010 Player | Pedalboard Guitar Effects Processor
- Zoom 1202 | Effects Processor
- Zoom 503 | Guitar & Bass Amp Simulator
- Zoom 9002 Pro | Advanced Guitar Effects Processor
- Zoom 9050S | Advanced Instrument Effects Processor
- Zoom 9150 | Valve DSP Guitar Multi-effects Processor
- Zoom GFX8 | Guitar Effects Processor
- Zoom GM200 | Guitar Amp Modeller
- Zoom PS02 | Palm Studio
- Zoom RFX1000 & RFX2000 | Multi-effects Processors
- Zoom RFX300 | Effects Unit
- Zoom Rhythmtrak 123 | Drum Machine
- Zoom RhythmTrak 234 | Drum Machine
- Zoom Sampletrak ST224 | Sampler
- Zoom Studio 1201 | Multi-effects Processor
- Zoom Studio 1204 | Effects Unit
PEOPLE + OPINION
- 15 Years Of Sound On Sound | Special Feature
- 1995 SOS Readers Survey | Exploration
- 1999 SOS Reader Survey Results | Special Feature
- A Journey Through Synthesizer History | Exploration
- A NAIM OF NOTE | Recording For The Naim Label
- A Personal View Of Session Programmers, Part 1: Musicians | Exploration
- A Personal View Of Session Programmers, Part 2: Programmers | Exploration
- Acoustic Treatments For The Project Studio | Feature | Tips & Tricks
- Adrian Utley: Portishead Sound Shaper | Interview | Artist
- ADSL | Cutting Edge
- AL STONE: Recording Jamiroquai's 'Supersonic' | Interview | Producer
- ALAN DOUGLAS: Recording With Eric Clapton | Interview | Engineer
- ALAN FISH-BARNES: What's In A Name? | Sounding Off
- ALAN MOULDER: Recording Nine Inch Nails & Smashing Pumpkins | Interview | Producer/Engineer
- ALESIS: ADAT & The Future Of Technology | Interview | Manufacturer
- Alex Paterson: The Orb, Legal Battles & Orbvs Terrarvm | Interview | Artist
- All About ISDN | Exploration
- All About Library Music | Exploration
- AMBER: TV Music Production | Exploration
- Ambient Techno: Peter Namlook, Mixmaster Morris, Scanner & David Toop | Interview | Artist
- An Introduction To mLAN, Part 1 | Exploration
- An Introduction To mLAN, Part 2 | Exploration
- An Introduction To mLAN, Part 3 | Exploration
- An Introduction To mLAN, Part 4 | Exploration
- Andre Jacquemin: Music Technology Advances | Opinion | Music Production (Production Lines)
- ANDREW BARTA: Tech 21's Solid-state Superhero | Interview | Manufacturer
- Andrew Price: Copyright-free Music | Interview | Artist
- ANDY MCCLUSKEY (OMD): Universal Appeal | Interview | Band
- Andy Pickford: Terraforma, Replicant & Blade Runner | Interview | Artist
- ANDY WRIGHT: Recording Eurythmics' I Saved The World Today' | Interview | Producer
- Ann Dudley: Art Of Noise | Interview | Artist
- APOLLO FOUR FORTY: Ad Astra | Interview | Band
- Aquabats: Chaotic Recording | Interview | Band
- ARCHITECHS: Recording 'Body Groove' | Interview | Band
- ARTHUR BAKER: From Planet Rock To Star Maker | Interview | Artist/Producer
- Article Index, SOS 1985-1994 | Index
- AS ONE (KIRK DEGIORGIO): Adidas Ads, Folklore & Blue Note Jazz | Interview | Artist
- At Home With... Rick Cordes | Interview | SOS Reader
- AUDIA PRODUCTION SERVICES: Music Technology Education | Sounding Off
- AUTECHRE: Techno-logical | Interview | Band
- BANCO DE GAIA: Last Train To Learning | Interview | Artist
- BARRINGTON PHELOUNG: Composing The Inspector Morse Theme & Other TV/Film Music | Interview | Composer
- Barry Adamson: Composing For Film | Interview | Composer
- BBC Radio One FM: On The Net | Exploration
- Behind Pink Floyd | Interview | Engineers
- BEN BARTLETT: Music For Walking With Dinosaurs | Interview | Composer
- BeOS: Possible Implications For Musicians | Cutting Edge
- Beverley Craven: MOR & Love Scenes | Interview | Artist
- Big Briar Etherware & Longwave Instruments Pocket Theremin | Electronic Instrument
- BIG GEORGE WEBLEY: Engineers | Sounding Off
- Bill Katoski: KAT Inc., Percussion & Drum Controllers | Interview | Manufacturer
- BILL LASWELL: Re-shaping The Music Of Miles Davis | Interview | Producer
- Bill Leeb: Front Line Assembly | Interview | Band
- BILL NELSON: BeBop Deluxe & Being 50 | Interview | Artist
- Bill Nelson: Guitar Boy In Wonderland | Interview | Artist
- BILL PADLEY (WISE BUDDAH MUSIC LTD.): Music Production, Recording & Editing For Radio & TV | Interview | Producer
- BIRD & BUSH: Producing Stereophonics | Interview | Producer
- BOB CLEARMOUNTAIN: Master Mixer | Interview | Producer
- BOB MOOG: Pioneering Synths | Interview | Manufacturer
- Bob Moog: Snyth Pioneer | Interview | Manufacturer
- BOB REARDON (LEXICON): Spatial Awareness | Interview | Manufacturer
- BON HARRIS: Programming For The Smashing Pumpkins | Interview | Engineer
- Boris Blank (Yello): Recording Zebra | Interview | Band
- BRENDAN PERRY & QUIVVY STUDIO: Church Music | Interview | Artist/Producer
- BRIAN ENO: Recording James' 'I Know What I'm Here For' | Interview | Producer
- Brian Transeau: EMOTIONAL EXPERIENCE |
- BRIAN WILLIS: Dull Programming | Sounding Off
- BRUCE FAIRBAIRN: Recording INXS's Elegantly Wasted | Interview | Producer
- BUTCH VIG: Nevermind The Garbage | Interview | Producer
- Buying Budget Gear | Feature | Tips & Tricks
- CARL STIPETIC: In A City | Readerzone
- Changing Face Of Technology: The Last 10 Years | Exploration
- Choosing A Studio | How To Become A Record Producer, Part 5
- Chris & Cosey: 2 Unlimited | Interview | Band
- CHRIS BACHMAN & BARNABY SMITH: The Sound Joint | Readerzone
- Chris Franke: The Sequencer King | Interview | Artist
- CHRIS MADDEN: Beta Testing | Sounding Off
- Chris Rea & Stuart Epps: Recording Espresso Logic | Interview | Artist/Engineer
- CHRISTOPHER FOGEL: Alanis Morissette's Jagged Little Pill | Interview | Engineer
- CHRISTOPHER HOLDER: Danger In The Studio | Sounding Off
- CLIFF JONES & MARK FRITH: Recording Gay Dad's 'Joy' | Interview | Producer
- Clifford White: 21st Century Music | Interview | Artist
- CLIVE LANGER & ALAN WINSTANLEY: Producing Madness, David Bowie, Mick Jagger & Elvis Costello | Interview | Producer
- COLDCUT: Ninja Tune | Interview | Band
- COLIN EMMANUEL: Recording Jamelia's ' Money', Featuring Beenie Man | Interview | Producer
- Colin Newman: From Musician To Record Label | Opinion | Music Production (Production Lines)
- COLIN TOWNS: Behind The Mask | Interview | Artist
- Computers & Creativity | Opinion
- Copyright Issues For Digital Media | Cutting Edge
- COURTNEY PINE: Modern Day Jazz Stories | Interview | Artist
- CRAIG ALEXANDER: Less Is More | Readerzone
- CRAIG ANDERTON: Can Technology Create Music? Forget It! | Sounding Off
- CRAIG ANDERTON: Software Hell | Sounding Off
- CRAIG ARMSTRONG: Songwriting For Massive Attack, Madonna & U2 | Interview | Songwriter
- CRAIG LEON: Recording The New Blondie Album | Interview | Producer
- CTS Professional Sales | Exploration
- CUTTING EDGE | Creating demos on DVD
- CUTTING EDGE | Computer Storage
- CUTTING EDGE | Using Technology for Live Gigs
- CUTTING EDGE | Dolby E
- CUTTING EDGE | Desktop Video Software
- CUTTING EDGE | Laptop technology
- CUTTING EDGE | BeOS
- DAN HEARD: Music-shop Staff | Sounding Off
- DANE BUTCHER (SYMETRIX/LUCID): Quality, Digital Hardware | Interview | Manufacturer
- Daniel Lanois: For The Beauty Of Wynona, Vintage Gear | Interview | Producer/Artist
- DANIEL MILLER: Mute Records, Depeche Mode & Home Studio | Interview | Producer
- Danny Chang: Writing Music For Cartoons | Interview | Composer
- DANNY KOFFEY (ENDEMIC VOID): Innovative Jungle, Drum & Bass Samples | Interview | Artist
- DANNY SABER: Saber Dance | Interview | Artist
- DARIO G: Recording SunMachine | Interview | Band
- DAVE ERINGA: Recording The Manic Street Preachers' 'If You Tolerate This Your Children Will Be Next' | Interview | Producer
- DAVE FRIDMANN: Producing Flaming Lips & Mercury Rev | Interview | Producer
- DAVE GALE: Understanding What's Best | Sounding Off
- DAVE MAUGHAN: Recording Cathryn Williams | Interview | Engineer
- DAVE MITSON: Rolling Stones, South Park, Michael Jackson & Bob Dylan | Interview | Mastering Engineer
- DAVE ROSSUM: Inside Creative Labs | Interview | Manufacturer
- Dave Ward: Gateway Celebrates 20 Years Of Audio Education | Interview | Education
- DAVE WRIGHT: The Case For Noise | Sounding Off
- DAVID BYRNE: Talking Heads | Interview | Artist
- DAVID FERGUSON: Writing Music For TV | Interview | Composer
- DAVID FRANK: Recording Christina Aguilera's 'Genie In A Bottle' | Interview | Producer
- DAVID GEDGE, DARE MASON & STEVE ALBINI: Recording Cinerama's Disco Volante | Interview | Producer
- DAVID GRIESINGER (LEXICON): Creating Reverb Algorithms For Surround Sound | Interview | Manufacturer
- DAVID HIRSCHFELDER: Scoring An Oscar For Elizabeth | Interview | Composer
- DAVID LORD: Enigma Variations | Interview | Artist
- DAVID LOWE: British Airways, TV Music & Me | At Home With
- DAVID LOWE: Recording Touch & Go's 'Would You?' | Interview | Producer
- DAVID SINCLAIR WHITAKER: Sweet Symphony | Interview | Composer/Arranger
- David Sylvian: Recording Tin Drum & The First Day | Interview | Artist
- DAVID WEST: The Sound Of The X Files | Interview | Music Production
- DEBBIE POYSER: Apple Problems | Sounding Off
- DEBBIE WISEMAN: TV & Film Composer Extraordinaire | Interview | Composer
- DEEP PURPLE: Recording The Album 'Abandon' | Interview | Band
- Digidesign Past & Present | Interview With The President: Peter Gotcher Of Digidesign
- Digital DIY | Digital Technology & The Modern Musician, Part 1
- Digital DIY | Digital Technology & The Modern Musician, Part 2
- DIRK CAMPBELL: Composing For TV | Interview | Composer
- Disk Storage | Cutting Edge
- DJ VADIM: White Russian | Interview | Artist
- DMC's Brothers In Rhythm: Remixing Records | Interview | Band
- Does Going Retro Spell The End For Future Tech? | Opinion
- Don Was & Don Smith: Recording The Rolling Stones | Interview | Producer/Engineer
- DON WAS: Producing For The Rolling Stones, Elton John, Bob Dylan | Interview | Producer
- Douglas Floyd-Douglass: Finding Undiscovered Talent | Interview | Music Production (Production Lines)
- DRAKE MUSIC PROJECT: Music & Mobility | Interview | Band
- Duncan Browne: In Memoriam — The Making Of 'Songs Of Love And War' | Exploration
- DVD | Cutting Edge
- E, WALLY GAGEL & JIM LANG (EELS): Recording Daisies Of The Galaxy | Interview | Band
- EAT STATIC: Chart Success | Interview | Band
- Ed Buller & Gary Stout: Node | Interview | Band
- ED WYNNE (OZRIC TENTACLES): Five Go Mad In Somerset | Interview | Band
- Electronic Sound & Pictures: Producing Interactive Multimedia | Interview | Company
- ELIOT KENNEDY: Producing Sheffield Music | Interview | Producer/Songwriter
- ELIZABETH PARKER: Flexible Working | Interview | Composer
- Elliot Scheiner: Van Morrison & Dominos | Interview | Engineer
- EMMA Electronic Music Festival | Convention
- Emu Systems: Sampling, The Future & CA | Interview | Manufacturer
- Enhanced CD Format & How To Use It, Part 1 | Exploration
- Enhanced CD Format And How To Use It, Part 2 | Feature | Tips & Tricks
- ERIC PERSING: Creating Spectrasonics | Interview | Manufacturer
- Eugene Romain: Gear Lust | Sounding Off
- FASCINATING RHYTHM | Bill Wyman, Terry Taylor & Stuart Epps: Producing The Rhythm Kings
- Finitribe: Wangling A £75k Payout | Interview | Band
- FLOOD & HOWIE B: Producing U2's Pop | Interview | Producer
- FLORIAN SENFTER (ZOMBIE NATION): Recording 'Kernkraft 400' | Interview | Artist
- Fluke: '80s Dance & Modern Remixes | Interview | Band
- Frank Kelly (Alesis): The Science Behind Gear For Sound | Frank Kelly Of Alesis
- Frankfurt Musik Messe Report 1995 | Convention
- Frankfurt News | Special Feature
- FRED SPECKEEN (IVL TECH): Pitch Craft | Interview | Manufacturer
- FRED SPECKEEN (TC-HELICON): The Science Of Voice Modelling | Interview | Manufacturer
- Freelance Engineers & Their Personal Racks | Exploration
- Future Of Musical Copyright In A Digital World — An Update | Exploration
- Future Sound Of London: Broadcast, TV & Radio Musicians | Interview | Company
- FX Music Control — Locating & Servicing Vintage Synths | Feature | Tips & Tricks
- GARAGE REMIX | Flightcrank - Joe Morena; Building Leeroy Thornhill's Home Studio
- GARETH COUSINS: Recording The Music For Notting Hill | Interview | Composer
- GARY BARLOW: Recording, Production & Songwriting | Interview | Artist
- GARY NUMAN: A New Flame | Interview | Artist
- Gavin Friday: Virgin Prunes | Interview | Artist
- GAVIN HARRISON: The 40ft High Studio | Readerzone
- GEORGE DUKE: 1970s Jazz-Rock | Interview | Musician
- GEORGE MASSENBURG: The Equalizer | Interview | Music Production
- GEORGE WEBLEY: Is The Big Apple Of Pop Music Rotten To The Core? | Sounding Off
- GIBSON: Introducing GMICS — New Digital Audio Connection Standard | Exploration
- Gilad Keren: Making Waves | Interview | Manufacturer
- GIORGIO MORODER: Electric Dreams With Donna Summer | Interview | Artist
- GLEN KOLOTKIN: Recording Santana | Interview | Producer
- GLENN BROOKS: The Pearl Works | Readerzone
- GLYN CORNELIUS: Direct Injection | Sounding Off
- GODRIC WILKIE: Finding Information | Sounding Off
- Graham Blyth: Designing Spirit Mixers | Interview | Manufacturer
- GRAHAM MASSEY (808 STATE): Recording Don Solaris | Interview | Band
- Graham Massey (808 State): Using The Internet For Communication | Interview | Band
- GRAHAM WOODCOCK & ANDY BRAMHALL: Building Master Tone Studios | Readerzone
- GREG MACKIE & CARL PERKINS: Mackie Designs | Interview | Manufacturer
- GREGG JACKMAN: Mics For Live String Recording | Interview | Engineer
- GUY CHAMBERS & STEVE POWER: Recording Robbie Williams' 'Millennium' | Interview | Engineers
- GUY SIGSWORTH: Bjork Live | Interview | Engineer
- GUY SIGSWORTH: Music After MIDI | Interview | Producer/Musician
- GWYNN T ROBINSON: The Sound Of Silence | Sounding Off
- HAROLD BUDD: American Vision | Interview | Artist
- HEAVY RAIN | Producer Chris Tsangarides & Rainmaker Studio
- Hector Zazou | Songs from the cold seas
- HIDEKI NAKANO & MOTONORI NAKAMURA (SONY JAPAN): Behind The MDMX4 Minidisc Multitracker | Interview | Manufacturer
- HIGH DUDGEON | Producer Gus Dudgeon
- How The Music Biz Really Works... | Exploration
- How To Become A Record Producer, Part 1: What Is A Record Producer? | Tips & Techniques
- How To Become A Record Producer, Part 2: Pre-Production | Tips & Techniques
- How To Become A Recording Engineer, Part 1 | Tips & Techniques
- How to Become a Recording Engineer, Part 2 | Tips & Techniques
- How To Become A Recording Engineer, Part 3 | Tips & Techniques
- How To Become A Recording Engineer, Part 4 | Tips & Techniques
- HOWARD TURNER: The Studio Wizard | Interview | Musician
- HUGH PADGHAM: The Master Craftsman Behind Sting & Phil Collins | Interview | Producer
- HUGO NICOLSON: You Only Live Twice | Interview | Producer / Engineer
- IAIN GRANT: Basement Studio | Readerzone
- IAN BODDY: Working With Limitations | Sounding Off
- IAN CATT: Kitchen Sink Music | Interview | Artist
- IAN HABGOOD: Theme Park Music | Readerzone
- IAN POPPERWELL: Hi-tech Exclusion | Sounding Off
- IAN STEWART: Boring Music? Don't Blame Technology! | Sounding Off
- IAN STEWART: Stop Faking It & Get Real | Sounding Off
- In The Nursery: Playing Live In Europe | Interview | Band
- In The Studio | How To Become A Record Producer, Part 6
- Inside Paul White's Studio: Update | Exploration
- International Broadcasting Conference | Cutting Edge
- IRCAM: Institute For Research & Co-ordination in Acoustics & Music | Exploration
- Jagz Kooner & Gary Burns Sabresonic Studio, David Holmes | Interview | Band
- JAMES ASHER: Down To Earth | Interview | Artist
- JAMES: Recording From Home? | Interview | Band
- JANE BANBURY: From Horses To Sampling | Readerzone
- Jane Siberry: When I Was A Boy | Interview | Artist
- JASON MILES: Miles Ahead | Interview | Musician
- JAY GRAYDON | Musician & Producer
- JAY KAY: Jamiroquai's Chillington Studio | Interview | Artist
- JAY McCARTHY: When Music Is More Than Just A Hobby | Readerzone
- JEAN-PHILLIPE RYKIEL & FRANÇOIS BREANT: Pioneers Of Western/African Fusion | Interview | Artist
- JEEHUN HWANG: Composing Music For Videogames | Interview | Composer
- JEFF MEARNS: Gear Lust | Sounding Off
- JIM SCOTT: Recording Red Hot Chili Peppers' Californications | Interview | Producer
- JJ JECZALIK: Art Of Silence | Interview | Artist
- Joanna Leach: Classical Music Production | Opinion | Music Production (Production Lines)
- John Adams | Crossing Borders
- John Bundrick: Still Rabbiting On | Interview | Artist
- John Dyson: Different Values | Interview | Artist
- JOHN LECKIE: Producing Baaba Maal | Interview | Producer
- John Leckie: Record Producer? You're Lucky! | Opinion | Music Production (Production Lines)
- JOHN LECKIE: True Brit | Interview | Producer
- JOHN O'CONNOR: From 'Star Trekkin' To King Of The Hill | Interview | Composer
- JOHN ORAM: Father Of British EQ | Interview | Designer/Producer/Musician
- JOHN PAUL JONES: Making Zooma | Interview | Artist
- JOHN WALDEN: Using MP3 | Sounding Off
- JOHN WARDLE (JAH WOBBLE): Burning Bright | Interview | Artist
- JOHNNY DOLLAR & SIMON PALMSKIN: Recording Gabrielle's 'Rise' | Interview | Producer
- Jon Anderson: Yes, Change We Must | Interview | Artist
- JON GASS: Mix Master | Interview | Artist/Producer
- JON JACBOS: Recording Elvis Costello & The Attractions | Interview | Engineer
- JON THOMPSON: Online Distribution | Sounding Off
- Jonathan More (Coldcut): Philosophy | Interview | Band
- JUDY LEMON: Less-than-satisfactory Service | Sounding Off
- JYOTI MISHRA: Today Derby, Tomorrow The World! | Interview | Artist
- KARL BARTOS: Electric Music & Kraftwerk | Interview | Artist
- KARL JENKINS: Unclassifiable Ethnic, Classical & Rock Fusion Becomes World Class | Interview | Artist
- Karl Steinberg: Cubase & Computers | Interview | Manufacturer
- Keith Emerson's Keyboard Clearout | Exploration
- KEN McBETH: Building Analogue Synths | Interview | Manufacturer
- KEN NELSON: Recording Coldplay's Parachutes | Interview | Producer
- KENNY CAMPBELL: Mac Users, Get Together | Sounding Off
- KEVIN PERRY: Radical Redesign For Modern Digital Audio Software | Sounding Off
- KHALED: Algerian Rai Music | Interview | Artist
- KIPPER: Producing Sting's Brand New Day | Interview | Producer
- KITARO: Down Silk Roads | Interview | Artist
- Klaus Schulze: Digital To Analogue Conversion | Interview | Artist
- KLAUS SCHULZE: Electronical Meditation | Interview | Composer
- Kraftwerk & Electric Music 1994 | Convention
- LAWRENCE RAY: Back To Base, MP Records & Blue Water Studio | Readerzone
- LEE DAVIS: Infant Prodigy | Readerzone
- Legal/Copyright Issues When Using Samples | Exploration
- LESTYN POLSON: Recording David Gray's 'Babylon' | Interview | Producer
- LIAM HOWLETT: The Prodigy & Firestarter | Interview | Engineer
- Life In Music — The Real Story | Big George's Guide To Commercial Success
- Lightwave: UK Electronica | Interview | Band
- LIONROCK: Moriarty's Cavern | Interview | Band
- LOUIS MEDINA: Roland Product Manuals | Sounding Off
- M PEOPLE: Songwriting & Musicianship | Interview | Band
- Mac OS X Front-end For Linux | Cutting Edge
- MACKIE DESIGNS: On The HDR24/96 & The Future | Interview | Manufacturer
- MAGIC BUS | Producer, Engineer & Musician Michael Bradford
- MAGIC CARPET: Recording A '90s Album With A '70s Ethos | Interview | Band
- Making It In The Industry: Landing A Record Deal | Tips & Techniques
- Malcolm Toft: MTA & Trident | Interview | Manufacturer
- MARCUS MILLER: Camel Island Jazz Legend | Interview | Producer/Composer
- MARCUS RYLE (ALESIS): The Next Generation — ADAT Meridian Pro Digital Tape Recorder | Interview | Manufacturer
- MARIUS DE VRIES: Launching A Massive Attack On Madonna | Interview | Programmer/Musician
- MARK BRYDON & ROISIN MURPHEY: Recording Moloko's 'Sing It Back' | Interview | Artist/Producer
- MARK CUNNINGHAM: Recreating Sgt Pepper's Lonely Hearts Club Band | Interview | Artist
- Mark Goodier & Bill Padley: Wise Buddah Music Radio | Interview | DJ/Producer
- MARK HAWLEY: Recording Tori Amos | Interview | Engineer
- MARK HILL: Artful Dodger & Producing Craig David | Interview | Producer/Artist
- MARK ISHAM: Film Music For Hollywood | Interview | Composer
- Mark Russell: Writing Music For Radio Shows | Interview | Composer
- Mark Shreeve: Vintage Gear, Hollywood & Samantha Fox | Interview | Artist
- MARK SNOW: Scoring The X-Files | Interview | Composer
- Mark Thomas: Composing & Recording For Film And TV | Interview | Composer
- Mark Tinley: Working With Duran Duran | Interview | Engineer
- MARTIN BUSHELL: Mixing In A Basement | Readerzone
- MARTIN NEWCOMB & KEVIN VAN GREEN: Museum Studio | Interview | Collector
- Martin Russ: Software Updates | Sounding Off
- MARTIN RYAN: Things Now Are As Good As They Used To Be! | Sounding Off
- MARTIN VERGO (MONO): Recording Formica Blues | Interview | Band
- MARTIN WALKER: Why Is Some Music Software So Difficult To Use? | Sounding Off
- Martyn Ware: Record Companies Should Seek New Talent | Opinion | Music Production (Production Lines)
- MARTYN WARE: The Clarke & Ware Experiment | Interview | Artist
- MARVIN CAESAR: The Aphex Approach To Compression | Interview | Manufacturer
- MATT BELL: MP3s | Sounding Off
- Mel Simpson: The Fate Of The Reluctant Guinea Pig | Sounding Off
- MELVIN & ADRIAN DUFFY: Brothernature | Readerzone
- MERV DE PEYER & JIM SPENCER: Recording Electronic's 'Vivid' | Interview | Programmer/Engineer
- MICHAEL 'JAKKO' JAKSZYK: The Road To Ballina | Interview | Artist
- Michael Brook: World Music | Interview | Producer/Guitarist
- Michael Errington: Composing For Film Scores & Soundtracks | Interview | Composer
- MICHAEL NEILSON: TV & Film Soundtracks | Michael Neilson
- Microsoft Media Player | Cutting Edge
- Microsoft's Plans For Windows XP | Cutting Edge
- Mikail Graham: Emagic | Interview | Company
- Mike Barnett: Beyond Records | Interview | Producer
- MIKE CHANDLER & FRANCO DE BONIS: Creative Labs | Interview | Manufacturer
- MIKE COLLINS: The Apple Macintosh | Sounding Off
- MIKE HEDGES: Recording Manic Street Preachers, The Audience & Pure Essence | Interview | Producer
- MIKE HEDGES: Recording Travis' 'Why Does It Always Rain On Me?' | Interview | Producer
- MIKE HIGHAM: Digital Doctor | Interview | Engineer
- Mike Oldfield: Recording Songs Of Distant Earth | Interview | Artist
- Mike Pickering: Can Producers Also Be Artists? | Opinion | Music Production (Production Lines)
- MIKE SENIOR: Who's In Charge, The Studio Gear Or The Musician? | Sounding Off
- Mike Stock: The Future Of British Pop | Opinion | Music Production (Production Lines)
- MIKE THORNE: The Stereo Society | Interview | Producer
- Mike Vernon: Recording Blues Players | Opinion | Music Production (Production Lines)
- MILES GLEN: Finding The Time To Learn | Sounding Off
- Millennium NAMM Roundup | News
- MIRIAM STOCKLEY: Recording Session Singing | Interview | Artist
- Mitchell Froom: Recording Crowded House & Elvis Costello | Interview | Producer
- MOBY: Recording Moby's 'Why Does My Heart Feel So Bad?' | Interview | Artist
- MORCHEEBA: From Clapham To The Orb | Interview | Band
- Morphonic Productions & Studio | Interview | Manufacturer
- MOUSSE T: Recording Tom Jones' 'Sex Bomb' | Interview | Producer
- MP3 | Cutting Edge
- MP3 Players | Cutting Edge
- Multimedia & Amiga Falcon | Exploration
- Multimedia Authoring Software For The PC | Exploration
- Museum Of Synthesizer Technology | Exploration
- Music & Audio Sites On The Internet, Part 1 | Exploration
- Music & Audio Sites On The Internet, Part 2 | Exploration
- Music & Movement — Using MIDI With Contemporary Dance | Exploration
- MUSIC FOR REAL LIFE | TV & Film Composer: Shawn Clement
- MUSIC FOR VIDEO GAMES | Gerard 'Gez' Gourley of Smartdog
- Music Publishing In The Real World | Exploration
- MUSICAL DIFFERENCES | Marius De Vries
- Mute Records: Nitzer Ebb, Renegade Soundwave, Daniel Miller | Interview | Music Production
- N-TRANCE: Do You Think I'm Sexy? | Interview | Band
- NAMM '94 Report | Conference
- NATHAN McCREE & MATT KEMP: Music For Computer Games | Interview | Composer
- Necroscope: Surviving Live | Interview | Band
- NEIL WATKINSON: Recording In The Garden Shed | Readerzone
- NEIL WATKINSON: Recording The Vocal High In The Mix | Sounding Off
- NICHOLAS ROWLAND: What Can We Learn From The Beatles? | Sounding Off
- NICHOLEE SMITH: The Beast Called 'Manager' | Sounding Off
- NICK BRACEGIRDLE: Recording Chicane's 'Don't Give Up' | Interview | Artist/Producer
- NICK ROTHWELL: Visual Imagination & Unconventionality In Music | Sounding Off
- NICKY GRAHAM: Recording 'Once In A Lifetime' | Interview | Producer
- NIGEL BATES: Mixing Vintage & Cutting-edge Technology | Interview | Producer/Engineer
- NIGEL BEAHAM-POWELL & BELLA RUSSELL: TV Composition | At Home With
- Nigel Lowis: Producing Dina Carroll | Interview | Producer
- NIGEL SHAW: Independent Music | Interview | Producer
- NORMAN FAY: Dance-specific Sound Modules Are Bad | Sounding Off
- NORTHERN LIGHTS | Anders Bagge and Arnthor Birgisson: Murlyn Music Group
- OLA ONABULE: Recording Soul At Home | Interview | Artist
- OLI BELL: Groove Criminals | Readerzone
- Optical Disk & CD-ROM | Exploration
- Orbital: Recording 'Chime', London Studio | Interview | Band
- OUT OF THE SHADOWS | Producer David Axelrod
- PASCAL GABRIEL & JAMES SANGER: Recording Dido's 'Here With Me' | Interview | Producer
- PASCAL GABRIEL (PEACH): Sliding Doors | Interview | Producer
- Pascal Gabriel: Music Equipment Product Support | Opinion | Music Production (Production Lines)
- PATCEE FRANCIS: Music Should Transcend Tech | Sounding Off
- PAUL CARMODY: Good Tunes First, Big Production Later | Sounding Off
- PAUL FARRER: Unlikely Recording Set-up In Contact | Sounding Off
- PAUL FARRER: Writing The Soundtrack For Shakespeare's Macbeth | Interview | Composer
- PAUL GOMERSALL: Recording George Michael's "Older" | Interview | Engineer
- PAUL HARDCASTLE: King Of The Castle | Interview | Producer/Songwriter
- PAUL HODGSON: Music Is All In The Mind | Sounding Off
- PAUL JOHNSON: Computers Vs Hardware | Sounding Off
- PAUL JOYNER: Recording In A Basement | Readerzone
- PAUL K JOYCE & GRANT MITCHELL: Recording Bob The Builder's 'Can We Fix It?' | Interview | Producer
- PAUL NAGLE: Northern Exposure | Interview | Artist
- PAUL NAGLE: The Erosion Of Musical Skill | Sounding Off
- PAUL NAGLE: Virtual Analogue Synths — Inspiring The Same Affection As Analogue Counterpart? | Sounding Off
- Paul Nagle: When Synths Were Real Instruments | Sounding Off
- PAUL ROBB: Scoring South Park, The Information Society & Working For Film & TV | Interview | Composer
- PAUL SCHUTZE: Composing In The Modern Age | Interview | Composer
- PAUL SELLARS: MIDI + Audio Sequencing | Sounding Off
- PAUL SIMPSON: Horizontal Paul Music Project | Readerzone
- Paul Staveley O'Duffy: Flexible Music Industry | Interview | Music Production (Production Lines)
- PAUL WARD: Is It All Getting Too Easy? | Sounding Off
- Paul Ward: Standardisation | Sounding Off
- Paul Ward: Surreal To Real | Interview | Artist
- Paul White: Hard Disks, Transistors, Esoteric Software | Sounding Off
- PEOPLESOUND.COM: Behind The Scenes | Interview | Company
- Pete Brown: Production Lines | Interview | Music Production
- PETE GLEADALL: Programming & Recording Pet Shop Boys' Bilingual | Interview | Engineer
- PETE NORRIS: Recording Morcheeba's 'Rome Wasn't Built In A Day' | Interview | Producer
- Pete Wingfield: What Is A "Classic" Record? | Opinion | Music Production (Production Lines)
- Peter Cunnah: D-Ream | Interview | Artist
- Peter Hammill: The Noise, Fireships & Terra Incognita | Interview | Artist
- Peter Jones: Relationship Between Producer & Artist | Opinion | Music Production (Production Lines)
- Phil Da Costa: Young Musicians V Old Record Producers (Ageism In The Music Industry) | Interview | Music Production (Production Lines)
- Phil Oakey: The Human League | Interview | Band
- PHILIP CADMAN: Bleak Future | Sounding Off
- Physical Modelling, Firewire & DSP | Cutting Edge
- PIERRE MARCHAND: Producing Sarah McLachlan | Interview | Producer
- Pirate Radio On The Internet | Exploration
- Pitching & Writing A Channel 5 Theme Tune | Interview | Composer
- Playback | Readers' Music Reviewed
- Potential Of The Internet | Cutting Edge
- Producing Atomic Kitten's 'Whole Again' | Bill Padley & Jeremy Godfrey
- Producing Music & Effects For A Major TV Documentary, Part 1 | Exploration
- Producing Music & Effects For A Major TV Documentary, Part 2 | Exploration
- Promoting Your Act | Feature | Tips & Tricks
- PRS On Napster | Cutting Edge
- QSound Labs: Right On Q | Interview | Manufacturer
- QUINN: Glasgow Duo | Readerzone
- RALF SCHLUENZEN (TC WORKS): TC Powercore DSP Engine | Interview | Manufacturer
- RAMON ZENKER: Recording Fragma's 'Toca's Miracle' | Interview | Producer
- Randy Thorderson (DOD/ Digitech): The Future | Interview | Manufacturer
- READERZONE | Raj Dhamu
- READERZONE | Paul Austin Kelly
- READERZONE | Jez Wilkinson - Aerosolik Records
- READERZONE | Bob Prance and Pete Phillips
- READERZONE | Marco Mastrocola
- READERZONE | Adie Flute
- Reconstructing A Live Recording In The Studio | Feature | Tips & Tricks
- Recording Cher's 'Believe' | Exploration
- Recording Gorillaz's 'Clint Eastwood' | Tom Girling & Jason Cox
- Recreating The Ballet Mechanique In The Digital Age, Part 1 | Feature | Tips & Tricks
- Recreating The Ballet Mechanique In The Digital Age, Part 2 | Exploration
- REED GHAZALA: Designing 'Circuit-Bent' Instruments | Interview | Artist
- Releasing Your Own Album | Feature | Tips & Tricks
- Richard H Kirk: Cabaret Voltaire Electronica | Interview | Band
- RICHARD NILES: TV Music | Interview | Composer/Artist
- RICHARD SYMONS (PRO TAPE): Media Revolution | Interview | Manufacturer
- Rick Wakeman: Cirque Surreal | Interview | Artist
- RICK WAKEMAN: Recording Return To The Centre Of The Earth | Interview | Musician
- RIKKY ROOKSBY: Perfect Digital Recording = Monotony | Sounding Off
- ROB PLAYFORD: Producing Goldie | Interview | Producer
- ROB URRY (DBX): Embracing The Digital Age | Interview | Manufacturer
- Robbie Adams: Recording U2's Achtung Baby & Zooropa | Interview | Engineer
- ROBIN MORLEY: Copyright Implications On The Net | Sounding Off
- ROBIN MORLEY: Stop Showing Off & Make Some Tunes | Sounding Off
- ROGER DERRY: MIDI's Impact On Quality Of Music | Sounding Off
- ROGER ENO: Channel Light Vessel | Interview | Artist
- ROGER JACKSON: Computers... Love Them Or Hate Them | Sounding Off
- Ron Berry: Synthesist, Designer, Hobbyist | Interview | Artist
- ROSE RYLANDS: Attic Studio | Readerzone
- Roy Thomas Baker & Gary Langan: The Making Of Queen's 'Bohemian Rhapsody' | Interview | Producer/Engineer
- RUPERT COOK: Setting Your Computer Up For Glitch-free Music | Sounding Off
- Rupert Hine: Les Negresses Vertes | Interview | Producer
- RYUICHI SAKAMOTO: Classical & Pop Fusion | Interview | Artist
- SAM INGLIS: Bad PR In The Music Business | Sounding Off
- SCHOOL OF AUDIO ENGINEERING: 20th Anniversary | Interview | Company
- SEAN CLOUGH: Click Track Constraints On Musical Expression | Sounding Off
- Simon Dawson: Recording The Stone Roses' Second Coming | Interview | Producer
- SIMON LOWTHER: Home Recordings Always Sound Like Home Recordings | Sounding Off
- SIMON RINALDO: Bedroom Studio | Readerzone
- Software Synthesis: The Wave Of The Future? | Exploration
- Sonar 1995: International Electronic Music & Multimedia Festival | Event Report
- SONGS FOR CORPORATIONS | Making Money From Music For Corporate Video - Kent Brainerd
- SOS Christmas Wishlist 1997 | Opinion
- Soundcraft: Going Live | Conference
- SOUNDING OFF | Manufacturers ave exploited their customers' tolerances by Steve Watts
- SOUNDING OFF | Paul Farrer reveals how he learned to stop upgrading and love the music.
- SOUNDING OFF | Paul Ward wonders whether 'classic' always means 'good'...
- SOUNDING OFF | John Walden Explains The Problems He Encountered Using Windows
- SOUNDING OFF | Dave Shapton explains why he doesn't play live any more!
- SOUNDING OFF | No TV shows about making music, by Big George
- SOUNDING OFF | By Andy Searle-Barnes
- SOUNDING OFF | Eddy Robinson talks about bringing MIDI into the 21st century
- Soundscape SSHDR1 | Hard Disk Recording System
- SPIKE STENT: The Work Of A Top-flight Mixer | Interview | Mixer
- ST Is Dead, Love Atari | Exploration
- STEPHEN BENNETT: Mac vs PC | Sounding Off
- STEPHEN LIRONI: Altered Image | Interview | Artist/Producer
- Stephen Morris & Gillian Gilbert: The Other Two and You | Interview | Band
- STEPHEN STREET: Producing Blur, Cranberries & Catatonia | Interview | Producer
- Stephen Street: Recording Blur & The Cranberries | Interview | Producer
- Steve De Furia: Behind The Scenes At Lexicon | Interview | Manufacturer
- Steve Ferrera: Head Of A&R; At Echo | Opinion | Music Production (Production Lines)
- STEVE HACKETT: Recording Darktown | Interview | Artist
- STEVE HILLIER (DUBSTAR): Northern Lights | Interview | Band
- STEVE LEVINE: Digital Domain | Interview | Producer
- STEVE LEVINE: My Imposter | Sounding Off
- STEVE LEVINE: Recording 'So Far Away' | Interview | Producer
- STEVE LEVINE: Recording Get Your Act Together | Interview | Producer
- STEVE LEVINE: Recording The Honeyz 'Finally Found' | Interview | Producer
- STEVE McNALLY: Making Waves | Interview | Sound Programmer
- STEVE OSBORNE: Recording Suede's 'She's In Fashion' | Interview | Producer
- Steve Reich: City Life | Interview | Composer
- STEVE RODWAY OF MOTIV8: Remixing Pulp & St Etienne | Interview | Producer
- STEVEN ROBINSON: The State Of Pop Music Today | Sounding Off
- Stuart Epps: Production Lines | Interview | Music Production
- Suzanne Ciani: Dream Suite | Interview | Artist
- SUZANNE CIANI: Riding The Independent Wave | Interview | Artist
- Tangerine Dream: Changing Use of Technology, Part 1: 1967-1977 | Exploration
- Tangerine Dream: Changing Use Of Technology, Part 2: 1977-1994 | Exploration
- TCHAD BLAKE: Binaural Excitement | Interview | Artist
- Terratec M3PO | Cutting Edge
- The Beatles Live At The Beeb: Raiders Of The Lost Archive | Interview | Producer/Engineer
- The BeOS Operating System: An Overview | Exploration
- The Business Of Music | How To Become A Record Producer, Part 8
- THE CURE: Recording Wild Mood Swings | Interview | Band
- The Future Of Music Copyright In A Digital World | Exploration
- The Future Of Music Technology | Exploration
- The Grid: Evolver | Interview | Band
- The History Of The Hammond | Exploration
- THE IRISH CONNECTION | Richard Stannard - Julian Gallagher - Ash Howes: Biffco Productions
- THE LINK MAN | Paul Farrer - Composing For Film & TV
- The Making Of Mackie Mixers | Interview | Manufacturer
- The Mix | How To Become A Record Producer, Part 7
- The PC In Music | Exploration
- The Rapino Brothers: Production Lines | Interview | Music Production
- THE SERIOUS HAT BAND: Anger The Burns | Readerzone
- The Specialists Speak | Hi-Tech Servicing, Part 1
- The Specialists Speak | Hi-Tech Servicing, Part 2
- The Story Of The Beatles' Anthology Project | Exploration
- The Truth About Demos, Part 1 | Exploration
- The Truth About Demos, Part 2 | Exploration
- The USA's Low-budget Record Revolution | Exploration
- THE WAITING GAME | Producer & Engineer Stephen Harris
- The Young Gods: Swiss Technology | Interview | Band
- THOMAS LUND: TC Electronic's Surround Reverb Technology | Interview | Manufacturer
- TIM HAWES & PETE KIRTLEY: Writing & Recording Hear'Say's 'Pure & Simple' | Interview | Producer
- Tim Simenon: Bomb The Bass | Interview | Artist
- TJ STONE: Studio Equipment? Less Is More | Sounding Off
- Todd Rundgren: Interactive Music, Recording Adventures In Utopia | Interview | Producer
- TOM GIRLING & JASON COX: Damon Albarn's 13 Studio | Interview | Artists
- TOM LORD-ALGE: From Manson To Hanson | Mix Engineer
- Tom Oberheim: Marion Systems | Interview | Manufacturer
- TOMMY D: Recording Catatonia's 'Dead From The Waist Down' | Interview | Producer
- Tony Platt: Production Lines | Opinion | Music Production
- TONY PLATT: Rock Island Life | Interview | Producer
- TONY TAVERNER: Sensible Studios | Interview | Producer
- Tony Visconti: Making Music Should Be Fun | Opinion | Music Production (Production Lines)
- TORE JOHANSSON: Recording The Cardigans 'My Favourite Game' | Interview | Producer
- Towering Inferno: Recording Kaddish | Interview | Band
- Toyah Wilcox: Leap | Interview | Artist
- Trevor Horn: Recording ABC, ZTT, Yes, & The Pet Shop Boys | Interview | Producer
- Turnkey Music Superstore Revamped | Exploration
- UKGARAGEFM: Home Broadcasting | Readerzone
- UNDERWORLD: The Making Of Everything, Everything | Interview | Band
- UNSOUND RECORDINGS | Recoil: Alan Wilder
- USB & MP3 | Cutting Edge | Digital Technology Developments
- VANGELIS: Recording At Nemo Studios | Interview | Artist
- VINCE HILL: Recording Ripples Of Change | Interview | Artist
- Wayne Rowley: I Wish Windows Was More Musician-friendly | Sounding Off
- Will Mowat: Soul Music | Interview | Artist
- William Orbit: I Love Classical Music | Interview | Artist
- Windows Media Player Version 7; IBM Microdrive | Cutting Edge
- Working As A Team | How To Become A Record Producer, Part 3
- Working As A Team | How To Become A Record Producer, Part 4
- XTC: Ideal Studio & Recording Apple Venus Vol. 1 & Wasp Star | Interview | Band
- Yamaha: New Products | Interview | Manufacturer
- Zipi: Is This The End Of MIDI? | Exploration
TECHNIQUE
- 100 Issues Of Sound On Sound | Special Feature
- 16/32 Systems Magnum ST card | Atari Notes
- 1994 Awards | PC Notes
- 20 Tips On Creating Realistic Sequenced Drum Parts | Tips & Tricks
- 20 Tips On Recording Guitars | Tips & Tricks
- 20 Tips On Using Effects In The Mix | Tips & Tricks
- 20 Tips On Using GM Modules | Tips & Tricks
- 20 Tips On Using MIDI Guitar | Tips & Tricks
- 34th Atari Note Retrospective | Atari Notes
- 3D Mixing: Giving Your Mixes More Space | Tips & Techniques
- 50 Christmas Ideas For Musicians | Exploration
- A Balanced View; Separation Without A Vocal Booth; Boosting Quiet Synths | Sound Bites
- A Practical Guide To Working With Pictures, Part 1 | Exploration
- A Practical Guide To Working With Pictures, Part 2 | Tips & Tricks
- A Practical Guide To Working With Pictures, Part 3 | Tips & Tricks
- A Pragmatic Guide To Creative Sequencer Abuse | Tips & Techniques
- A Question Of Trust, Part 1: Can You Trust Your Equipment? | Exploration
- A Question Of Trust, Part 2: Working With Music Industry Professionals | Exploration
- Absorb | Playback | Readers' Music Reviewed
- ACID LOOPS | Creating New Loops In Sonic Foundry's Acid
- Acoustic Piano Miking Workshop | Tips & Techniques
- ActiveX & DirectX | PC Notes
- ADAT: Power User's Guide | Exploration
- ADAT; JL Cooper DataSync2; Voyetra Sequencer Plus Gold | PC Notes
- Adding Analogue Warmth To PC Recordings | Feature | Tips & Tricks
- ADSL | Net Notes
- Advanced Compression Techniques, Part 1 | Tips & Tricks
- Advanced Compression Techniques, Part 2 | Tips & Tricks
- Advanced Gating Techniques, Part 1 | Tips & Tricks
- Advanced Gating Techniques, Part 2 | Tips & Tricks
- ADVANCED REVERBERATION | Advanced Reverberation: Part 1
- ADVANCED REVERBERATION | Advanced Reverberation: Part 2
- Ahead Software Nero; Adaptec Easy CD Creator; Sonic Foundry Vegus Pro | PC Notes
- AIPL SpinCycle; XG Wizard | PC Notes
- All About Digital Audio, Part 1 | Exploration
- All About Digital Audio, Part 2 | Exploration
- All About Digital Audio, Part 3 | Exploration
- All About Digital Audio, Part 4 | Exploration
- All About Digital Audio, Part 5 | Exploration
- All About Digital Audio, Part 6 | Exploration
- All About Patchbays | Exploration
- All About Soundcards, Part 1 | Exploration
- All About Soundcards, Part 2 | Exploration
- All About Studio Power & Wiring | Tips & Tricks
- All About The Boundary Effect | Exploration
- All About Windows '98 | Exploration
- All Micro Show | Atari Notes
- Alternative Uses For Auto-Tune | Tips & Tricks
- American Amiga Lightwave & Toaster | Amiga Notes
- AN EAR FOR DETAIL | Improving Your Musical Skills with Ear Training
- Analogue Multitrack | Exploration
- Analogue Sequencer Simulator | Atari Notes
- Analogue Tape Compression For Digital Recording | Exploration
- Analogue Tape Machine Maintenance | Feature | Tips & Tricks
- Analogue Tape Machines | Exploration
- Analogue To Digital: Changing From 8-track Tape To Hard Disk Recording | Exploration
- Analogue Versus Digital Tape | Tips & Techniques
- Analogue Warmth; Studio In A Shed; PC Recording Setup; Live Backing | Q & A
- Anatomy Of A Mixer | Exploration
- Apple Acronyms & MIDI | Apple Notes
- Apple Desktop Buss Mouse II; Rhapsody; MacOS | Apple Notes
- Apple Expo 1996; File Management | Apple Notes
- Apple G4; Artmatic; USB MIDI Interfaces; MOTU | Apple Notes
- Apple Notes | System 7.5
- Apple Notes | QuickTime 2.0
- Apple Shareware & Freeware | Apple Notes
- APRS Multimedia Shows | PC Notes
- Arpeggiator Tips | Logic Notes
- Arranger & Orchestra or Sequencer & Sound Modules? | Q & A
- Arranging Pop | Tips & Tricks
- Atari & CD-ROM | Atari Notes
- Atari Computing Magazine; YSEditor v2.64; Trackman v2.5 | Atari Notes
- Atari Computing; Pulsar; Softjee | Atari Notes
- Atari Falcon 030 | Analysis
- Atari Mega Archive | Atari Notes
- Atari Multi-Port MIDI Expanders | Exploration
- Atari Recording; Acoustic Guitar; Studio Interference; Kurzweil K2000 CD-RW; PC Hard Drive Performance; Studio Monitoring; B4 Organ Plug-ins | Q & A
- AtariPhile; Sunrise Audio Systems | Atari Notes
- Audio Editing On The PC: Steinberg Wavelab, Sonic Foundry Sound Forge, SEK-D Samplitude Studio | Exploration
- Audio Software Plug-in Roundup, Part 1: Background | Exploration
- AudioMaster IV | Amiga Notes
- Audiomedia II Mac Hard Disk Recording; Sound Designer; Master List; Deck 2.1 | Tips & Techniques
- Aura | Amiga Notes
- Aural Hygiene: How To Keep Noise At Bay, Part 2 | Tips & Techniques
- Aural Synthetica V1.0 | Amiga Notes
- AV & Photogenics | Amiga Notes
- Avoiding Equipment Battery Failure | Tips & Tricks
- Avoiding Latency Problems When Recording In A Computer Studio | Tips & Tricks
- AWE32 Soundcard | PC Notes
- Axialis AX Icons 4.5; Dream Station | PC Notes
- Backing Up Digital Audio Files | Tips & Tricks
- Backing Up Your PC Data | Tips & Techniques
- Bars&Pipes; Professional 2.5 | Amiga Notes
- Basic Overdubbing | Tips & Tricks
- Basics Of Hard Disk Recording, Part 1 | Primer
- Basics Of Hard Disk Recording, Part 2 | Primer
- Basics Of Quantising | Tips & Tricks
- Bass Devils | Playback | Readers' Music Reviewed
- BASSIC INSTINCT | Recording Bass Instruments
- Battle Of The Multimedia | Amiga Notes
- Ben Littlewood | Playback | Readers' Music Reviewed
- Benefits Of Using Macros | Apple Notes
- BeOS | Apple Notes
- BeOS | Apple Notes
- Black Not Green | Playback | Readers' Music Reviewed
- Blue Ribbon & Dr T's KCS | Amiga Notes
- BMF Show | PC Notes
- Bondi Blue G3 PowerMac | Apple Notes
- Broadcasting Your Audio, Part 1 | Net Notes
- Broadcasting Your Audio, Part 2 | Net Notes
- Build A Guitar Amp Dummy Speaker Load | Tips & Techniques
- Build Your Own Synth Websites | Net Notes
- Building A School Studio In 10 Weeks | Exploration
- Building PCs; Re-patch Phantom Power; Production Equipment; Remixing; M&S; Technique; Sound Effects On Stage; Finding A Manager; Reduce Studio Hum; Budget Compressor/Mic; USB MIDI Interface | Q & A
- Business Advice On The Net | Net Notes
- Buyer's Guide To Synths, Workstations & Modules | Tips & Techniques
- Buying & Selling Through Internet Auctions | Net Notes
- Buying A Mac For Music | Tips & Techniques
- Buying A New Computer | Atari Notes
- Buying A PC For Music, Part 2 | Tips & Techniques
- Buying A PC For Music: IBM, Part 1 | Exploration
- Buying A Ready-made PC Music System | Feature | Tips & Tricks
- Buying An Effects Processor | Feature | Tips & Tricks
- Buying The Equipment You Really Need, Part 1 | Feature | Tips & Tricks
- Buying The Equipment You Really Need, Part 2 | Feature | Tips & Tricks
- Buying The Equipment You Really Need, Part 3 | Feature | Tips & Tricks
- Buying Used Gear | Tips & Techniques
- Buying Your First Synth | Tips & Techniques
- C-Lab Falcon MkX | Atari Notes
- C-Lab Falcon MkX | Atari Notes
- C-lab Falcon MkX, Ease, Papyrus v4 | Atari Tips & Techniques
- Cadenza Web Wizard | Atari Notes
- Cakewalk Audio; Tel-Me Route-finder | PC Notes
- Cakewalk Hints | Tips & Tricks
- Cakewalk Home Studio; Cubase VST | PC Notes
- Cakewalk Pro Audio v7; Musician's CD Player | PC Notes
- Candid | Playback | Readers' Music Reviewed
- Capacitor Microphones Explained | Exploration
- Capturing A Good Vocal Performance | Tips & Tricks
- Career; CD-R Backups; Mastering; Reducing Fan Noise; Minidisc Copying; Recording Vocals | Q & A
- CATCH PHRASE | Practical Phrase Sampling For Modern Music Production: Part 3
- CD The Next Generation: Super Audio Compact Disc | Exploration
- CD-Grab; Koan Plus Generative Music 1 | PC Notes
- CD-R Recorders; Marantz CDR620; Cyberspace | PC Notes
- Cheap & Cheerful Music Programs On The ST Platform | Atari Notes
- Cheap Sampling With PC Soundcards | Tips & Techniques
- Check Your Plug-ins | PC Notes
- Checking The Full Specification Of Your PC | Feature | Tips & Tricks
- Chip Replacement | Tips & Techniques
- CHIPS WITH EVERYTHING | PC Musician Hardware Update
- Choosing A CD Writer; Granular Synthesis | PC Notes
- Choosing A Microphone: Types & Uses | Tips & Techniques
- Choosing A Recording Setup, Part 1 | Tips & Techniques
- Choosing A Recording Setup, Part 2 | Tips & Techniques
- Choosing A Recording Setup, Part 3 | Tips & Techniques
- Choosing A Recording Setup, Part 4 | Tips & Techniques
- Choosing A Recording Setup, Part 5 | Tips & Techniques
- Choosing PC Drives & Controllers, Part 1 | Tips & Techniques
- Choosing PC Drives & Controllers, Part 2 | Tips & Techniques
- Choosing Studio Cable | Tips & Techniques
- Clarity & WaveTools | Amiga Notes
- Coding Computer Audio | Cutting Edge
- Comp Performances | Logic Notes
- Compact Disc Formats Explained | Exploration
- Compatible Drives | Atari Notes
- Compiling An Album On CD-R | Tips & Tricks
- Compressing Your Mix | Tips & Techniques
- Compression & Limiting | Exploration
- Compressors | Exploration
- Computer Busses | Apple Notes
- Computer Hassles | PC Notes
- Configuring Pro Tools for Traditional Band Recording | Digidesign (Avid) Pro Tools Tips & Techniques
- Configuring Your PC | PC Notes
- Connecting Audio + MIDI Signals Inside PC Music Software | Feature | Tips & Tricks
- Consumer Portable Macs; Audio Ease thOnk_0+2 | Apple Notes
- CONTROLLING INFLUENCE | Using Budget MIDI Hardware Controllers with a PC
- Cool MAX Timeline; MPEG | Apple Notes
- Coping With Crashes In Windows '95 | Tips & Tricks
- Correct Timings Of Multitrack Drum Recordings | Logic Notes
- Cost Of MIDI Files | Atari Notes
- Cost-effective CD-playing & Video-editing Software | Atari Notes
- Cost-effective MIDI | Atari Notes
- CPU Clock Speed | Apple Notes
- Crash TV | Playback | Readers' Music Reviewed
- Crawly Crypt | Atari Notes
- Creating A Cubase MIDI Mixer Map For Yamaha SY85, Part 1 | Tips & Techniques
- Creating A Cubase MIDI Mixer Map For Yamaha SY85, Part 2 | Tips & Techniques
- Creating A Website, Part 1 | Tips & Tricks
- Creating A Website, Part 2 | Tips & Tricks
- Creating A Website, Part 3 | Tips & Tricks
- Creating A Website, Part 4 | Feature | Tips & Tricks
- Creating A Website, Part 5 | Tips & Tricks
- Creating A Website, Part 6 | Feature | Tips & Tricks
- Creating Analogue Sounds On Digital Synths, Part 1 | Tips & Techniques
- Creating Analogue Sounds On Digital Synths, Part 2 | Tips & Techniques
- Creating Analogue Sounds On Digital Synths, Part 3 | Tips & Techniques
- Creating Analogue Sounds On Digital Synths, Part 4 | Tips & Techniques
- Creating Audio CDs & The Future Of CD-R; NeatO | PC Notes
- Creating Custom Sample Textures | Tips & Tricks
- Creating Multiple Booting PC Environments | Tips & Tricks
- Creating Multiple-Booting PC Environments | Tips & Tricks
- Creating Orchestral Arrangements On A Budget | Tips & Tricks
- Creating Orchestral Music With Sampled Instruments | Tips & Tricks
- Creating Personalised AWE32/64 Soundfonts | Tips & Tricks
- Creating Realistic Sample-based Orchestral Arrangements, Part 1 | Tips & Tricks
- Creating Reverse Reverb | Tips & Tricks
- Creating Rhythmic Gate Effects | Tips & Tricks
- Creative Loop Construction | Tips & Techniques
- Creative Sampling Made Easy | Tips & Techniques
- Creative Sampling, Part 1 | Tips & Techniques
- Creative Sampling, Part 2 | Tips & Techniques
- Creative Sequencer Tips, Part 1 | Tips & Techniques
- Creative Sequencer Tips, Part 2 | Tips & Techniques
- Creative Sequencer Tips, Part 3 | Tips & Techniques
- Creative Use Of Effects | Tips & Tricks
- Creative Use Of Your Sampler | Tips & Techniques
- Crescendo Web & Internet | Apple Notes
- Cross Platform | Atari Notes
- Cubase 5.01 | PC Notes
- Cubase 5.0; JXsynth | PC Notes
- Cubase Audio: Atari Falcon | Exploration
- Cubase Lite Update & Gravis Ultrasound | PC Notes
- Cubase Logical Edit Explained, Part 1 | Exploration
- Cubase Logical Edit Explained, Part 2 | Tips & Techniques
- Cubase Logical Edit Explained, Part 3 | Exploration
- Cubase Score Editor | Steinberg Cubase Tips & Techniques
- Cubase VST v3.71; Musical Freeware | PC Notes
- Current State Of The Atari | Atari Notes
- Customise Your PC; Yamaha Software | PC Notes
- Customising Multi Instruments | Logic Notes
- Cycling 74; MacOS X; Studio Systems 2.1 | Apple Notes
- D-sound Pro 3.5 Beta | Apple Notes
- D-SoundPRO 2.5 & Ambrosia ColorSwitch | Apple Notes
- Darren Cleare | Playback | Readers' Music Reviewed
- Dealing With Computer Audio Latency | Tips & Tricks
- Decibels Explained | Exploration
- Demystifying Yamaha's XG Soundcards | Exploration
- Desktop Video On Your PC | Tips & Techniques
- Device Drivers & External Controllers | PC Notes
- DI Boxes & Why We Need Them | Exploration
- Digidesign's Digital Audio Engine; Inside Digidesign 882 | Apple Notes
- Digidesign's Pro Tools Explained, Part 1 | Tips & Tricks
- Digidesign's Pro Tools Explained, Part 2 | Tips & Tricks
- Digidesign's Pro Tools Explained, Part 3 | Exploration
- Digital Audio | Frequently Asked Questions
- Digital Delay Tactics | Tips & Techniques
- Digital Interconnection Standards Explained | Exploration
- Digital Performer v2.0 | Apple Notes
- Digital Repatching; Music Production; CD Writer; Digital Mastering; Insuring Equipment; Powered Monitors; FM Synth Editor | Q & A
- Digitally Transfering Sounds From Audio CD To Your PC | Tips & Tricks
- Direct Injection | Exploration
- Direct-to-disk Sampling System | Amiga Notes
- Direct-To-Stereo Recording | Tips & Tricks
- DirectConnect; Finale | Apple Notes
- DirectSound | PC Notes
- DirectX 6.1, DirectMusic; Yamaha CRW4260S; Pentium III | PC Notes
- DirectX; Music On The Internet | PC Notes
- Disk2File; Sound Forge v4.5 | PC Notes
- Distributing Music Over The Internet | Net Notes
- DIY Drum Pads And Pedal Triggers | Tips & Techniques
- DIY Speaker Stands | Tips & Techniques
- Downloadable Samples & Online Sampling Resources | Net Notes
- Dr T's M Package & OctaMED Pro v.6 | Amiga Notes
- Dr T's MIDI-Ax | Atari Notes
- Drawmer DS201 Dual Gate | Tips & Techniques
- Drum Miking | Exploration
- DSoundPro | Apple Notes
- Early Sound Scattering & Control Room Design | Exploration
- Effective Drum Programming, Part 1 | Tips & Techniques
- Effective Drum Programming, Part 2 | Tips & Techniques
- Effective Drum Programming, Part 3 | Tips & Techniques
- Effective Drum Programming, Part 4 | Tips & Techniques
- EIDE; CD-R | PC Notes
- Eine Kleine Music Mouse | Atari Notes
- Electric Cow MIDI Arpeggiator & Sound Chip Synth | Atari Notes
- Electron SidStation | Atari Notes
- Electronic Cow Charming Chaos; Core Design; Softjee Audiomid | Atari Notes
- Electronic Cow EC909 | Atari Notes
- Electronic Cow MIDI Arpeggiator; Phonic MIDI Arpeggiator; Petri Sinisalo Real Arp | Atari Notes
- Electronic Cow Programs As Shareware | Atari Notes
- Electronic Cow Squash It | Atari Notes
- Electronic Cow's MIDI Arpeggiator; Sound Chip Synth | Atari Notes
- Electronic Cow's Sound Chip Synth | Atari Notes
- Electronic Cow; Softjee; Devil Studio; Easy Beat | Atari Notes
- Eliminating Phase Problems | Steinberg Cubase Tips & Techniques
- Elly Brown | Playback | Readers' Music Reviewed
- Emagic Logic's Environment | Exploration
- EMU ESI SAMPLERS MASTERCLASS | Emu ESI Samplers Masterclass
- Emulating Dolby Surround Encoding With A Stereo Mixer | Tips & Tricks
- Ensuring A Long Life For Your PC | Tips & Tricks
- EQ | Exploration
- EQ: A New Perspective | Exploration
- EQ: How & When To Use It | Tips & Techniques
- EQUALISERS EXPLAINED | Equalisers Explained
- Equipment Valeting | Tips & Techniques
- Equipping A Home Studio, Part 1 | Tips & Techniques
- Equipping A Home Studio, Part 2 | Tips & Techniques
- Equipping A Home Studio, Part 3 | Tips & Techniques
- Equipping A Home Studio, Part 4 | Tips & Techniques
- Eradicate PC Noise | PC Notes
- Escom News | Amiga Notes
- Essential Accessories For The PC Musician | Tips & Tricks
- ETF4; MIDILyser | PC Notes
- Evolution's Music Creator | PC Notes
- Evolving Role Of The PC; Steinberg Wave Player | PC Notes
- Expanding Your Effects Horizons, Part 1 | Tips & Tricks
- Expanding Your Effects Horizons, Part 2 | Tips & Tricks
- Expertise On The Web | Net Notes
- Exploring Analogue, Part 1 | Exploration
- Exploring Analogue, Part 2 | Exploration
- Exploring Analogue, Part 3 | Exploration
- Exploring The Exotic Instruments In GM/XG/GS Sound Sets | Exploration
- Exploring The History Of Electronic Music Online | Net Notes
- Exporting Audio; Incorporating External MIDI Instruments | Steinberg Cubase Tips & Techniques
- Extract Tempo Data From Unmetricised Audio | Steinberg Cubase Tips & Techniques
- Faderless Mixing | Tips & Tricks
- Faking Ensemble Backing Vocals | Tips & Tricks
- Falcon 030 | Atari Notes
- Falcon Drives | Atari Notes
- Falcon MkII & C-Lab | Atari Notes
- FaST Club; Floppyshop | Atari Notes
- Fast Winding DATs; Getting Timecode Onto Video | Q & A
- Fatar's CMS61 | PC Notes
- FEEL-GOOD FACTOR | Giving Your MIDI Tracks A Live Feel: Part 1
- FEEL-GOOD FACTOR | Giving Your MIDI Tracks A Live Feel: Part 2
- First Steps In Direct-to-stereo Recording | Tips & Tricks
- Fitzwilliam Swing Band | Playback | Readers' Music Reviewed
- Fixing The Mix, Part 1: Salvage Techniques | Tips & Techniques
- Fixing The Mix, Part 2: Advanced Improvements | Tips & Techniques
- Fractal Music | Atari Notes
- Fractal Music Composer | Atari Notes
- Frankfurt Launches For Apple Musicians | Apple Notes
- Free Internet Access | Apple Notes
- Free Internet Access | Net Notes
- Freeware/Shareware Plug-ins | Net Notes
- French Atari Show; Alibi; Panther | Atari Notes
- Fret Calculator; Softjee Live Machine | Atari Notes
- Frontier Designs Deesse | Atari Notes
- FX Shopping For Illusions: Buying A Multi-effects Unit | Tips & Techniques
- FXpansion DR-008; SamplerChan | PC Notes
- G-VOX Bridge; Voyetra | PC Notes
- Gain Structure | Exploration
- Gain Structure For Soundcard Recording | Tips & Tricks
- GEMini CD-ROM | Atari Notes
- Getting More Bass In Your Mix | Tips & Tricks
- Getting Started In Music | Frequently Asked Questions
- Getting Started With Windows '95/'98 Music Applications | Tips & Tricks
- Getting Started, Part 2 | Frequently Asked Questions
- Getting Started, Part 3 | Frequently Asked Questions
- Getting The Best From PCs Old & New | Tips & Tricks
- Getting The Best From Your Leslie Simulator | Tips & Techniques
- Getting The Most From Yamaha's Digital Mixers | Tips & Tricks
- Getting The Most Out Of Your Gear | Tips & Techniques
- Giftware | Amiga Notes
- Giving Your Recordings A 'Produced' Sound | Tips & Tricks
- Goodman PDL Computer Shows | Atari Notes
- Graphics Cards & Monitor Screens For The PC Musician | Tips & Tricks
- Ground Loops Explained | Exploration
- Guide To Upgrading Your PC | Tips & Tricks
- Guy Jackson | Playback | Readers' Music Reviewed
- Hands On On Stage Soft; Centek CenTurbo II Card | Atari Notes
- Hard Drives | Atari Notes
- Hard Drives; Memory Expansions; Faster Processors | PC Notes
- Hardware Add-ons For Falcon & ST | Atari Notes
- Hardware Supply | Apple Notes
- Harmony Central | Net Notes
- Harmony Central: Red Shift | Net Notes
- HD Recording With The Akai S1100 Sampler | Tips & Tricks
- Help For Your Hi-Fi | Tips & Techniques
- Herb | Playback | Readers' Music Reviewed
- Hi-fi Tweaks In The Studio | Tips & Tricks
- Hinton Instruments AudioCalc | Atari Notes
- Hollis Research Trackman; Roni Music's Sweet 16 | Atari Notes
- How & When To Use Mix Compression | Tips & Tricks
- How Enhancers Work | Exploration
- How To Clear Out Drivers; Utilities And Registry Entries | PC Notes
- How To Fix Vocal Tuning; Logic Upgrade; EXS24 | Logic Notes
- How To Make Your Own Digeridoo | Tips & Techniques
- How To Patch Effects & Processors | Tips & Techniques
- How To Record Singing Guitarists | Tips & Tricks
- How To Treat, Label & Store Tape | Tips & Techniques
- How To Use Amiga's MIDI Facilities | Amiga Notes
- Hybrid Arts | Atari Notes
- Hypercolourcard | Apple Notes
- iCab | Apple Notes
- Identifying & Solving MIDI Problems | Tips & Tricks
- Identifying & Solving PC MIDI & Audio Timing Problems | PC Musician
- Identifying Problems In PC Hard Disk Recording Systems | Tips & Tricks
- Igor Engraver 1.0 Light; Groovemaker 2 | Apple Notes
- iMac | Apple Notes
- iMac; MOTU Digital Performer | Apple Notes
- iMac; UBS Audio Interface | Apple Notes
- Improve Your Sequencer's Notation Facilities | Amiga Notes
- Improve Your Stereo Master With Post-Production Sweetening | Tips & Techniques
- Improving PC Performance For Music | Tips & Tricks
- Improving The Sound Of Your Reverb | Tips & Tricks
- Improving Your PC Music System On A Budget | Feature | Tips & Tricks
- Improving Your Stereo Mixing | Tips & Tricks
- Improving Your Studio For Next To Nothing | Tips & Techniques
- Information Superhighway | PC Notes
- Ins & Outs Of Gain Structure | Exploration
- Installing & Setting Up New PC Music Hardware | Tips & Tricks
- Installing A New PC Hard Drive | Tips & Tricks
- Installing PC Soundcards On Windows '95 | Tips & Tricks
- Integrating Mixing & Signal Processing | Tips & Tricks
- Integrating Samplers & Your PC Via SCSI | Tips & Tricks
- Intel Celeron; Cleansweep Deluxe v3.0 | PC Notes
- Intel Pentium 4 | PC Notes
- Interactive Composition Software | Exploration
- Interactive Phrase Synth; Merging MIDI Parts; Steinberg LM4 | Cubase Technique
- Interactive Phrase Synthesizer | Steinberg Cubase Tips & Techniques
- Interactivity; Yamaha Media Technology; System 7.5 | Apple Notes
- Interfacing Analogue & Digital Equipment | Tips & Tricks
- Internet Radio | Net Notes
- Internet Software | Apple Notes
- Introduction To Cubase, Part 1: Structure Of Cubase & The 'Arrange' Window | Tips & Techniques
- Introduction To Cubase, Part 2: Recording; Key, Drum & List Editors | Tips & Techniques
- Introduction To Cubase, Part 3: Quantisation; The Master Track; Synchronisation | Exploration
- Introduction To Cubase, Part 4: Configuring Cubase; MIDI Processing & Filtering | Exploration
- Introduction To Mixer Automation, Part 1 | Exploration
- Introduction To Mixer Automation, Part 2 | Exploration
- Islington MacExpo; OS X | Apple Notes
- Joe Connor's InterActive | Atari Notes
- Kawai K1 | Sequencing Clinic
- KEEPING IT SIMPLE | Audio Recording Using A PC Soundcard: Basic Principles
- Key Change Music Multi-port MIDI Interface; Gaston Klares' Composer Algorithmic Music Generator | Atari Notes
- Kickstart Your Inspiration | Tips & Techniques
- Koan Pro 2; Firewire Drivers | Apple Notes
- Kooky Ballerina | Demo Doctor
- Light Of Adamas; Atar Computing Magazine; Softjee Expand & Easybeat | Atari Notes
- Lin Plug Gakstaar Alpha; Angus Hewlett Drum Sample | PC Notes
- Linking Synth Sounds To Music Sequences | Tips & Tricks
- Live Multitrack Recording | Exploration
- LIVIN' IT LARGE | Increasing Loudness In Dance-music Production
- Logic Edit Function, Part 1 | Steinberg Cubase Tips & Techniques
- Logic Edit Function, Part 2 | Steinberg Cubase Tips & Techniques
- LOGIC NOTES | Compression Techniques
- LOGIC NOTES | Hyper Draw Function; Diagnose and Solve MIDI Routing Problems
- LOGIC NOTES | Automate Plug-in parameters
- LOGIC NOTES | How to match your song's tempo automatically to that of a sampled loop
- LOGIC NOTES | Time & Pitch machine; Protecting finished tracks
- LOGIC NOTES | Groove Templates
- Logitech Soundman Wave & Lyrrus G-Vox | PC Notes
- Loom & Rexecute | Amiga Notes
- Luna Lazuli | Playback | Readers' Music Reviewed
- M | Atari Notes
- Mac IIsi; Bargain vs Power | Apple Notes
- Mac OS 10 | Apple Notes
- Mac OS X | Apple Notes
- Mac OS8 Information | Apple Notes
- Machine Codes | Playback | Readers' Music Reviewed
- MacOS 9.0.4 | Apple Notes
- MacOS X | Apple Notes
- MacOS X | Apple Notes
- MacOS X; QuickTime 5 | Apple Notes
- Macro Systems Toccata 16-bit Sampling System | Amiga Notes
- MacTCP; Web Browsers | Apple Notes
- MacWorld | Apple Notes
- MacWorld Expo | Apple Notes
- MagiC Mac Vs TOS | Atari Notes
- MagiCMac | Atari Notes
- Mainstream Music Final Score v2.0; Hearcoach | Atari Notes
- Make A Test Tone; iBook; Magma PowerBook Expander | Apple Notes
- Making Arrangements — A Rough Guide To Song Construction & Arrangement, Part 1 | Tips & Techniques
- Making Arrangements — A Rough Guide To Song Construction & Arrangement, Part 2 | Tips & Techniques
- Making Arrangements — A Rough Guide To Song Construction & Arrangement, Part 3 | Tips & Techniques
- Making Arrangements: A Rough Guide To Song Construction & Arrangement, Part 4 | Tips & Techniques
- Making MIDI Sequencing More Realistic, Part 1: General Tips | Tips & Techniques
- Making MIDI Sequencing More Realistic, Part 2: Drum Parts | Tips & Techniques
- Making Music With Laptop PCs | Tips & Tricks
- Making Seamless Sample Loops With Your Hard Disk Recorder | Tips & Tricks
- Making The Most Of An 8-track | Tips & Techniques
- Making The Most Of Arpeggiators | Tips & Tricks
- Making The Most Of Soundcard Daughterboards | Tips & Tricks
- Making The Most Of Your Emu Proteus, Part 1 | Tips & Techniques
- Making The Most Of Your Emu Proteus, Part 2 | Tips & Techniques
- Making The Most Of Your Mixer | Tips & Tricks
- Making The Transition To Computer-based Digital Recording, Part 1 | Tips & Techniques
- Making The Transition To Computer-based Digital Recording, Part 2 | Tips & Techniques
- Making Use Of Discussion Lists | Net Notes
- Managing Your PC Plug-ins More Effectively | Tips & Tricks
- Manipulating Note Lengths | Steinberg Cubase Tips & Techniques
- Manufacturer Resources Online | Net Notes
- Mario Becroft PC AT; ASH Jinnee; FaST Club On Line | Atari Notes
- Mark Rafe | Playback | Readers' Music Reviewed
- Master Keyboards & PC Multimedia | PC Notes
- Master track; Meter Hitpoints; DR-Verb | Steinberg Cubase Tips & Techniques
- MASTERING MASTERS | CD Mastering On Your PC: Tools & Techniques
- Mastering On ADAT | Tips & Techniques
- MasterKEY | Atari Notes
- Match Before You Mix, Part 1 | Tips & Techniques
- Match Before You Mix, Part 2 | Tips & Techniques
- Matching The Phase Of Mic & DI Signals | Sound Workshop
- Max 3.0 7, Skinnyshort & Software upgrades | Apple Notes
- MbooM | Atari Notes
- Measuring PC Hard Drive Audio Recording Performance | Tips & Tricks
- Media Vision's Memphis | PC Notes
- Melodyne Pitch & Time Software | Apple Notes
- Meridian, Softwood | Amiga Notes
- Metadata; Networking; SCSI; Opcode Studio Vision Pro v4.0 | Apple Notes
- Mic Types & Characteristics | Exploration
- MIDI Basics, Part 1 | Exploration
- MIDI Basics, Part 2: Sequencing | Exploration
- MIDI Basics, Part 3: MIDI Messages | Exploration
- MIDI Basics, Part 4: Automation | Exploration
- MIDI Basics, Part 5: Multi-port Interfaces | Exploration
- MIDI Circuits; Controllers & Goldstar GMK49 | PC Notes
- MIDI Controllers & How To Use Them, Part 1 | Primer
- MIDI Controllers & How To Use Them, Part 2 | Primer
- MIDI Filer; Parx Quincy | Atari Notes
- MIDI Files | Atari Notes
- MIDI Files | Net Notes
- MIDI Files & MCPS | Atari Notes
- MIDI For Guitarists: A Crash Course In MIDI Effects Control | Tips & Techniques
- MIDI Guitar Workshop | Tips & Techniques
- MIDI Interfaces For The PC | Exploration
- MIDI Live | Tips & Techniques
- MIDI Master Drummer | Atari Notes
- MIDI ON THE ROAD | Live MIDI Part 1: Designing The Rig
- MIDI ON THE ROAD | Live MIDI Part 2: Preparing The System
- MIDI Patch Maps | PC Notes
- MIDI Reference Sites; MC Squared; Mission A/V | Net Notes
- MIDI Snychronisation Explained | Tips & Techniques
- MIDI Song Files | Atari Notes
- MIDI Timing Delays & Your Sampler | Tips & Techniques
- MIDI Triggering From Your Acoustic Drum Kit | Tips & Techniques
- MIDI, Audio & PC Plug-ins | Exploration
- Minimising MIDI & Audio Timing Problems In Computer Sequencers | Tips & Tricks
- Minimising Mixer & Effects Noise | Tips & Tricks
- MIX & MATCH | Mixing Programmed & Real Instruments Successfully
- Mixing Multitracked Drums | Tips & Tricks
- MMX OverDrive & AMD K6 Processors | PC Notes
- MMX; Extensions | Apple Notes
- Monitoring & Vocals | Tips & Techniques
- Monitors Demystified, Part 1: Compromise & Approximation | Exploration
- Monitors Demystified, Part 2: Frequency Response Secrets | Exploration
- MOTU 8x8 Firewire System | Apple Notes
- MOTU Digital Performer | Apple Notes
- MOTU Digital Performer, Composer MOSAIC, Freestyle | Tips & Tricks
- MOTU FreeMIDI & Opcode OMS | Apple Notes
- MOTU FreeStyle | Apple Notes
- MP3 Developments | Net Notes
- MPTEG4 Specification; Multicasting | Net Notes
- Multi-effects Explained, Part 1 | Exploration
- Multi-effects Explained, Part 2 | Exploration
- Multi-effects Explained, Part 3 | Exploration
- Multi-effects Explained, Part 4 | Exploration
- Multi-effects Explained, Part 5 | Exploration
- Multi-platform Editing & Sequencing | Atari Notes
- Multimedia; MediaPoint | Amiga Notes
- Multitimbrality Explained | Exploration
- Multitimbrality: A Brief History | Exploration
- Munon Tau Pro; Camel Audio SuperCamelPhat | PC Notes
- Music-X & Notator-X; Sequencing Roundup | Amiga Notes
- Musicator Audio | PC Notes
- Musicator; Illuminatus v3 | PC Notes
- Musicians DIY On The Internet | Net Notes
- MyAtari Free Online Magazine | Atari Notes
- Mysteries Of Metering | Exploration
- Nemesys Gigastudio; Shareware | PC Notes
- NET NOTES | Studio wiring
- NET NOTES | Songwriting Resources Online
- NET NOTES | Beatnik
- NET NOTES | Music Instruction On-line
- Net Surfing, TripleDAT & Soundscape SSHDR | PC Notes
- Netsound, SAOL & MPEG Homepages | Net Notes
- Networking On The Internet For Musicians | Tips & Techniques
- New Atari MIDI Boxes & Ports | Atari Notes
- New Beat Ace; Mario Becroft | Atari Notes
- New Purchases: What To Look Out For | Tips & Techniques
- News Of MacOS 8 | Apple Notes
- Noise: What Is It & How Can It Be Avoided? | Exploration
- Non-linear Audio Restoration On The PC | Tips & Tricks
- Norton Disk Editor; Speed Disk | Apple Notes
- Norton DiskEdit; SB Live; Jezar Freeverb VST | PC Notes
- Norton Utilities | PC Notes
- Norton Utilities Integrator; USB Tips | PC Notes
- Nurb | Playback | Readers' Music Reviewed
- NYDI & MagiC v4 | Atari Notes
- Obtaining Maximum Level On Digital Recordings | Tips & Tricks
- OctaMED | Amiga Notes
- OctaMED Technique & ARexx | Amiga Notes
- OctaMED v6 & Sound Studio | Amiga Notes
- OMS, QuickTime & Alternatives | Apple Notes
- Opcode — Behind The Scenes | Apple Notes
- Opcode Software Tips | Tips & Tricks
- Opcode World Tour | Apple Notes
- Open Or Closed Headphones | Exploration
- Optech; Arbiter | PC Notes
- Optimise PC Internal Timing & Audio Recording With Cubase VST | Tips & Tricks
- Optimising G-series Macs & iMacs, Part 1 | Tips & Tricks
- Optimising G-series Macs Powerbooks, iMacs & iBooks, Part 3 | Tips & Tricks
- Optimising G-series Macs Powerbooks, iMacs & iBooks, Part 4 | Tips & Tricks
- Optimising G-series Macs Powerbooks, iMacs & iBooks,, Part 2 | Tips & Tricks
- Optimising MIDI Levels | Tips & Tricks
- Optimising PC Digital Audio Quality In Software | Tips & Tricks
- Optimising PC Soundcard Audio Performance | Tips & Tricks
- Optimising Serial Ports; New Mac Buyer Checklist | Apple Notes
- Oregon Research's Gamesmith | Amiga Notes
- Organising Your Sample Library | Tips & Techniques
- OS X Beta | Apple Notes
- Outlook Express | Net Notes
- Overclocking; Cubase VST by Ian Waugh | PC Notes
- Painted Desert | Playback | Readers' Music Reviewed
- PC Anatomy Explained | Exploration
- PC Backups & Recording Hardware Settings | PC Notes
- PC Budget Sequencing: 7 Ways To Spend £150 On A Sequencer | Tips & Techniques
- PC Crash Recovery | Tips & Tricks
- PC Desktop Music Systems — How To Connect Them | Tips & Tricks
- PC DOS Commands | Tips & Tricks
- PC Hard Disk Recording Requirements | Exploration
- PC Jargon Explained | Tips & Techniques
- PC Musician's Guide To Plug & Play | Exploration
- PC Musicians & The Millenium Bug | Exploration
- PC Plus Soundcard | PC Notes
- PC Retrospective | PC Notes
- PC Retrospective 1993 | PC Notes
- PC Solutions For MIDI Musicians | Tips & Tricks
- PC Soundcard Buyer's Guide, Part 1: Stereo Cards | Feature | Tips & Tricks
- PC Soundcard Buyer's Guide, Part 2: Multi-channel Cards | Feature | Tips & Tricks
- PC-based Studio — Myth Or Reality? | Exploration
- PCI Busses & Windows '95 | Apple Notes
- Perceptual Coding: How Mp3 Compression Works | Exploration
- Perfect Piano Loops | Tips & Techniques
- Performer 5.0; MIDI Machine; FreeMIDI | Apple Notes
- PERFORMER NOTES | Memory Cycle Function
- PERFORMER NOTES | Clipping Window; VST Freeware plug-ins; Setting Up Side-chain
- PERFORMER NOTES | DP plug-ins; USB hardware controller
- PERFORMER NOTES | New Tool Bar and Graphical Editing Options
- PERFORMER NOTES | Sequence Editor; Audio Bundles
- PERFORMER NOTES | MIDI Automation Features
- Performing Arts Network & Hard Disk Recording | PC Notes
- Philosophy Of Mixing: Views From The Pros | Exploration
- Physical Modelling Synthesis Explained | Exploration
- Planning Your First Home Studio, Part 1 | Primer
- Planning Your First Home Studio, Part 2 | Tips & Techniques
- Planning Your First Home Studio, Part 3 | Tips & Techniques
- Planning Your First Home Studio, Part 4 | Tips & Techniques
- Planning Your First Home Studio, Part 5 | Tips & Techniques
- Plug-ins; Adobe Premiere | Apple Notes
- Polar | Digital Performer Notes
- POLAR, FreeMIDI & OMS | Performer Notes
- Portable DAT Recording On A Budget | Feature | Tips & Tricks
- Portable HD Recorder; Keyboard Sounds; Hardware Sequencer; PC Rack Case; Enhancers; Yamaha A5000 Forum; Electronic Drum Kit Noise; Ambient Recording Mic | Q & A
- Power Vocoding | Boss SE50 & SE70
- PowerPC & Custom Icons | Apple Notes
- Practical Acoustic Treatment, Part 1 | Tips & Techniques
- Practical Acoustic Treatment, Part 2 | Tips & Techniques
- Practical Acoustic Treatment, Part 3 | Tips & Techniques
- Practical Acoustic Treatment, Part 4 | Tips & Techniques
- Practical Acoustic Treatment, Part 5 | Tips & Techniques
- Practical Drum Kit Miking, Part 1 | Tips & Techniques
- Practical Drum Kit Miking, Part 2 | Tips & Techniques
- Practical Guide To Making CDs | Tips & Tricks
- Practical Phrase Sampling For Modern Music Production, Part 1 | Tips & Tricks
- Practical Phrase Sampling For Modern Music Production, Part 2 | Tips & Tricks
- Practical Studio Soundproofing, Part 1 | Tips & Techniques
- Practical Studio Soundproofing, Part 2 | Tips & Techniques
- Practical Studio Soundproofing, Part 3 | Tips & Techniques
- Practical Studio Soundproofing, Part 4 | Tips & Techniques
- Pragmatic Acoustics | Tips & Techniques
- Preventative Maintenance In The Studio | Tips & Tricks
- Print2Pict; Wacom Pen Partner | Apple Notes
- Prismatica & Internet Access | PC Notes
- Pro Tools 5.1.1; Transfer Songs From Emagic Logic | Digidesign (Avid) Pro Tools Tips & Techniques
- Producing & Recording Electric Guitar Styles | Tips & Tricks
- Producing Realistic Guitar Strumming Effects Using Creator/Notator | Tips & Techniques
- Proofing Music With MP3 & SoundJam MP | Apple Notes
- Propellerhead's Rewire | Performer Notes
- Pros & Cons Of Software & Hardware Mixers | Exploration
- Proscore v1.92; Akai Sample EXchange | Atari Notes
- PSP MixTreble; Echo Mia | PC Notes
- Psychoacoustic Enhancers | Exploration
- Purple Jaguar | Playback | Readers' Music Reviewed
- Q&A; | What kind of CD recorder is best? * Is my wordclock good enough? * How do I give my Mac MIDI? * Which recording system has the widest compatibility? Which soundcard should I choose?
- Q&A; | What is the best kind of hard drive for me? * Do I have a mic impedance problem? * Will an analogue mixer interface prperly with my soundcard? * Are my monitor problems caused by my amp? * Would a preamp improve the quality of my PC audio? How can I mak
- Q&A; | Why won't my ADAT-to-Logic audio transfer work? * How powerful a PC do I really need? * Which are the best cables for studio wiring? * How can I transfer old tape recordings to computer? What equipment do we need to record bands?
- Quick Draw; Warp9 | Atari Notes
- Quick Time 2.5 | Apple Notes
- QuickTime & Mac Audio Capabilities Table — Past & Present | Apple Notes
- QuickTime 2.0 & SampleSearch | Apple Notes
- QuickTime 3 | Apple Notes
- QuickTime 3 | Apple Notes
- QuickTime v.2.0 | Apple Notes
- QuickTime VR; ASIO USB | Apple Notes
- QuickTime With Everything | Apple Notes
- Quietpc.com; Tassman 2.1 | PC Notes
- QUiNCY; SC55 Pilot | Atari Notes
- Quinsoft Mixer Maps; Electronic Cow Charming Chaos; Pravda | Atari Notes
- RAM Doubler | Apple Notes
- Raygun | Playback | Readers' Music Reviewed
- Readers' Problems | Apple Notes
- Reality v1.5; Partition Magc 4.0 | PC Notes
- Recording & Storing Large Projects On PC Hard Disks | Tips & Tricks
- Recording 20-bit & 24-bit PC Audio | Tips & Tricks
- Recording A Choir On Location, Part 1 | Tips & Tricks
- Recording A Choir On Location, Part 2 | Tips & Tricks
- Recording A Jazz Quartet On A Budget | Exploration
- RECORDING ACOUSTIC GUITAR | Recording Acoustic Guitar
- Recording Bass Guitar | Tips & Tricks
- Recording Brass & Reeds | Tips & Tricks
- Recording Christmas Music | Feature | Tips & Tricks
- Recording In One Room | Tips & Tricks
- Recording Real Drums | Tips & Tricks
- Recording Real Pianos | Tips & Tricks
- Recording Strings | Tips & Tricks
- Recording The Spoken Voice | Tips & Tricks
- Recording The Spoken Word | Tips & Techniques
- RECORDING VOCALS ON A COMPUTER | Recording Vocals On A Computer
- Recreating Your Mixes | Tips & Tricks
- Reducing Ambient Noise In Computer-based Studios | Tips & Tricks
- Reducing Noise From Your PC — Level Check | PC Notes
- Reducing Unwanted Background Noise In The Studio | Tips & Tricks
- Reorganising Your Studio On A Budget | Tips & Tricks
- RESOURCE MANAGEMENT | Resource Management: Making The Most Of PC System Resources
- Retro Look At Sequencer Packages | Atari Notes
- Reverb & Psychoacoustics | Exploration
- Reverb From First Principles | Exploration
- Robocop, SilicaCare, CompuServe | Amiga Notes
- Rocket Network Compatability | Digidesign (Avid) Pro Tools Tips & Techniques
- Roland MC50 & MC500 | Power Sequencing
- RON BERRY: Acoustic Modelling With Analogue Modular Synth | Interview | Artist
- RT300; Video On Your PC; 1995 MEMS | PC Notes
- Salvaging Archive Tape Recording | Tips & Tricks
- Sampling Analogue Synthesizers | Exploration
- Sampling Basics, Part 1 | Tips & Techniques
- Sampling Basics, Part 2 | Tips & Techniques
- Sampling Basics, Part 3 | Tips & Techniques
- Scale Correction | Steinberg Cubase Tips & Techniques
- Schoenberg v3; Finding Software On The Internet | Atari Notes
- Science Of Digital Audio Data Reduction | Exploration
- Screen Resolution | Atari Notes
- SCSI Problems | PC Notes
- SE800, C-lab, Bernd Lohrum, Sound Studio & Soundpool | Atari Notes
- Second-hand Equipment, Part 1 | Exploration
- Second-Hand Equipment, Part 2 | Tips & Techniques
- Second-hand Macs | Apple Notes
- Secrets Of Expressive Sequencing, Part 1 | Primer
- Secrets Of Expressive Sequencing, Part 2 | Primer
- SELF-ASSEMBLY | Building Your Own PC For Music
- Setting The Right DAT Recording Level | Tips & Techniques
- Setting Up A Desktop Studio, Part 1 | Tips & Tricks
- Setting Up A Desktop Studio, Part 2 | Tips & Tricks
- Setting Up A Desktop Studio, Part 3 | Tips & Tricks
- Setting Up A New Computer | Apple Notes
- Setting Up PC Operating Systems To Avoid Hard Disk Recording Glitches | Tips & Tricks
- Shareware; Out Of Phase & Interpolate | Apple Notes
- Shift and Conquer; Compress and Sustain; Simple Midi Switch | Sound Bites
- Signal Problems & How To Avoid Them | Tips & Techniques
- SIMM Boards & Memory | Atari Notes
- Simon ST Pattern/Event Editor | Atari Notes
- SMPTE & MTC (MIDI Time Code) | Exploration
- Snapshot Mixing On A Budget | Tips & Tricks
- Software Audio Workshop & Cakewalk Professional | Exploration
- Software Samplers | PC Notes
- Software Studios — Practical Solution Or Second-best? | Exploration
- Software Synthesis; Hybrid Software | Apple Notes
- Soldering Made Easy | Tips & Techniques
- Solving Akai Sampler SCSI & CD-ROM Compatibility Problems | Tips & Tricks
- Sonic Foundry Sound Forge 4 | Software & DSP Plug-ins
- Sonic Foundry Sound Forge Software Tips | Tips & Tricks
- Sound Canvas Shareware Editor | Atari Notes
- Sound Manager | Apple Notes
- Sound Pool Native DSP Mastering Suite; Atari Computing Convention | Atari Notes
- Sound Synthesis On A Computer, Part 1 | Exploration
- Sound Synthesis On A Computer, Part 2 | Exploration
- Sound Synthesis, Part 1 | Primer
- Sound Synthesis, Part 2 | Primer
- Soundcard Compatibility; Digital Performer Vocoder Plug-ins; Budget Mics; PC Digital Mixing; Recording; Yamaha QY700 | Q & A
- Soundcard Recording | Frequently Asked Questions
- Soundcards & Multimedia | PC Notes
- Soundpool | Atari Notes
- Soundproofing Tips For The Home Studio | Tips & Techniques
- Soundscape Version 2.0; CheckIt | PC Notes
- Space Station Pro; AMD k6-2 | PC Notes
- Spectra Plus | PC Notes
- SPEED TESTS | Mac Processor Upgrades Tested For Musical Applications
- Speeding Up Your PC For Music Applications | Tips & Tricks
- Spicing Up Your Synth Sounds | Tips & Tricks
- Splitting Your PC Data Across Multiple Drives & Partitions | Tips & Tricks
- Spring-Clean Your PC | Tips & Tricks
- Squash It! Atari Computing Online | Atari Notes
- SSEYO Koan Pro, Generative Music 1; Ark Website | PC Notes
- SSEYO's Koan X & Evolution's Sound Studio Pro Gold | PC Notes
- STABILISING YOUR PC | Identifying And Solving Instability Problems
- Stealth Gee3; QuickTime 4; Sound Synthesis & Sampling; Streaming | Apple Notes
- Steinberg Cubase | Tips & Tricks
- Steinberg Freefilter; Spectralab | PC Notes
- Steinberg Rewire; MOTU Digtital Performer v2.6 | Apple Notes
- Stereo Editing, Part 1 | Tips & Tricks
- Stereo Editing, Part 2 | Tips & Tricks
- Stereo Editing, Part 3 | Tips & Tricks
- Stereo Microphone Techniques Explained, Part 1 | Exploration
- Stereo Microphone Techniques Explained, Part 2 | Exploration
- Steven Collazo | Playback | Readers' Music Reviewed
- Stopping Hackers | PC Notes
- StormTracker | Atari Notes
- Streamlining Computer Sequencing | Tips & Techniques
- Streamlining Your PC Studio | Tips & Tricks
- Stuart Robertson | Playback | Readers' Music Reviewed
- Studio Module | Steinberg Cubase Tips & Techniques
- Studio Wiring, A Practical Guide, Part 1 | Tips & Techniques
- Studio Wiring: A Practical Guide, Part 2 | Tips & Techniques
- Submitting Demo Recordings | Frequently Asked Questions
- Submixing In The MIDI Studio | Exploration
- Sun Microsystems | Apple Notes
- SuperJAM | Amiga Notes
- Sympathetic Mixing: How To Set Up A Good Mix | Tips & Techniques
- Synth School, Part 1: Analogue Oscillators, Filters & LFOs | Tips & Techniques
- Synth School, Part 2: Resonance, Envelopes & Routing | Tips & Techniques
- Synth School, Part 3: Digital Synthesis (FM, PD & VPM) | Tips & Techniques
- Synth School, Part 4: Additive Synthesis | Tips & Techniques
- Synth School, Part 5: The Origins Of S&S; | Tips & Techniques
- Synth School, Part 6: Building On PCM — The Next Generations | Tips & Techniques
- Synth School, Part 7: Transitional Synthesis | Tips & Techniques
- Synth School, Part 9: The Imitation Of Analogue | Tips & Techniques
- Synth School, Part 10: Modelling Electric Instruments | Tips & Techniques
- Synth School, Part 11: Modelling Strings & Wind Instruments | Tips & Techniques
- Synth School, Part 12: The Way Ahead | Tips & Techniques
- Synth Secrets, Part 1: What's In A Sound? | Exploration
Updated here: What's In A Sound? - Synth Secrets, Part 2: The Physics Of Percussion | Exploration
Updated here: The Physics Of Percussion - Synth Secrets, Part 3: Modifiers & Controllers | Tips & Tricks
Updated here: Modifiers & Controllers - Synth Secrets, Part 4: Of Filters & Phase Relationships | Tips & Tricks
Updated here: Of Filters & Phase Relationships - Synth Secrets, Part 5: Further With Filters | Tips & Tricks
Updated here: Further With Filters - Synth Secrets, Part 6: Of Responses & Resonance | Tips & Tricks
Updated here: Of Responses & Resonance - Synth Secrets, Part 7: Envelopes, Gates & Triggers | Tips & Tricks
Updated here: Envelopes, Gates & Triggers - Synth Secrets, Part 8: More About Envelopes | Tips & Tricks
Updated here: More About Envelopes - Synth Secrets, Part 9: An Introduction To VCAs | Tips & Tricks
Updated here: An Introduction To VCAs - Synth Secrets, Part 10: Modulation | Tips & Tricks
Updated here: Modulation - Synth Secrets, Part 11: Amplitude Modulation | Tips & Tricks
Updated here: Amplitude Modulation - Synth Secrets, Part 12: An Introduction To Frequency Modulation | Tips & Tricks
Updated here: An Introduction To Frequency Modulation - Synth Secrets, Part 13: More On Frequency Modulation | Tips & Tricks
Updated here: More On Frequency Modulation - Synth Secrets, Part 14: An Introduction To Additive Synthesis | Tips & Tricks
Updated here: An Introduction To Additive Synthesis - Synth Secrets, Part 15: An Introduction To ESPS & Vocoders | Tips & Tricks
Updated here: An Introduction To ESPs & Vocoders - Synth Secrets, Part 16: From Sample & Hold To Sample-rate Converters (1) | Tips & Tricks
Updated here: From Sample & Hold To Sample-rate Converters (1) - Synth Secrets, Part 17: From Sample & Hold To Sample-rate Converters (2) | Tips & Tricks
Updated here: From Sample & Hold To Sample-rate Converters (2) - Synth Secrets, Part 18: Priorities & Triggers | Tips & Tricks
Updated here: Priorities & Triggers - Synth Secrets, Part 19: Duophony | Tips & Tricks
Updated here: Duophony - Synth Secrets, Part 20: Introducing Polyphony | Tips & Tricks
Updated here: Introducing Polyphony - Synth Secrets, Part 21: From Polyphony To Digital Synths | Tips & Tricks
Updated here: From Polyphony To Digital Synths - Synth Secrets, Part 22: From Springs, Plates & Buckets To Physical Modelling | Tips & Tricks
Updated here: From Springs, Plates & Buckets To Physical Modelling - Synth Secrets, Part 23: Formant Synthesis | Tips & Tricks
Updated here: Formant Synthesis - Synth Secrets, Part 24: Synthesizing Wind Instruments | Tips & Tricks
Updated here: Synthesizing Wind Instruments - Synth Secrets, Part 25: Synthesizing Brass Instruments | Tips & Tricks
Updated here: Synthesizing Brass Instruments - SYNTH SECRETS | Part 26: Brass Synthesis On A Minimoog
Updated here: Brass Synthesis On A Minimoog - SYNTH SECRETS | Part 27: Roland SH101/ARP Axxe Brass Synthesis *
Updated here: Roland SH101 & ARP Axxe Brass Synthesis - SYNTH SECRETS | Part 28: Synthesizing Plucked Strings
Updated here: Synthesizing Plucked Strings - SYNTH SECRETS | Part 29: The Theoretical Acoustic Guitar Patch
Updated here: The Theoretical Acoustic Guitar Patch - SYNTH SECRETS | Part 30: A Final Attempt To Synthesize Guitars
Updated here: A Final Attempt To Synthesize Guitars - SYNTH SECRETS | Synthesizing Percussion
Updated here: Of Responses & Resonance - SYNTH SECRETS | Practical Percussion Synthesis
Updated here: Envelopes, Gates & Triggers - Synthesizer Sites | Net Notes
- SyQuest EZ135 | Apple Notes
- System & Third-party Software For Sound Synthesis; PCI | Apple Notes
- Tangent Music | Amiga Notes
- Tape Machine Care | Tips & Techniques
- Tape Noise Reduction | Exploration
- Tascam DA88 Care & Maintenance | Tips & Tricks
- Taskinfo 2000; PSP Mixbass | PC Notes
- TDM MIX Systems Routing 5.1 Surround | Digidesign (Avid) Pro Tools Tips & Techniques
- Technological Tribute to Frank Zappa | Exploration
- Tempo Track Tweaking | Tips & Techniques
- Terratec EWS64; Making Waves; Musicians' Union | PC Notes
- The Advantages Of Buying From Specialist Music Retailers | Feature | Tips & Tricks
- The Amazing Assaf | Playback | Readers' Music Reviewed
- The Art Of Miking Acoustic Instruments | Tips & Techniques
- The Benefits Of Rewire Technology | Exploration
- The Cube; mLAN | Apple Notes
- The Eagle Atari Clone | Atari Notes
- The Importance Of Impedance | Exploration
- The Internet Underground Music Archive; Taxi A&R; | Net Notes
- The Mac Serial Port; Romulus PCI card; Opcode Optical Port; All About Plug-ins | Apple Notes
- The Psychology Of Recording | Exploration
- The Saint vs The Free Market | Playback | Readers' Music Reviewed
- THE SECRETS OF WARMTH & AIR | The Secrets Of Warmth & Air
- The True Cost Of Going Digital | Atari Notes
- The Way Out | Playback | Readers' Music Reviewed
- Theatre Sequencer | Apple Notes
- Things You Should Know About Hard Disk Recording | Exploration
- Tightening Drum Recordings With Beat Detective; Online Answerbase | Digidesign (Avid) Pro Tools Tips & Techniques
- Toccata 16-bit Sampler | Amiga Notes
- Tonos.com: Musicians Collaborating Online | Net Notes
- Top 10 Atari Tips | Atari Notes
- Tortus, Cakewalk & Cataloguing Floppy Disks | PC Notes
- TOS 2.06; Swiss Precision; Keychange Music Services | Atari Notes
- Touch Tracks | Logic Notes
- Tracker | Atari Notes
- Training Courses & Their Web Sites | Net Notes
- Trakcom & Falcon | Atari Notes
- Transferring 16-bit Audio Files From Mac To Synth | Apple Notes
- Transferring Digital Audio Using PC Soundcards | Tips & Tricks
- Transferring Song Data Between MIDI Sequencers | Tips & Tricks
- Transform Window | Logic Notes
- TROUBLE ON THE CARDS? | Choosing & Installing Today's PC Soundcards
- Tubetraps; Speakerstands; Room Acoustics | Net Notes
- Tunes For Toons: Writing Music for Animation | Exploration
- Understanding & Emulating Vintage Effects | Sound Techniques
- Understanding & Using Directional Microphones | Exploration
- Understanding & Using Multi-client Soundcard Drivers | Exploration
- Understanding & Writing Lyrics, Part 1 | Tips & Tricks
- Understanding & Writing Lyrics, Part 2: Modes | Tips & Tricks
- Understanding & Writing Lyrics, Part 3: Metre & Rhyme | Tips & Tricks
- Understanding & Writing Lyrics, Part 4: Connotation & Metonymy | Tips & Tricks
- Understanding And Writing Lyrics, Part 5: Simile & Metaphor | Tips & Tricks
- Untamac | Playback | Readers' Music Reviewed
- User Groups; Wessex Atari Group; Key Change Music Services | Atari Notes
- Using A PC As A Self-Contained Music Making System | Tips & Tricks
- Using A Second PC As A Standalone MIDI Soft Synth | Tips & Tricks
- Using Amps As Effects | Tips & Techniques
- Using An Optically Connected Multi-channel Digital Setup | Feature | Tips & Tricks
- Using Effects With Keyboards | Tips & Techniques
- USING EQUALISATION | Using Equalisation
- Using External MIDI Controllers | Tips & Tricks
- Using Folders & Screensets | Logic Notes
- Using Key Commands In Emagic's Logic | Tips & Tricks
- Using MIDI With Modern Dance | Apple Notes
- Using Mixermaps In Steinberg's Cubase Sequencer | Tips & Tricks
- Using Multiple Soundcards For PC Music | Tips & Tricks
- Using Onboard Synth Effects, Part 3 | Tips & Tricks
- Using Onboard Synth Effects, Part 4 | Tips & Tricks
- Using Remote Controls For MIDI & Audio Recording | Tips & Tricks
- Using Sample Loops With Logic Audio | Tips & Techniques
- Using Samplecell II With Sound Designer II | Exploration
- Using Short Delays To Create Up-front Ambience | Tips & Tricks
- Using The Opcode Studio 5LX Multi-port MIDI Interface/Patchbay, Part 1 | Exploration
- Using The Opcode Studio 5LX Multi-port MIDI Interface/Patchbay, Part 2 | Exploration
- Using The Windows 3.1 MIDI Mapper: With The Yamaha QY10 | Tips & Techniques
- Using Toast & Masterlist CD To Make CDs In The Studio | Tips & Tricks
- Using Your PC Soundcard To Improve Sound Quality In Your Studio | Tips & Tricks
- Vintage FX: Faking Tape Loop Echo | Tips & Techniques
- Virtual Mixers Explained | Exploration
- Virtual Symphony; Attila Mezei JV1080ED; Avalon | Atari Notes
- VM | Apple Notes
- Voodoo Guru | Playback | Readers' Music Reviewed
- VST Channel Settings; Channel Mixer; Cubasis v3 | Steinberg Cubase Tips & Techniques
- VST Score & VST/32 | Steinberg Cubase Tips & Techniques
- Waldorf PPG Wave 2.V; Reg Clean | PC Notes
- Wave Master; CD Recorder Pro 2; Positive Image | Atari Notes
- Web Browsers: Synth Zone; Microsoft Explorer | Net Notes
- What's In Store For 1994? | Apple Notes
- Where To Use Processors & Why, Part 1 | Tips & Techniques
- Where To Use Processors & Why, Part 3 | Tips & Techniques
- Where To Use Processors & Why, Part 4 | Tips & Techniques
- Where To Use Processors & Why, Part 5 | Tips & Techniques
- Where To Use Processors & Why, Part 6 | Tips & Techniques
- Where To Use Processors And Why, Part 2 | Tips & Techniques
- Windows '95 Resource Kit; MIDIman; PC Future | PC Notes
- Windows '98 Revisited | Exploration
- Windows '98; EZ SCSI | PC Notes
- Windows 2000 | PC Notes
- Windows 2000 — Designed With Musicians In Mind? | PC Musician
- Windows 2000 Setup; Native Instruments Reaktor | PC Notes
- Windows 98 | PC Notes
- Windows Laptops | PC Notes
- Windows ME (Millennium Edition) | PC Notes
- Windows MIDI Mapper | PC Notes
- Working On Music For Picture | Net Notes
- World Wide Web | Atari Tips & Techniques
- XGedit; Cubase VST 3.55 | PC Notes
- Xteq X-setup; Reaktor Pro-Five | PC Notes
- Yamaha CD-ROM Writer | PC Notes
- Yamaha CDE100/102 CD Writer & Digidesign Masterlist CD | Mastering On The Mac
- Yamaha QY10 | Sequencing Clinic
- Yamaha VL70M | Breath-controller Sequencing Workshop
- YOU ARE SURROUNDED | Surround Sound Explained - Part 1
- YOU ARE SURROUNDED | Surround Sound Explained - Part 2
- YOU ARE SURROUNDED | Surround Sound Explained - Part 3
- YOU ARE SURROUNDED | Surround Sound Explained - Part 4
- YOU ARE SURROUNDED | Surround Sound Explained - Part 5
- Zen And The Art Of Cassette Deck Maintenance | Tips & Techniques
- Zeus; Midigen | Atari Notes
- Zip Drives & Sample Conversion; Amisox & Soxgui | Amiga Notes
MUSIC BUSINESS
- A Personal View Of The Commercial Music Industry | Exploration
- Alternative Ways Of Marketing Your Music, Part 1 | Tips & Tricks
- Alternative Ways Of Marketing Your Music, Part 2 | Tips & Techniques
- Big George's Guide To Commercial Success: All About Himself | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Applying For Grants & Loans | Tips & Tricks
- Big George's Guide To Commercial Success: Christmas Wish List | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Copyright | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Fronting Out A Situation | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Fun | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Get Your Songs Played On Local Radio | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: How To Hit Your Intended Target | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Industry For Innovators, Not Imitators | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Management | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Pitching For A Job | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Plan Of Action, Part 2 | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Presentation | Feature | Tips & Tricks
- Big George's Guide To Commercial Success: Working In Advertising | Feature | Tips & Tricks
- Big Georges Guide To Commercial Success: BBC Television Centre | Feature | Tips & Tricks
- Big Georges Guide To Commercial Success: Plan Of Action | Feature | Tips & Tricks
- Brian Jackson: EMI Music, Part 1 | People & Politics In The Music Business
- Brian Jackson: EMI Music, Part 2 | People & Politics In The Music Business
- Dealing With Inland Revenue | Big George's Guide To Commercial Success
- DOING THE BUSINESS | Big George's Guide To Commercial Success: Lack of MU power
- DOING THE BUSINESS | Big George's Guide to Commercial Success; Staying Cool Under Pressure
- DOING THE BUSINESS | Big George's Guide To Commercial Success: Who's Who
- DOING THE BUSINESS | Big George's Guide To Commercial Success; Band stories
- DOING THE BUSINESS | Big George's Guide To Commercial Success; Letter to Tessa Jowell
- DOING THE BUSINESS | Big George's Guide To Commercial Success; Ultimatum
- Dominic Walker: BMG | People And Politics In The Music Business
- Getting Your Music Out There | Big George's Guide To Commercial Success
- How Much To Charge | Big George's Guide To Commercial Success
- Making Money From Music | Big George's Guide To Commercial Success
- Making Sense Of Music Contracts | Feature | Tips & Tricks
- Music Business Networking In The Internet Age | Career Advice
- Richard Rothman: Producing Independent Records | Interview | Music Production
- STYLOROUGE: Designing CD Covers | Feature | Tips & Tricks
SOUND ADVICE
- 20 Tips On Audio Recording With Computer Sequencers | Tips & Tricks
- 20 Tips On Buying Second-hand Gear | Feature | Tips & Tricks
- 20 Tips On Home Mastering | Tips & Tricks
- 20 Tips On Mixing | Tips & Tricks
- 20 Tips On Monitoring | Tips & Tricks
- 20 Tips On Music For The Media | Feature | Tips & Tricks
- 20 Tips On Recording Vocals | Tips & Tricks
- 20 Tips On Reducing Noise | Feature | Tips & Tricks
- 20 Tips On Smooth Studio Operation | Tips & Tricks
- 20 Tips On Songwriting | Tips & Tricks
- 20 Tips On Synth Programming | Feature | Tips & Tricks
- 20 Tips On Using Microphones | Tips & Tricks
- Akai S2000; Best Mics for Wind; Cheap Computers; PC Glitches; Heating | Q & A
- Atari Video Work; Mixing Digital Signals; Adjusting Gain; Vocal Booths; Reslo Mics; NuBas Mac Sampler | Q & A
- CD Quality; Reduce Dust; Monitors; ADAT Audio & MIDI; CD Burning; Overcoming Distortion | Q & A
- CD Writers; Editing Software; Insert Plugs | Q & A
- COMPUTERS IN THE STUDIO | Frequently Asked Questions
- Defragmenting Hard Drives; MIDI Timepiece AV; Samplers | Q & A
- Enhancers | Frequently Asked Questions
- EQ & Compression; Mastering & Reverb | Q & A
- Live Recording | Frequently Asked Questions
- Metering | Frequently Asked Questions
- Overcoming Creative Blocks | Frequently Asked Questions
- Patchbays | Frequently Asked Questions
- Processing Power | Frequently Asked Questions
- Q&A; | Could I create my own multi-band compression? * How can I archive my old samples? * Can a computer recording setup meet my requirements?
- Q&A; | Are the new iMacs good enough for serious audio work? * Which soundcard will accommodate my record decks? * How can I build a Schroeder Diffuser? * Can I reduce equipment noise? What's wrong with my keyboard?
- Q&A; | Can you help me make the most of my studio work experience? * How can I access all the sounds in my SW1000XG? * Why won't my VST instruments run in Logic? * How do sequencers work? * What's the best way to mic a classical chamber trio? * Why won't my edit
- Q&A; | How should I use my patchbay? * Why can I only play one sound with my Octapad? * How does DAT error correction work? Can I avoid the animation on your web site?
- Recording Lead Vocals | Frequently Asked Questions
- Reverb | Frequently Asked Questions
- Soundproofing & Acoustic Treatment | Frequently Asked Questions
- Surround Sound Mixing | Frequently Asked Questions
- Using Microphones — Frequently Asked Questions | Advice
- Using Plug-ins | Frequently Asked Questions
- Using VST Instruments | Frequently Asked Questions
- Vocal Recordings; Freeverb; Legal Issues; SW1000XG Soundcard | Q & A
- Voice Channels | Frequently Asked Questions
- Yamaha CS2X & CS6X; Distance From Mic; Lightpipe/ADAT Connections; Recording Multiple Tracks On PC; Realistic String Sounds; Laptop Audio Interfaces; Atari ST & Cubase | Q & A