SOUND ON SOUND
Kenton's latest take on their affordable hardware control surface concept eschews the faders of previous Control Freaks in favour of 16 knobs. And it manages to be cheaper than the fader versions...
Propellerhead Software's flexible studio package can take you in all kinds of new creative directions if you know how to get the best out of it. Let us be your guide...
Virtual analogue plug‑in synths are now common, and as DX‑style FM was the next great leap forward for real synths, a virtual FM synth was only a matter of time. So how does FM7 measure up to the original DX?
Few recent software products have stirred as much interest as Melodyne - a program offering unique pitch, time and formant-processing features, which was created not by one of the major music developers but by a maverick Bavarian musician and his software-designer friend.
Yamaha's RS7000 is a groovebox with a difference. Incorporating a sequencer, sampler and a synth, it claims to offer everything you might need for modern music production.
Software instruments are now becoming commonplace, but it's still an ambitious software developer who attempts to model an entire studio.
In these days of virtual instruments and fully featured software sequencers, why should you even consider spending £2000 on a cumbersome hardware synth workstation? If the workstation is as well thought-out as Yamaha's new Motif, perhaps you should.
It looks like a groovebox, but inside it's a powerful FM synth, fully editable via bundled software. Derek Johnson & Debbie Poyser modulate those frequencies...
Fostex's new digital mixer sports ADAT I/O and a feature set which belies its price. Derek Johnson & Debbie Poyser trip the lightpipe fantastic.
I'm trying to find a diagram of a Schroeder Diffuser but cannot locate one anywhere. I've found references for them on...