Many musicians spend their lives trying to cram hundreds of tracks into just two speakers — but performing with an NSML system presents exactly the opposite challenge!
We all know music is getting louder. But is it less dynamic? Our ground-breaking research proves beyond any doubt that the answer is no — and that popular beliefs about the 'loudness war' need a radical rethink.
When two sounds happen very close together, we hear them as one. This surprising phenomenon is the basis of musical pitch — and there are lots of ways to exploit it in sound design.
The most important pieces of hardware in any studio are the ones on the sides of your head. We look at the amazing journey your music makes on its way to the brain...
When is a reverb not a reverb? When it's a filter, of course! There's more to convolution than meets the ear, and creative processing of impulse responses can yield extraordinary results.
Synthesizing Impulse Responses Using MathWorks MATLAB
In SOUND ON SOUND September 2010s printed magazine (and digital editions), we introduced some innovative methods of recording and processing impulse responses. But if you know how to use a program like MATLAB, you can even generate them from scratch.
The Starcraft players of South Korea are the ultimate computer power users, and their skills and strategies have the potential to transform your DAW sessions.