SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Roland have enhanced the VGA monitor graphical interface of their flagship 24-track recording workstation to make it easier to use, and have also thrown in a few extra features for good measure.
From its beginnings as shareware, Syntrillium's cool Edit Pro has acquired an impressive professional user base. The new version offers more features, more power, and an updated user interface.
A heavy-duty valve preamp with variable input impedance, a unique slew-rate control, and a sublime sound.
Heavyweight TC effects processing but with a menu-free, easy-to-use, hands-on interface.
The new flagship of the Mindprint range provides a powerful combination of preamp, EQ and valve dynamics. Can it possibly sound as good as it looks?
Yamaha' s cutting-edge reverberation processor uses convolution techniques to sample the ambience of real acoustic environments, allowing extremely accurate simulations.
We check out Sennheiser's flagship open-backed headphones, compensated to make them sound more like speakers.
Antares have packed their acclaimed Auto-Tune and mic modelling processes, along with dynamics and EQ, into this 1U rack unit.
We test two pairs of high-quality closed-back headphones for discerning studio users.