Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
A striking monitor from Tannoy couples a revitalised dual-concentric driver design with a new Supertweeter, providing increased resolution for 24-bit/96kHz playback.
Drawmer's affordable new combination of master clock and sample rate converters provides an ingenious solution for high-quality digital interfacing in the home studio.
Recording in a converted attic, Tom Fox was having serious problems with his acoustics while recording drums, so the SOS team drove over to Yorkshire to sort things out.
Although XTA are perhaps better known for their live sound processors, their new SIDD dynamics processor provides world-beating dynamics processing which is just as useful in the studio.
How To Avoid Lifeless Guitar Sounds, Digital Glitches And Fried Amps!
No home studio is immune from issues of impedance, yet the subject can seem very confusing. In this workshop we explain what the recording musician needs to know about impedance, and show you how to avoid lifeless guitar sounds, digital glitches, and fried amps!