Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
TC Electronic's new flagship stereo reverb not only gives you their state-of-the-art VSS4 reverb algorithms, but also emulates a variety of reverbs through the ages.
German manufacturer RME maintain their high reputation for quality A-D/D-A interfacing with this eight-channel device, which may be run at 24-bit, 96kHz operation if desired.
With so many brand-new budget-priced microphones out there these days, I'm wondering if it might be better to get a high-quality mic second-hand instead?
Are you paralysed with indecision as to what gear to buy? What if you could try out 49 mics, 33 preamps and 29 A-D converters, all within the comfort of your own home? Well, we can all dream, but here's the next best thing for those unrelated to King Croesus...
SOS reviewers often mention their test or reference CDs — compilations of what they feel to be well-mixed, well-recorded audio, which they use to evaluate converters, monitors, and so on. But how do you go about making one yourself? We reveal all...
Once your record is mixed, edited and mastered, you may want to get it pressed professionally with proper artwork. But what's the best way to go about it?