SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
From a new and little-known Polish company come two compressors made with a “fanatical attention to detail”. Sounds intriguing...
When legendary film composer Hans Zimmer asked us to help improve the acoustics in his temporary London studio, we were only too happy to oblige!
Apogee claim that their new interface is the result of 25 years of research into digital audio — so we have high expectations for it. Find out whether the Symphony lives up to them.
With API’s 500-series 'Lunchbox' format becoming ever more popular, it was almost inevitable that someone would try to improve on the standard...
Hugh Robjohns checks out a wooden-faced master clock made by Dutch engineers Grimm Audio.
Hugh Robjohns gets to grips with a cable tester from Studiospares that offers great value for money.
Can a preamp and D‑A converter successfully straddle the pro-audio and hi‑fi markets? Drawmer believe it can...
Hugh Robjohns gets to grips with this reasonably-priced headphone amp.
You’d think a digital effect processor’s brilliance might have been eclipsed somewhat in the last decade, but Eventide have made significant software changes that keep this one fresh, relevant and desirable.