SOUND ON SOUND
Asked to nominate a favourite sound from his vast back catalogue, Jeff zeroes in on the drum recording for Shania Twain’s 1997 hit ‘Man! I Feel Like A Woman’.
As one half of Eurythmics, Dave Stewart created a chart‑topping blend of soul music and electronica. Now he’s paying tribute to his earliest influences.
Guitarist Steve Rothery is the longest‑serving member of prog‑rockers Marillion, and here he details how he got his favourite guitar sound on Marillion’s ‘The Great Escape’.
Famed recording engineer and record producer Kyle Lehning started his recording career at the age of 18 in Nashville. His career trajectory saw him go on to work with a virtual Who’s Who of the American country music scene...
American‑born producer, engineer and mixer Dave Sardy has worked with household names including Bush, Johnny Cash, Oasis and The Who. A favourite sound from his impressive discography is the guitar drone on ‘(Get Off Your) High Horse Lady’ from Oasis’ 2008 album Dig Out Your Soul.
Experienced American producer Bill Schnee picks the 1978 track 'Never Even Thought' from Colin Blunstone as the sound he's most proud of creating in the studio.
Multi‑award‑winning English music producer and engineer David Tickle explains how he created the mysterious and ethereal sound that weaves in and out of U2’s ‘All I Want Is You’.
Power co‑produced some of Robbie Williams’ biggest‑selling albums and, asked to select a favourite sound, Power recalls how he got the layered drum sound on Williams’ 1998 single ‘No Regrets’.
Grammy‑nominated producer and musician Hunter Lea currently produces and engineers out of Uptone Recorders in Tacoma, whose vintage equipment was used to produce his nominated favourite sound: the swelling oceanic tones on the 2024 track ‘Real Shoring’.
Led by vocalist, guitarist and keyboardist Jürgen Engler, Die Krupps’ blending of electronica with heavy guitars went on to influence numerous other bands, including Depeche Mode and Rammstein.