Jon Bon Jovi has stayed ahead of the pack for more than four decades, with the help of long‑term collaborators such as producer and engineer John Shanks.
Well known as guitarist with glam art‑rock pioneers Roxy Music, Phil Manzanera has also etched out parallel careers as solo artist, session musician and producer.
Steve Hackett rose to fame as guitarist with prog‑rock legends Genesis, but his sonic calling card is a guitar tone he created in 1979 on his album Spectral Mornings.
English producer and four‑time Grammy Award‑winning mixer Robert Orton, aka The Hitmixer, has worked with million‑selling artists including Lady Gaga, Enrique Iglesias, Backstreet Boys, Sting, Lana Del Rey and Robin Thicke.
Canadian producer / engineer Garth ‘GGGarth’ Richardson has worked with some of music’s biggest acts, and from his vast discography he discusses how he created an iconic bass tone.
Since forming in 2002, Irish instrumental outfit God Is An Astronaut have developed a unique sound that incorporates ambient electronica, post‑rock guitars, cinematic soundscapes and captivating melodies.
Daniel Moyler is a London‑based mixing and recording engineer who when asked to dissect a favourite sound, focuses on the drum sound from ‘Crowbar’ by Frank Carter and the Rattlesnakes.
English‑born producer and mix engineer Warne Livesey has worked with a wide array of musical artists from Australian band Midnight Oil to Scottish pop‑rockers Deacon Blue to blue‑eyed soulster Paul Young.
Andy Jackson has worked with Pink Floyd and David Gilmour since 1980, and a favourite among the many great sounds Jackson has recorded is the dry, dense drum sound heard on Pink Floyd’s ‘Marooned Jam’.