SOUND ON SOUND
Poo Bear, the American two‑time Grammy Award‑nominated songwriter, producer and principal collaborator of pop megastar Justin Bieber, chooses his own favourite vocal on a track from Bieber’s Changes album.
How they recorded the solo on ‘Solace’ from Fuel’s second album, Something Like Human (2000).
Asked to nominate his favourite sounds he’s created on record, the Tangerine Dream leader picks a track composed for the soundtrack of the video game Grand Theft Auto V in 2013.
Grammy Award‑winning American producer Howard Benson discusses how he achieved the drum sound on POD’s 2001 hit ‘Youth Of The Nation’.
Recalling his favourite sound, LA‑based producer and mixing engineer Tom Syrowski chose the vocal on Incubus’ 2011 track, ‘In The Company Of Wolves’.
Elfman recently released his latest solo album, Big Mess, and chose a track from the album as his favourite sonic achievement.
New York‑based engineer and producer Andrew Maury, when asked to pick a favourite sound that he’s worked on, nominates the drum mix he created for Lewis Del Mar's ‘Loud(y)’.
Landquist reveals how he got his favourite sound on A‑ha’s ‘Lifelines’, the 2002 title track to the Norwegian synth‑popsters’ seventh studio album.
For their 15th album, Duran Duran collaborated with three masters of electronic music and a dog‑fixated artificial intelligence.
When asked to pick a favourite sound that he’s worked on, English producer and mixing engineer Tim Palmer nominates the radio speaker guitar intro from Pearl Jam's ‘Black’.