SOUND ON SOUND
The fist release in Opcode's new studio 'X' series is designed to help you sort out your MIDI studio, whether it's based around a Mac or PC. Martin Russ finds out whether it has the right connections.
This year's Frankfurt MusiKmesse was virtually stuffed with digital synths in analogue clothing. Martin Russ takes an exclusive first look at Yamaha's eagerly awaited entry in the 'analogue for the '90s' stakes, the AN1X.
After another panicky start to the year for the MacOS, Martin Russ asks what happens next.
Martin Russ puts the latest doom and gloom Apple news from the media into context.
This month, MacOS evangelist Martin Russ reports back from the recent optimistic Apple Expo show, and dishes out some more tips on file management.
Hard disk recording is what everyone seems to be talking about, with new systems being released, at all levels of the market, almost every month. For anyone confused about how hard disk recording works, Martin Russ points out a few things you might not have considered...
Astonished by the speed of software development, Martin Russ wonders where it's all leading... MOTU Digital Performer.
Martin Russ gets to grips with Quick Time 2.5, explains how Weird Blinking Lights work, and gives his regular roundup of Mac news and useful 'net addresses.
Multi-port MIDI interface and patchbays can seem an expensive indulgence for the average studio. But, as Martin Russ explains in the concluding part of this two-part feature, they can really help you to get the best use from the MIDI gear you already own.
The Alesis QS line gets a flagship, with a weighted keyboard, controller features, and an extended sound set. Helmsman Martin Russ finds out whether she's seaworthy...