Over the years many musicians have got started with a low-cost Creative Labs soundcard, but the latest upmarket Soundblaster Live! model is even more tempting. Martin Walker checks out the specs.
In a departure from their normal approach, Soundscape have developed a system that works inside your PC rather than outside it. Martin Walker takes a closer look at the Mixtreme environment.
If you're still under the impression that the Celeron is a type of vegetable, now's the time to find out more. Martin Walker plugs in some new processors.
The small and not-so-small time delays between a signal entering and then emerging from a computer soundcard can turn hard disk recording into a frustrating experience. Martin Walker leads us through the twists and turns of latency.
Collaboration between hardware and software developers isn't common in the world of PC music — but this month Martin Walker reports on several attempts to bridge the divide.
Subtle timing nuances play a large part in the feel of much of today's rhythm-based music. Martin Walker bangs the drum about creative use of groovy time-tweaking functions.
Audio software and PC soundcards are offering 20- or 24-bit recording capabilitiy at even more affordable prices — but whether the extra data on your hard disk will actually correspond to better sound quality depends on a host of other factors. Martin Walker tells you what you need to know when deciding if you should make the change.
These days, high-end PC soundcards offer much more than mere audio interfacing, incorporating mixing, synthesis, sampling and often powerful onboard processing facilities. Martin Walker finds the features of Creamware's new DSP-powered Music Production Environment' impressive even by modern standards.
No-one enjoys making backups, but they are a necessary part of digital audio recording. Martin Walker explores the options, and explains their strengths and weaknesses.