SOUND ON SOUND
Paul Tingen has been a contributor to Sound On Sound since 1990. In addition to his regular artist and producer interviews, he began writing the Inside Track: Secrets of the Mix Engineers series in January 2008.
He is also the author of a book, Miles Beyond: the Electric Explorations of Miles Davis, 1967-1991 (Billboard Books), a producer, and a guitarist with one album to his name.
Paul maintains two web sites: www.tingen.org and www.miles-beyond.com, and an Instagram page: @paultingenmusic
Beyoncé’s right-hand man DJ Swivel has reinvented himself as a mix engineer — and his work with the Chainsmokers produced 2016’s biggest track.
Electronic, heavily processed and sample-based, 22, A Million was a radical departure for Bon Iver — and from normal recording and mixing practice...
Is mixing on a large analogue desk still worth the trouble? For George Seara and Shawn Mendes, it seems to be working out quite well...
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
Blink 182’s chart-topping California brought Zakk Cervini his first mix credit on a hit album — but he had to work hard to get it.
The hottest Broadway show for decades has spawned a smash hit album. But, as engineers Derik Lee and Tim Lathan explain, Hamilton is not your average ‘original cast recording’.
Reinvented by a little-known Norwegian production team, a song about not being famous any more made Mike Posner more famous than ever...
PJ Harvey’s long-term co-producer John Parish is uncompromising in his willingness to experiment — even with the world watching!
The success of Deftones’ Gore album is reward for the band’s restless experimentation — and for the work of engineer, producer and mixer Matt Hyde.
John Carpenter is not only a cult movie-maker, but also a pioneering electronic composer. John, his son Cody and collaborators Alan Howarth and Daniel Davies explain how it’s all possible.