SOUND ON SOUND
Although the Access Virus features one of the most knobby control surfaces amongst virtual analogue synths, there's a lot of programming flexibility available which isn't immediately obvious. We show you how to uncover the hidden possibilities?
Bob Moog's name is forever associated with the synthesizer — but why? We take a trip back in time to explain the story of the man and the modular systems that provided the basis for nearly all modern synths.
In Part 5 we explained how a label can create its own distribution channels by selling merchandise on the Internet. This month we examine dedicated distribution companies, and how the smaller companies can serve niche record labels.
The Microwave synths are complex beasts, so here are some hands-on tips to help you get the creative results you're after, without spending all your time programming.
There's an array of powerful music‑making software tools out there, but because they're considered 'hard' they don't get the same publicity as the latest toys available at your local music shop.
Ear training - learning to intuitively recognise note intervals, chords and progressions, and even absolute pitches - is something that many musicians could benefit from, although few actually attempt it. Richard Leon explains the skills involved, and rounds up some software which can help you improve in this area.