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June 1996 Magazine Contents

Reviews

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ART Pro Noise Gate
8-channel Noise Gate
Reviews
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Audio Technica Six-pack
Studio Microphone Assortment
Reviews
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Boss GX700
Guitar Effects Processor/Preamp
Reviews
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Cakewalk Pro Audio v4.01
Sequencing Software
Reviews
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Dynaudio BM5 & BM10
Nearfield Monitors
Reviews
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Fostex D80
Digital Multitrack Recorder
Reviews
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Korg Pandora
Guitar Multi-Effects Processor
Reviews
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Mackie 1402VLZ
12-Channel Mic/Line Mixer
Reviews
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Moog Memorymoog
Analogue Polysynth (Retro)
Reviews
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Passport Alchemy 3
Sample Editor
Reviews
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Samson PL2404
4-Buss Line Mixer
Reviews
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Spectral Audio ProTone
Monosynth
Reviews
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Studiomaster Mixdown Classic 8
8-buss Mixer
Reviews
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Waldorf Miniworks
4-pole Filter
Reviews
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Yamaha P150
Electronic Piano
Reviews

Techniques

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Buying An Effects Processor
Feature | Tips & Tricks
Techniques
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CD-Grab; Koan Plus Generative Music 1
PC Notes
Techniques
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MacTCP; Web Browsers
Apple Notes
Techniques
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MagiC Mac Vs TOS
Atari Notes
Techniques
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Match Before You Mix, Part 2
Tips & Techniques
Techniques
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Reverb & Psychoacoustics
Exploration
Techniques
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SMPTE & MTC (MIDI Time Code)
Exploration
Techniques

People

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ANDREW BARTA: Tech 21's Solid-state Superhero
Interview | Manufacturer
People
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Computers & Creativity
Opinion
People
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In The Studio
How To Become A Record Producer, Part 6
People
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NICK ROTHWELL: Visual Imagination & Unconventionality In Music
Sounding Off
People
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STEVE RODWAY OF MOTIV8: Remixing Pulp & St Etienne
Interview | Producer
People
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THE CURE: Recording Wild Mood Swings
Interview | Band
People

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