Aphex

By simplifying the control set up of the Model 106, Aphex have squeezed four channels of compression into a 1U rackmount — making it easier to use without apparently sacrificing functionality. David Mellor's got a ticket to ride...

Paul White compares his console mic amps to the new Aphex Model 107 Tube Mic preamp and finds some interesting differences.

Aphex continue to attack the market with their high quality, value for money processors. Paul White warms to the latest release.

Famous for their Aural Exciters, Aphex continue to diversify. Paul White takes a look at the US company's new valve-based compressor.

TDM plug‑in for Pro Tools

Reviewed: Mac version

The Aphex Aural Exciter has become...

Aphex have provided an elegant way to avoid the detrimental effects of long cable runs on delicate mic signals. Hugh Robjohns evaluates the Model 1788.

The application of both traditional principles and some innovative electronic design work affords this dual-channel preamp impressive performance. Hugh Robjohns likes what he hears.

Aphex update their famous Aural Exciter and Big Bottom processes for the 21st century.

A set of pedals offering the famous Aural Exciter and Big Bottom processes for your choice of instrument.

This new optical compressor not only has a smooth sound, but also offers gain-reduction metering to help you set it up.