SOUND ON SOUND
Dolby's latest software release combines the features of their Dolby Atmos Production Suite and Dolby Atmos Mastering Suite tools into a single all-in-one solution.
The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.
Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.
For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.
Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
New iOS tool lets you create a personalised head-related transfer function.
Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.
David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.
Spatial audio. 3D music. 360‑degree sound. Call it what you will, immersive audio is a hot topic. And while researching...
