SOUND ON SOUND
These modules pair a vintage‑style EQ with a clever saturation feature — and the stereo MQ‑2 also brings controllable compression to the table.
This 1972 dual‑channel mic, line and instrument preamplifier puts two identical channels of what appear to be the same preamp design as in the 1977 into a 2U 19‑inch rackmount case.
With a compressor‑saturator stage for each of its four bands, could Drawmer’s new EQ become your latest Crush?
Drawmer have been offering no‑nonsense professional audio gear since the early ’80s, but their current range of processors offers more possibilities than ever.
Ivor Drawmer, audio electronics engineer and founder of British pro audio manufacturer Drawmer Electronics, has sadly passed away.
The 1977 combines an ultra-clean microphone preamp with a three-band parametric EQ, a compressor and three types of variable saturation.
Drawmer have released the 1972, a flexible dual-channel microphone, line and instrument preamp intended for both studio and live applications.
Drawmer's new dual-channel tube equaliser combines traditional parametric EQ with Drawmer's own high and low-pass filters to create a highly flexible, classic-sounding EQ. Paul White takes it into the studio.
The first in Drawmer's new budget range of processors aims to give you high-quality gain reduction at a compressed price. Paul White comes to the conclusion that they've got the balance right.
Drawmer's 1960 series leaps into the digital age with the launch of the 1962, which combines a specially designed low-noise preamp, variable tube coloration and audio-sweetening tools with an optional 24-bit output stage. Paul White celebrates the year of the tube.
