Drawmer

Drawmer's new dual-channel tube equaliser combines traditional parametric EQ with Drawmer's own high and low-pass filters to create a highly flexible, classic-sounding EQ. Paul White takes it into the studio.

The first in Drawmer's new budget range of processors aims to give you high-quality gain reduction at a compressed price. Paul White comes to the conclusion that they've got the balance right.

Drawmer's 1960 series leaps into the digital age with the launch of the 1962, which combines a specially designed low-noise preamp, variable tube coloration and audio-sweetening tools with an optional 24-bit output stage. Paul White celebrates the year of the tube.

There's more to gating than just getting rid of unwanted noise: the humble noise gate is capable of truly creative studio trickery. David Mellor reveals some of the unusual uses for your Drawmer DS201, but if you don't own a DS201, don't despair: these tips can be adapted for most good quality gates.

Paul White examines one of Drawmer's MX budget range of units to see whether corners have been cut, and discovers that some corners have actually been added!

Paul White forgets his Ps and Qs to concentrate on his Ss and Ts while trying out Drawmer's new MX-series de-esser.

Paul White bypasses his mixer and goes directly to tape with Drawmer's new mic/line/instrument input channel.

Paul White looks at different gain-control elements and their effect on audio.