Lexicon

Multi‑award‑winning English music producer and engineer David Tickle explains how he created the mysterious and ethereal sound that weaves in and out of U2’s ‘All I Want Is You’.

Lexicon's new Vortex effects processor takes the concept of video morphing and applies it to audio effects. Paul White takes it for a spin.

Paul White looks at how MIDI can be used to turn static effects into dynamic ones.

When it comes to cloning people, or even sheep, there's always an outcry, but where do you stand on the issue of plug-in card that effectively turns your Lexicon PCM90 into two Lexicon PCM90s? Paul White feels that first in the queue would be the appropriate location!

Paul White looks at the latest incarnation of the LXP15 and finds that it neatly bridges the gap between Lexicon's budget products and their top-of-the-range pro reverb units.

The flood of quality effects units from Lexicon continues unabated. The Reflex takes the familiar Alex format, enhances its front panel editing, adds Lexicon's new Lexi II chip for improved sound quality, and tops it all off with comprehensive MIDI control facilities. Nick Magnus gets dynamic...

Lexicon's PCM70 reveb has been widely acclaimed as a modern classic, a ubiquitous component of pro studios worldwide. Paul White tests out its successor, the PCM80, falls deeply in love with it, then has to give it back!

Paul White explores the far reaches of space with the first of a new generation of effects processors from Lexicon.

If you aspire to pro Lexicon effects such as the PCM80, but don't have deep enough pockets, the MPX1 could be just up your street. Paul White gets a sneak preview.

It's not often that plug-in cards merit the same attention as the equipment they plug into, but these add-ons are capable of transforming Lexicon's PCM80 effects processor into a completely different beast, as Paul White discovers.