Yamaha

The modest £399 price tag on Yamaha's latest dedicated reverb belies the quality and controllability the unit offers. Hugh Robjohns thinks it's up there with the best.

Yamaha's latest digital mixing console was by far the biggest crowd sensation at this year's APRS in London, taking many people by surprise with its low price and wealth of features. Dominic Hawken lends a listening ear to the first unit in the country.

Paul White tries out Yamaha'a new easy-to-use digital effects unit, and finds it brash rather than bashful.

Richard Clewes explains his fascination for this hernia-inducing sound machine from days of yore.

It's 28-voice polyphonic, with 128 sounds and a computer interface — and comes in a box the size of a video tape. Derek Johnson finds out whether size matters after all.

Could this be the ultimate one-box solution to your sound generation needs? Kevin Earley finds out.

Yamaha's Virtual Acoustic technology has begun the march toward affordability with the release of the VL7, at a little more than half the cost of the flagship VL1. Is this a DX7 for the '90s? David Crombie finds out.

Yamaha's new Virtual Acoustics instruments provide the cutting edge of sophisticated synthesis technology — at a price. But what is the company doing for the mere mortal musician amongst us? Martin Russ assesses their answer, the new W-series workstations.

Not only does this digital processor produce a wide range of convincing guitar tones, it can also double as a general-purpose studio effects unit. Paul White dusts off his axe and plugs in.

Brian Heywood browses the World Wide Web, and takes a look at the latest CD-ROM writer from Yamaha.