Yamaha

Using MD Data disks to deliver superb quality digital sound in a familiar package, does Yamaha's digital 4-track finally sound the death knell for the humble cassette multitracker? Paul Ward spins the wheel of fortune...

True, the name harks back to the CS-series synths of the '70s and '80s, but with their new CS1x, Yamaha definitely have their eyes set on the future. Critics Derek Johnson and Debbie Poyser analyse Yamaha's blue period...

Few people would deny that there's nothing like a real acoustic piano — but they're not always the most practical of instruments. Paul Ward looks at an electronic alternative that could be the answer.

When a musical giant like Yamaha start putting their name to daughter boards, you know something's up. Yet the DB50XG harnesses your PC soundcard's processing power as never before. Panicos Georghiades and Gabriel Jacobs dig the new breed...

The CBX-K1XG looks suspiciously toy-like, but conceals a versatile GM sound source and a host of MIDI controller functions behind its simple exterior. Derek Johnson nearly loses it down the back of the sofa...

The home and project studio mixer market is currently dominated by British and American manufacturers. With the release of the RM800 desk, Yamaha are clearly hoping that some of the success of their top-end digital mixers will percolate down to the middle market. Derek Johnson finds out whether the RM800 has what it takes.

It looks like a flagship reverb, yet it checks in at the price of a jet ski. Paul White cuts a dash with Yamaha's versatile new digital reverb.

After a hiatus of several years, Yamaha return to sampling with the cheapest, most portable dedicated sampler yet. Derek Johnson coins a phrase...

Some synth manufacturers seem to be hedging their bets lately, building home keyboard auto-accompaniment features into seemingly serious synths, to appeal to both types of keyboard buyer. Will the strategy pay off for Yamaha's QS300? Derek Johnson finds out in style...

Yamaha's new flagship workstation mixes 'n' matches several of the company's existing synthesis technologies and throws in a new one for good measure. But have they over-extended themselves? Simon Trask spends some time with the EX5 to find out...