Consumer recorders, such as MP3 recorders, are often equipped with a microphone powering system called ‘Plug-In Power’. This operates with a much lower voltage (typically 1.5V) and is not compatible with phantom-powered mics at all.

A self-contained software signal processor, such as an Equaliser or Compressor, which can be ‘inserted’ into the notional signal path of a DAW. Plug-ins are available in a myriad of different forms and functions, and produced by the DAW manufacturers or third-party developers. Most plug-ins run natively on the computer’s processor, but some require bespoke DSP hardware. The VST format is the most common cross-platform plug-in format, although there are several others.

A device for changing the pitch of an audio signal without changing its duration.

A special control message specifically designed to produce a change in pitch in response to the movement of a pitch bend wheel or lever. Pitch bend data can be recorded and edited, just like any other MIDI controller data, even though it isn't part of the Controller message group.

The musical interpretation of an audio frequency.

A random signal with a power spectral density which is inversely proportional to the frequency. Each octave carries an equal amount of noise power. Pink noise sounds natural, and resembles the sound of a waterfall. (cf. White Noise)

The part of a guitar that converts the string vibrations to electrical signals. Also the stylus/cartridge assembly used to replay vinyl records.

An audio connector developed by RCA and used extensively on hi-fi and semi-pro, unbalanced audio equipment. Also used for the electrical form of S/PDIF digital signals, and occasionally for video signals.

An effect which combines a signal with a phase-shifted version of itself to produce creative comb-filtering effects. Most phasers are controlled by means of an LFO.

The relative position of a point within a cyclical signal, expressed in degrees where 360 degrees corresponds to one full cycle. (Also see Polarity)