SOUND ON SOUND
If the Crumar Spirit is one of the best analogue monosynths the world has ever known, how come you've never heard of it? Gordon Reid explains...
Fostex's new digital mixer sports ADAT I/O and a feature set which belies its price. Derek Johnson & Debbie Poyser trip the lightpipe fantastic.
It may look somewhat toy-like, but Yamaha's latest desktop synth workstation is actually anything but - it features serious synthesis from the AN1x and a host of performance-friendly controls. Chris Carter gets modelling...
Behringer's take on the desktop amp modeller adds a new twist - rotary shaft encoders with LED displays. Paul White approves...
Emagic's Waveburner CD-writing package has grown to incorporate new editing features and powerful plug-in support, but retains its intuitive user interface. Paul White tests the new, improved version.
More than 30 years after the original 1176 was introduced, it has been put back into production by the designer's sons. Hugh Robjohns investigates the latest and most authentic reproduction of this classic 1960s compressor.
Roland followed their first MC303 Groovebox with the well-specified MC505. Now there's the MC307, with a spec more like the 505, a price closer to that of the 303, and more DJ-friendly features.
A new high-specification VIFA speaker cone makes its debut in AVI's latest compact monitors. Paul White puts them to the test.
Is it a home organ-style keyboard? Is it a real synth? Is it a complete crock? Paul Ward explores the Korg Sigma, an instrument with a serious identity crisis...
Paul White evaluates the DS501, which adds a new Peak Punch feature to Drawmer's classic side-chain filter gate design.
Paul White turbocharges his Mac in the never-ending battle to load up bigger and better plug-ins.
Cakewalk's Pro Audio range is one of the most widely used sequencers in the PC world, but their latest package has a new name and a new image, as well as lots of new features. Martin Walker tries out Sonar.
MOTU's good-sounding, competitively priced audio hardware has won them a lot of friends in the project-studio and professional arenas. The latest addition to their range is a 12-channel interface that offers 96kHz, 24-bit recording. Robin Bigwood tests the 1296.
Originally planned as a limited edition, the 37-note Virus Indigo virtual analogue keyboard synth surprised even its makers - demand ran so high that it became a separate product. Gordon Reid considers the newest strain of this retro Virus, and the latest v4 OS software revision.
A large-diaphragm Audio Technica condenser mic, with shockmount, for less than £200? Paul White rubs his eyes and believes his ears.
Paul White looks beneath the surface of Sound Diver 3 to discover an immensely powerful and flexible patch editor and librarian system.
Yamaha claim, via their European web site, that over 45 million people now have access to XG sounds. This is not surprising as...
